Walter Maynard Ferguson (May 4, 1928 – August 23, 2006) was
a Canadian jazz musician and bandleader. He came to prominence playing in Stan
Kenton's orchestra, before forming his own band in 1957. He was noted for being
able to play accurately in a remarkably high register, and for his bands, which
served as stepping stones for up-and-coming talent.
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Canadian Broadcasting Corporation Orchestra and was heard frequently on the CBC, notably featured on a "Serenade for Trumpet in Jazz" written for him by Morris Davis. Ferguson won a scholarship to the Conservatoire de musique du Québec à Montréal where he studied from 1943 through 1948 with Bernard Baker.
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Barnet. The Barnet band was notable for a trumpet section that also included Doc Severinsen, Ray Wetzel, Johnny Howell, and Rolf Ericson. Ferguson was featured on a notoriously flamboyant Barnet recording of Jerome Kern's "All The Things You Are" that showcased Ferguson's upper register playing. The recording reportedly enraged Kern's widow and was subsequently withdrawn from sale. When Barnet temporarily retired in 1949 and disbanded his orchestra, Ferguson was free to accept an offer to join Stan Kenton's newly formed Innovations Orchestra.
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In 1950, with the formation of Kenton's Innovations
Orchestra, Ferguson became a star, playing ridiculous high notes with ease. In
1953, he left Kenton to work in the studios of Los Angeles and three years
later led the all-star "Birdland Dreamband." In 1957, he put together
a regular big band that lasted until 1965, recorded regularly for Roulette (all
of the band's recordings with that label are on a massive Mosaic box set) and
performed some of the finest music of Ferguson's career. Such players as Slide
Hampton, Don Ellis, Don Sebesky, Willie Maiden, John Bunch, Joe Zawinul, Joe
Farrell, Jaki Byard, Lanny Morgan, Rufus Jones, Bill Berry, and Don Menza were
among the more notable sidemen.
After cutting back on his huge orchestra in the early '80s,
Ferguson recorded some bop in a 1983 session, led a funk band called High
Voltage during 1987-1988, and then returned to jazz with his "Big Bop
Nouveau Band," a medium-sized outfit with which he toured the world up until
his death from kidney and liver failure on August 23, 2006. (Info edited from
Wikipedia & All Music)
1 comment:
For Maynard Ferguson – “Verve Jazz Masters” go here;
http://www5.zippyshare.com/v/JnIpO2iG/file.html
Tracklist
1. King's Riff (3:15)
2. Maiden Voyage (3:02)
3. Willie Nillie (3:07)
4. Hymn to Her (2:37)
5. The Way You Look Tonight (2:58)
6. Can't We Talk It Over? (4:56)
7. Egad, Martha (3:55)
8. Dancing Nitely (3:47)
9. The Lamp Is Low (3:26)
10. Dream Boat (2:54)
11. Pork Pie (3:29)
12. Never You Mind (3:30)
13. Love Me or Leave Me (2:41)
14. Moonlight in Vermont (3:46)
15. Easy to Love (3:11)
16. Wildman (3:13)
Recorded in Los Angeles, California; New York, New York and Radio Recorders, Hollywood, California between 1951 and 1957.
The first half of this Verve compilation emphasizes the small group recordings of trumpeter Maynard Ferguson, while the latter half of the disc features scaled-down big-band selections. Although there are beautiful arrangements here by Bill Holman and Willie Maiden, much of this music still revolves around individual soloists, rather than section work or complex, weighty compositions.
The album's opener, "King's Riff," sees Ferguson performing with a quintet. On this tune, Ben Webster's dark, smoky tenor-saxophone playing contrasts with Ferguson's bright, brassy tone. Other highlights include the high-energy "Love Me or Leave Me" and the equally lively "Easy to Love." On the latter, the light ensemble work is tempered by vigorous bop solos from pianist Bobby Timmons and alto saxophonist Jimmy Ford. Ferguson himself plays an uncharacteristically delicate muted trumpet solo on this standard. The only song to features a singer is the ballad "Moonlight in Vermont." On this powerful arrangement, Irene Kral's silky voice is offset by the vociferous brass, including Ferguson's own robust lead trumpet work. Overall, this compilation gives listeners an excellent overview of the early career of this unique jazz master.
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