Charles Hardin Holley (September 7, 1936 – February 3, 1959)
better known as Buddy Holly, was an American singer, songwriter, and a pioneer
of rock and roll.
Buddy Holly is considered one of the most influential
founding fathers of rock 'n roll. Although his career was tragically cut short,
his body of work is considered among the finest in rock. His works and
innovations were copied by his contemporaries and those who were to follow,
including The Beatles and The Rolling Stones, and had a profound influence on
popular music.
Buddy Holly was born Charles Hardin Holley in Lubbock, Texas
to Lawrence Odell Holley and Ella Pauline Drake in 1936. The Holleys were a
musical family, and, as a young boy, Holley learned to play the violin (his
brothers oiled the strings so much that no one could hear him play), piano and
guitar. In the fall of 1949, he met Bob Montgomery in Hutchinson Junior High
School. They shared a common interest in music and soon teamed up as the duo
"Buddy and Bob." Initially influenced by bluegrass music, they sang
harmony duets at local clubs and high school talent shows. His musical
interests grew throughout high school while singing in the Lubbock High School
Choir.
Holly turned to rock music after seeing Elvis Presley sing
live in Lubbock in early 1955. A few months later, he appeared on the same bill
with Presley, also in Lubbock. Holly's transition to rock was finalized when he
opened for Bill Haley & His Comets at a local rock show organized by Eddie
Crandall, who was also the manager for Marty Robbins. As a result of this
performance, Holly
was offered a contract with Decca Records to work alone,
which he accepted. According to the Amburn book (p. 45), his public name
changed from "Holley" to "Holly" on February 8, 1956, when
he signed the Decca contract. Among the tracks recorded for Decca was an early
version of "That'll Be The Day," which took its title from a phrase
that John Wayne's character said repeatedly in the 1956 film, The Searchers.
Back in Lubbock, Holly formed his own band, The Crickets and
began making records at Norman Petty's studios in Clovis, New Mexico. Norman
had music industry contacts and believing that "That'll Be the Day"
would be a hit single, he contacted publishers and labels. Coral Records, a
subsidiary of Decca, signed Buddy Holly and The Crickets. This put Holly in the
unusual position of having two record contracts at the same time. Before "That'll
Be The Day" had its nationwide release, Holly played lead guitar on the
hit-single "Starlight", recorded in April, 1957, featuring Jack
Huddle. The initial, unsuccessful version of "That'll Be The Day"
played more slowly and about half an octave higher than the hit version.
Holly managed to bridge some of the racial divide that
marked rock n' roll music. While Elvis made black music more acceptable to
whites, Holly won over an all-black audience when the Crickets were
accidentally booked at New York's Apollo Theatre. After the release of several highly successful songs, Holly
and the Crickets toured the United Kingdom in 1958.
That same year, he met Maria Elena Santiago (born 1935 in
San Juan, Puerto Rico) while she was working as a receptionist for a New York
music publisher. He proposed to her on their very first date. She initially
thought he was kidding, but they were married in Lubbock, Texas on August 15,
1958, less than two months after they met. Maria traveled on some of the tours,
doing everything from the laundry to equipment set-up to ensuring the group got
paid.
The ambitious Holly became increasingly interested in the
New
Two nights after a performance in Duluth, Minnesota, the
three headliners gave their final show in Clear Lake, Iowa. Following the
February 2, 1959 performance at the Surf Ballroom, Buddy Holly chartered a
Beechcraft Bonanza to take him and his new back-up band (Tommy Allsup, Carl
Bunch, and Waylon Jennings) to Fargo, North Dakota. Carl Bunch did not take the
flight as he had been hospitalized for frostbite three days earlier. The Big
Bopper asked Jennings for his spot on the four-seat plane, as he wasrecovering
from the flu. Ritchie Valens had never flown on a small plane and requested
Allsup's seat. They flipped a coin for it; Valens called heads and won.
The four-passenger plane took off in light snow and gusty
winds at around 12:55 A.M., but crashed only a few minutes after takeoff. The
wreckage was discovered several hours later by the plane's owner, Jerry Dwyer,
some 8 miles from the airport on the property of Albert Juhl. The crash killed
Holly, Valens, Richardson, and the 21-year-old pilot, Roger Peterson.
While
theories abound as to the exact cause of the crash, an official determination
of pilot error was rendered by the Civil Aeronautics Board (one of the
predecessors of the Federal Aviation Administration). Although the crash
received a good deal of local coverage, it was displaced in the national news
by an accident that occurred the same day in New York City, when American
Airlines Flight 320 crashed during an instrument landing approach at LaGuardia
Airport, killing 65.
Holly's pregnant wife became a widow after barely six months
of marriage and miscarried soon after.
Holly's funeral services were held
at the Tabernacle Baptist Church in Lubbock, and his body was interred in the
City of Lubbock Cemetery in the eastern part of the city. Holly's headstone
carries the correct spelling of his surname (Holley) and a carving of his
Fender Stratocaster guitar. (edit from Wikipedia. Mp3 and scan from Lord Of The Bootsale)
3 comments:
Any chance of a re-up on this fantastic anthology?
Hello Blessup, Unfortunately I no longer have the album you requested. However I do have this one which I hope will be a good replacement.
For “BUDDY HOLLY & THE CRICKETS - THE MUSIC DIDN'T DIE (2009 Jasmine)” go here:
https://workupload.com/file/ak4y3rqkqpg
Disc 1: Nashville Sessions & Demos
1. DOWN THE LINE
2. BABY LET'S PLAY HOUSE
3. LOVE ME
4. DON'T COME BACK KNOCKIN'
5. MIDNIGHT SHIFT
6. BLUE DAYS, BLACK NIGHTS
7. BABY WON'T YOU COME OUT TONIGHT?
8. I GUESS I WAS JUST A FOOL
9. IT'S NOT MY FAULT
10. I'M GONNA SET MY FOOT DOWN
11. I'M CHANGING ALL THOSE CHANGES
12. ROCK-A-BYE ROCK
13. BECAUSE I LOVE YOU
14. ROCK AROUND WITH OLLIE VEE
15. I'M CHANGING ALL THOSE CHANGES
16. THAT'LL BE THE DAY
17. GIRL ON MY MIND
18. TING-A-LING
19. ROCK AROUND WITH OLLIE VEE
20. MODERN DON JUAN
21. YOU ARE MY ONE DESIRE
22. HAVE YOU EVER BEEN LONELY?
23. GONE
24. HONKY TONK
25. BLUE MONDAY
26. GOOD ROCKIN' TONIGHT
27. BLUE SUEDE SHOES
28. SHAKE, RATTLE & ROLL
29. AIN'T GOT NO HOME
30. RIP IT UP
31. HOLLY HOP
32. BROWN-EYED HANDSOME MAN
33. BO DIDDLEY
Disc 2: The Glory Years
1. THAT'LL BE THE DAY
2. I'M LOOKING FOR SOMEONE TO LOVE
3. LAST NIGHT
4. WORDS OF LOVE
5. MAILMAN, BRING ME NO MORE BLUES
6. NOT FADE AWAY
7. EVERYDAY
8. TELL ME HOW
9. READY TEDDY
10. VALLEY OF TEARS
11. OH BOY!
12. LISTEN TO ME
13. I'M GONNA LOVE YOU TOO
14. PEGGY SUE
15. IT'S TOO LATE
16. SEND ME SOME LOVING
17. YOU'VE GOT LOVE
18. MAYBE BABY
19. AN EMPTY CUP (AND A BROKEN DATE)
20. ROCK ME MY BABY
21. LITTLE BABY
22. BABY I DON'T CARE (YOU'RE SO SQUARE)
23. LOOK AT ME
24. RAVE ON
25. WELL... ALL RIGHT
26. TAKE YOUR TIME
27. FOOL'S PARADISE
28. THINK IT OVER
29. IT'S SO EASY
30. LONESOME TEARS
31. HEARTBEAT
32. EARLY IN THE MORNING
33. NOW WE'RE ONE
These sixty six historic sides are among the most important and influential in the history of R&R, tracing Buddy's progress from his earliest Rockabilly styled demos, in June 1955, to a memorable session in New York, in June 1958.
Buddy & The Crickets' music is truly timeless, and his records still sound every bit as fresh, exhilarating and powerful today as when they were first recorded. (Jasmine notes)
Wow! Thank You so much my friend! This is fantastic. I appreciate it very much.
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