Bobby Charles (February 21, 1938 – January 14, 2010) was an
American singer-songwriter.
An ethnic Cajun, Charles was born as Robert Charles Guidry
in Abbeville, Louisiana and grew up listening to Cajun music and the country
and western music of Hank Williams. At the age of 15, he heard a performance by
Fats Domino, an event that "changed my life forever," he recalled.
He led a local group, the Cardinals, for whom he wrote a
song called Hey Alligator at the age of 14. The song was inspired by an
incident at a roadside diner, when his parting shot to a friend – "See you
later, alligator" – inspired another customer to respond with: "In a
while, crocodile."
The popularity of the song led a local record-store owner to
recommend Guidry to Leonard Chess of the Chicago-based Chess Records label.
After Bobby had sung it over the phone, Chess signed him up. He travelled to
New Orleans to record the song and several others under the name Bobby Charles.
On his first visit to Chicago, he shocked the label's owners, who had been
expecting to meet a young black singer and had arranged a promotional tour of
the "chitlin' circuit" of African-American venues.
Chess issued Charles's Later Alligator in January 1956, but
it was soon recorded as See You Later, Alligator by Bill Haley & His
Comets, whose version sold 1m copies in America (coincidentally, publicity
photos of Charles at this time showed him with a Haley-style kiss curl).
Although Charles performed alongside big names such as Little Richard, the
Platters and Chuck Berry on tours in the late 1950s, his own records for Chess,
Imperial and Jewel did not sell that well. Nevertheless, he enjoyed songwriting
royalties from hit versions of songs he had co-written, such as Walking to New
Orleans, recorded by Fats Domino in 1960, and But I Do, recorded by Clarence "Frogman"
Henry in 1961.
Charles's laidback, drawling vocal style was also a
formative influence on a style of music made by
white and black Louisiana
teenagers that came to be called swamp pop – primarily slow, rolling two-chord
ballads drawing from all the musical traditions of south Louisiana, such as
country, soul and Cajun. The genre's biggest national hits were Rod Bernard's
This Should Go On Forever and Joe Barry's I'm a Fool to Care.
Charles disappeared from the music scene in the mid-1960s
but returned in 1972 with a self-titled album on which he was accompanied by
Rick Danko and several members of Danko's group, the Band. The album's most
remarkable tracks were Before I Grow Too Old and the languorous Small Town
Talk. The radio DJ and historian Charlie Gillett summed up that song's appeal:
"It was precisely the uneventful nature of the music that made it so
alluring. Alongside the Band's rhythm section, Dr John slipped in behind the
organ to play an instantly addictive melody that is still in my blood."
Charles continued to compose and record (he was based out of
Woodstock, New York for a time) and in the 1990s he recorded a duet of
"Walking to New Orleans" with Domino.
Charles lived for some years in quiet seclusion at Holly
Beach on the Gulf of Mexico. After his house was destroyed by Hurricane Rita in
2005, he returned to Abbeville. His contribution to the music of his home state
was recognised when he was inducted into the Louisiana music hall of fame in
2007. He had been in poor health with diabetes and was in remission from kidney
cancer. He collapsed in his home and died January 14, 2010. (Info edited mainly
from Guardian)
3 comments:
Hello, can it be possible to reactivate Bobby Charles's disk? I find the original version of "(I Don't Know Why) But I Do" missing, does it exist? Thanks.
Hello RFelis, I cannot find the album you requested, but I have since acquired this one...
Bobby CHARLES – Alligators, Sprockets & Bended Knees (2020 Jasmine)
https://www.imagenetz.de/gdimY
Disc 1
1. LATER ALLIGATOR
2. ON BENDED KNEE
3. HEY GOOD LOOKIN'
4. WHY DID YOU LEAVE
5. DON'T YOU KNOW I LOVE YOU
6. WATCH IT SPROCKET
7. TIME WILL TELL
8. TAKE IT EASY, GREASY
9. AIN'T GOT NO HOME
10. LAURA LEE
11. NO USE KNOCKING
12. LONELY STREET
13. MR MOON
14. I'M A FOOL TO CARE
15. OVER YONDER
16. I'LL TURN SQUARE FOR YOU
17. PUT YOUR ARMS AROUND ME HONEY
18. WHY CAN'T YOU
19. NO MORE (I Ain't Gonna Do It)
20. YOU CAN SUIT YOURSELF
21. ONE EYED JACK
22. YEA YEA BABY (Yeah Yeah)
23. GOOD LOVIN'
24. YOUR PICTURE
Disc 2
1. SINCE SHE'S GONE
2. AT THE JAMBOREE
3. SINCE I LOST YOU
4. OH! YEAH
5. WHAT CAN I DO
6. THE TOWN IS TALKING
7. BYE BYE BABY
8. THOSE EYES
9. WHAT A PARTY
10. I JUST WANT YOU
11. FOUR WINDS
12. NOTHING AS SWEET AS YOU
13. TEENAGERS
14. TELL ME BABY
15. I'D LIKE TO KNOW
16. LOVESICK BLUES
Bonus Tracks
17. BILL HALEY & THE COMETS - SEE YOU LATER ALLIGATOR
18 FATS DOMINO - BEFORE I GROW TOO OLD
19. JOHN FRED - GOOD LOVIN'
20. FATS DOMINO - WALKING TO NEW ORLEANS
21. CLARENCE 'FROGMAN' HENRY - BUT I DO
22. FATS DOMINO - IT KEEPS RAINING
23. CLARENCE 'FROGMAN' HENRY - ON BENDED KNEES
24. JOHNNIE ALLAN & THE KRAZY KATS - YOUR PICTURE
25. BOBBY CHARLES – BUT I DO (1987)
Although he remains perhaps best known for 'See You Later Alligator', a worldwide hit for Bill Haley & His Comets, Louisiana-born singer/songwriter BOBBY CHARLES penned several other R&R/R&B classics. He also enjoyed a parallel recording career in the 50s, during the course of which he registered national R&B hits like 'Later Alligator' and 'Time Will Tell', and regional successes like 'Why Did You Leave', 'Take It Easy, Greasy', and 'Laura Lee'.
These sides are included on this compilation, which anthologises his early recording career, comprising everything that Bobby recorded for Chess and Imperial between 1955-62. Also included, by way of 'bonus tracks', are well-known covers of eight of his songs, by Bill Haley, Fats Domino, John Fred, Clarence 'Frogman' Henry and Johnnie Allan, all of which were significant hits. This is the most comprehensive collection of Bobby Charles' early career currently available.(Jasmine notes)
BTW….Bobby Charles co-wrote “But I Do” with Paul Gayten in 1960 but did not record it himself. The song was given to Clarence “Frogman” Henry who had a smash hit with it. It would be 27 years later before Bobby commercially recorded it for his 1987 album Spring Water. I have added this track for you as a bonus. Regards, Bob
equally grateful!!
Post a Comment