The son of a sharecropper, Tillman grew up in the cotton
mill town
of Post, Texas, and as a young man worked as a Western Union telegraph operator while playing mandolin with his brothers at local dances. In about 1934 he began singing as well, forging a distinctive style that has influenced numerous singers, Willie Nelson being the best known.
As jazz singers did, he freely interpreted meter and melody, often coming in ahead of or behind the beat; likewise, he often slurred words and bent notes. Later he mastered the resonator guitar, eventually playing jazzy solos on an electrified model, and then played lead electric guitar for Adolph Hofner, a western swing bandleader based in San Antonio. There, listening to other musicians as well as recordings, Tillman absorbed the sounds and styles of numerous pop, jazz, blues, and country musicians.
of Post, Texas, and as a young man worked as a Western Union telegraph operator while playing mandolin with his brothers at local dances. In about 1934 he began singing as well, forging a distinctive style that has influenced numerous singers, Willie Nelson being the best known.
As jazz singers did, he freely interpreted meter and melody, often coming in ahead of or behind the beat; likewise, he often slurred words and bent notes. Later he mastered the resonator guitar, eventually playing jazzy solos on an electrified model, and then played lead electric guitar for Adolph Hofner, a western swing bandleader based in San Antonio. There, listening to other musicians as well as recordings, Tillman absorbed the sounds and styles of numerous pop, jazz, blues, and country musicians.
Tillman’s songwriting, singing, and guitar-playing skills
led to jobs with Houston pop bandleader Mack Clark and western swing groups
fronted by Leon “Pappy” Selph and Cliff Bruner. Personnel changed frequently in
those days, and Tillman worked with many top musicians in these bands,
including steel guitarist Ted Daffan and singer-piano player Moon Mullican.
Tillman recorded as a featured vocalist with Selph’s Blue
Ridge Playboys in 1938, and, later that same year, Decca recorded him as a solo
performer. He scored his first major songwriting hit, "It Makes No
Difference Now", giving him his own Decca recording contract. Jimmie Davis
purchased the song from Floyd for $300, the rights to which he got back 28
years later. "It Makes No Difference Now" tied with "San Antonio
Rose" as the first country-pop crossover hit (Bing Crosby put both songs
on the same record)
While his early recordings mainly sought to provide
danceable rhythms, songs such as “Daisy May,” recorded in 1940, reveal his
trademark half-singing, half-speaking vocals. Tillman's only No. 1 one song as
a singer was "They Took the Stars Out of Heaven". It reached the top
of the charts in 1944. Previously, he had reached
No. 2 with "I'm Gonna
Change All My Ways". His 1944 hit, "Each Night At Nine", struck
a chord with lonely servicemen during World War II. Axis Sally and Tokyo Rose
played it heavily to encourage desertion.
Jerry Irby, Floyd Tillman and Hank Williams |
At the peak of his career the independent-minded musician
decided to retire from grinding road work. In truth, however, Tillman never
quit music altogether, and he continued to record occasionally and to make
infrequent TV appearances until shortly before his death. He also kept writing,
eventually counting more than 1,000 songs to his credit. It is estimated that
recordings featuring his tunes have sold in excess of 50 million copies
combined. Thus, his election to the Songwriters’ Hall of Fame in 1970 and the
Country Music Hall of Fame in 1984 were well-deserved.
He returned to work occasionally in the 1970's primarily
throughout Texas. He did enjoy a part in
several of the "Legends" or "Pioneer Reunion" shows in
Nashville. Tillman's final album,
recorded in 2002–2003 titled The Influence, paired him with country music
artists who were influenced by his style and performing: Willie Nelson, Merle
Haggard, Leona Williams, Dolly Parton, Justin Trevino, Ray Price, Frankie
Miller, Hank Thompson, Connie Smith, Lawton Williams, Mel Tillis, Darrell
McCall, Johnny Bush and George Jones.
Floyd continued to work until he reached his 88th
birthday, just months before his death. He passed away peacefully at his home
in Bacliff, Texas, on August 22, 2003.
(Compiled and edited from Wikipedia &
countrymusichalloffame.com)
5 comments:
For “Floyd Tillman - Columbia & RCA Sessions (1946-1957)” go here:
https://www.upload.ee/files/9279999/Floyd_Tillman.rar.html
1. Drivin' Nails In My Coffin (Alt Take) 2:39
2. Go Out and Find Somebody New (Alt Take) 2:43
3. The Same Old Blues 2:38
4. It's a Cruel, Cruel World for Me 2:31
5. Sweetheart Darlin' 2:55
6. You're Not Worth the Teardrops 2:41
7. It's Got Me Down 2:35
8. Drinking and Thinking 2:56
9. Darling Don't Go 3:00
10. Mama, What'll I Do 2:43
11. I Gotta Stop 2:34
12. The Little Miracle 3:16
13. The Last Straw 2:59
14. Just As Long As I Have You 2:57
15. The Grandest Prize 2:39
16. I've Got the Craziest Feeling (1952 Version) 2:56
17. Rose of Old Monterey 3:00
18. Why Are You Blue 2:49
19. I Don't Care Who Knows 2:54
20. You're That to Me 3:03
21. Guess I'll Be Playing the Field from Now On 3:12
22. If I Love a Liar 2:13
23. Each Little Thing Reminds Me of You 2:55
24. I Got a Feller 2:19
25. Who Cares 2:37
26. Take My Love with You Too 2:37
27. It's Over, It's Over 2:38
28. The Worm Has Turned 2:22
29. More Than Anything 2:23
30. Just One More Time 2:52
31. She's Long Gone 2:54
32. I Love You So Much It Hurts (1958 Version) 2:45
33. I Gotta Have My Baby Back (1958 Version) 2:15
34. Some Other World (1958 Version) 2:33
35. Slipping Around 2:25
36. This Cold War with You (1958 Version) 2:12
37. I've Got the Craziest Feeling (1958 Version) 2:05
38. They Took the Stars Out of Heaven 2:02
39. Each Night at Nine (1958 Version) 2:05
40. I'll Take What I Can Get (1958 Version) 1:56
Tillman made the most of an unremarkable voice, blending his froggy tones with curlicued jazz phrasings that were seldom heard in the boozy honky-tonks of the late 1940s. He was also the kind of singer who pours heartfelt delivery into the most maudlin lyrics, with impressive results. His waltz-time weeper, "I Love You So Much It Hurts" is one of the most sincerely melancholy ballads ever written; though released in 1948, it still holds a real wallop for the unsuspecting modern-day listener. Tillman also helped stretch the lyrical boundaries of country music: "Slippin' Around" was one of the first honkytonk songs to deal openly and sympathetically with the subject of adultery. In the 1950s, as slick-sounding Nashville took over country music, Tillman was left by the wayside, and by and large his music has languished out of print for decades.
Thanks for these tunes. I have some of this material on CD, but not all, so this collection fills in some gaps.
Thanks for this. I have enjoyed Tillman before and this cd has more that I have heard.
Can you re up the Floyd Tillman album?
Thanks
Here you are Stefano
https://www.upload.ee/files/12429105/Floyd_Tillman.rar.html
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