Al Hirt (November 7, 1922 – April 27, 1999) was an American trumpeter and bandleader. He is best remembered for his million selling recordings of "Java", and the accompanying album, Honey in the Horn (1963). Al was a member of The Louisiana Music Hall of Fame.
A phenomenally proficient trumpet player, Al Hirt was one
of the most successful instrumental recording artists of the 1960s. Perhaps
modeling his genial stage personality after Louis Armstrong, Hirt was a
tremendously popular performer, easily capturing the center of attention with
his massive 300-pound, 6-foot-2 frame (among his nicknames were “Jumbo” and
“The Round Mound of Sound”) but holding it with his joyful spirit and
jaw-dropping virtuosity.
Alois Maxwell Hirt was born in New Orleans, Louisiana,
the son of a police officer. At the age of six, he was given his first trumpet,
which had been purchased at a local pawnshop. He would play in the Junior Police
Band with the children of Alcide Nunez, and by the age of 16, Hirt was playing
professionally, often with his friend Pete Fountain. During this time, he was
hired to play at the local horse racing track, beginning a six-decade
connection to the sport.
Hirt was always very serious about perfecting his mastery
of his instrument, and he studied at the Cincinnati Conservatory for three
years in the early 1940s. After playing with Army bands during World War Two,
he worked with Tommy Dorsey, Ray McKinley, and Benny Goodman's big
bands--usually as first chair, but not a soloist--until he returned to New
Orleans and formed his own band in 1950.
For most of the 1950s, he was comfortable staying close
to home--musically and professionally. Raising eight kids with his first wife
probably had something to do with it, but Hirt was always happy to have a
strong association with the music and lifestyle of New Orleans. He often
performed with
clarinet player Pete Fountain, who achieved nearly the same level
of national fame, and the two remained close friends and colleagues until Hirt's death. Hirt recorded a number of mainstream Dixieland albums for Audio Fidelity and others during this period.
clarinet player Pete Fountain, who achieved nearly the same level
of national fame, and the two remained close friends and colleagues until Hirt's death. Hirt recorded a number of mainstream Dixieland albums for Audio Fidelity and others during this period.
In 1960, Hirt's group, the Dixieland Six, played Las
Vegas and was spotted by Dinah Shore, who booked them onto her television
variety show. Television and Hirt took to each other, and RCA quickly signed
him and began promoting him as a major artist. To get and keep a national
audience, Hirt had to loosen his ties to Dixieland.
Virtually none of his RCA albums have a strong Dixieland flavour, most of them featuring large studio ensembles and arrangements by veterans like Marty Paich, Billy May, and Marty Gold. His albums “Honey in the Horn,” and “Cotton Candy,” were both gold records, and he was named “Top Instrumentalist” by Billboard magazine in 1965. His recording of “Java,” won him a Grammy.
Virtually none of his RCA albums have a strong Dixieland flavour, most of them featuring large studio ensembles and arrangements by veterans like Marty Paich, Billy May, and Marty Gold. His albums “Honey in the Horn,” and “Cotton Candy,” were both gold records, and he was named “Top Instrumentalist” by Billboard magazine in 1965. His recording of “Java,” won him a Grammy.
Hirt never turned his back on his roots, though, and at
the same time he was coming to fame, he opened his own night club in the French
Quarter and appeared there regularly.
Although he toured steadily well into the 1980s, often in pops concerts with symphony orchestras, he tried to work his schedules to bring him back home quickly. His 1965 album with Arthur Fiedler and the Boston Pops was among his best-selling records, and Hirt enjoyed playing classical showpieces as well as popular numbers.
Although he toured steadily well into the 1980s, often in pops concerts with symphony orchestras, he tried to work his schedules to bring him back home quickly. His 1965 album with Arthur Fiedler and the Boston Pops was among his best-selling records, and Hirt enjoyed playing classical showpieces as well as popular numbers.
On February 8, 1970, while performing in a Mardi Gras
parade in New Orleans, Hirt was injured while riding on a float. It is
popularly believed that he was struck in the mouth by a thrown piece of
concrete or brick. Factual documentation of the details of the incident is
sparse, consisting primarily of claims made by Hirt after the incident.
Whatever the actual cause of his injuries, Hirt underwent surgery and made a
return to the club scene.
Al Hirt & Pete Fountain |
Hirt had eight children, ten grandchildren, and six
great-grandchildren. In 1990, he married Beverly Estabrook Essel, a friend of
40 years.
Al Hirt recorded more than 50 albums in his career, and
played for millions of people around the world including Pope John Paul II and
8 U.S. Presidents. He earned 4 gold albums and 1 platinum, and a Lifetime
Achievement Award from the Charlie “Bird” Parker Memorial Foundation.
(Edited mainly
from allaboutjazz.com)
Here’s the Al Hirt Band from Spring 1987 at the West Virginia Jazz Festival in Charleston, WV. Al Hirt-trumpet, Dave Zoller-piano, Bill Huntington-bass & Bobby Breaux-drums. This concert was simulcast on West Virginia, Virginia and Ohio public television.
Here’s the Al Hirt Band from Spring 1987 at the West Virginia Jazz Festival in Charleston, WV. Al Hirt-trumpet, Dave Zoller-piano, Bill Huntington-bass & Bobby Breaux-drums. This concert was simulcast on West Virginia, Virginia and Ohio public television.
2 comments:
For “Al Hirt - Swinging Dixie” go here:
https://pixeldrain.com/u/1NuaLG_J
Disc 1
SWINGIN' DIXIE! - 1958
1. CARAVAN
2. TIGER RAG
3. AND THE ANGELS SING
4. FIDGETY FEET
5. TAILGATE RAMBLE
6. HINDUSTAN
7 FLOATIN' DOWN TO COTTON TOWN
8. MISSISSIPPI MUD
9. I WANT A BIG BUTTER AND EGG MAN
10. ST. LOUIS BLUES
11. NEW ORLEANS
12. SAINTS
SWINGIN' DIXIE! VOL. 2 - 1959
13. DARKTOWN STRUTTERS BALL
14. WABASH BLUES
15. STUMBLIN'
16. FEET DRAGGIN' BLUES
17. WANG, WANG, BLUES
18. BATTLE HYMN OF THE REPUBLIC
Disc 2
SWINGIN' DIXIE! VOL. 2 - Continued
1. CHICAGO
2. I CAN'T GET STARTED
3. JUST A CLOSER WALK WITH THEE
4. STARDUST
5. SWEET LORRAINE
6. SONG OF THE WANDERER
SWINGIN' DIXIE! VOL. 3 - 1960
7. DIXIELAND ONE STEP
8. BILL BAILEY
9. WHEN MY SUGAR WALKS DOWN THE STREET
10. HIGH SOCIETY
11. SWEET GEORGIA BROWN
12. UP A LAZY RIVER
13. MACK THE KNIFE
14. BASIN STREET
15. DIDN'T HE RAMBLE
16. SOUTH RAMPART STREET PARADE
17. LULLABY OF BIRDLAND
18. DOWN BY THE RIVERSIDE
Al Hirt was a very adept player of his chosen instrument, the trumpet. In fact it is fair to say that from a relatively young age he was a virtuoso player and often overqualified for a lot of the Dixieland and pop music that he loved to perform. Featured here are three volumes of his 'Singin' Dixie!' series and they include many great standards such as 'Tiger Rag', 'Saints', 'South Rampart Street Parade' and many more! Glorious stereo across this whole set helps to showcase the 36 great tracks - a tighter sound out of New Orleans you will never hear! (Jasmine Notes)
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For “Al Hirt - Honey in the Horn / That Honey Horn Sound” go here:
https://pixeldrain.com/u/PwLV80-i
1. I Can't Get Started
2. Java
3. Man With A Horn
4. Tansy
5. Night Theme
6. Talkin' Bout That River
7. Fly Me To The Moon
8. To Be In Love
9. Al Di La
10. Malibu
11. Theme From A Dream
12. I'm Movin' On
13. Fancy Pants
14. Danny Boy
15. Long Walk Home
16. The Contrary Waltz
17. Fiddler On The Roof
18. None But The Lonely Heart
19. Alley Cat
20. tar Dust
21. Butterball
22. Over The Rainbow
23. You Took Advantage Of Me
24. Flowers And Candy
1963's Honey in the Horn is Al's definitive album; 1965's That Honey Horn Sound is a worthy follow-up. That's Chet Atkins, Floyd Cramer, Boots Randolph and Grady Martin in the band, too!
Thanks very much!
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