Patsy Cline (September 8, 1932 – March 5, 1963), born Virginia Patterson Hensley, was an American country music singer who enjoyed pop music crossover success during the era of the Nashville sound in the early 1960s. Since her death in 1963 at age 30 in a private airplane crash at the height of her career, she has been considered one of the most influential, successful, and
acclaimed female vocalists of the 20th century.
Cline began recording in the mid-'50s, and although she recorded quite a bit of material between 1955 and 1960 (17 singles in all), only one of them was a hit. That song, "Walkin' After Midnight," was both a classic and a Top 20 pop smash. Those who are accustomed to Cline's famous early-'60s hits are in for a bit of a shock when surveying her '50s sessions (which have been reissued on several Rhino compilations). At times she sang flat-out rockabilly; she also tried some churchy tear-weepers. She couldn't follow up "Walkin' After Midnight," however, in part because of an exploitative deal that limited her to songs from one publishing company.
Circumstances were not wholly to blame for Cline's commercial failures. She would have never made it as a rockabilly singer, lacking the conviction of Wanda Jackson or the spunk of Brenda Lee. Things took a radical turn for the better on all fronts in 1960, when her initial contract expired. With the help of producer Owen Bradley (who had worked on her sessions all along), Cline began selecting material that was both more suitable and of a higher quality than her previous outings.
"I Fall to Pieces," cut at the very first session where Cline was at liberty to record what she wanted, was the turning point in her career. Reaching number one in the country charts and number 12 pop, it was the first of several country-pop crossovers she was to enjoy over the next couple of years. More important, it set a prototype for commercial Nashville country at its best. Owen Bradley crafted lush orchestral arrangements, with weeping strings and backup vocals by the Jordanaires, that owed more to pop (in the best sense) than country.
The country elements were provided by the cream of Nashville's session musicians, including guitarist Hank Garland, pianist Floyd Cramer, and drummer Buddy Harmon. Cline's voice sounded richer, more confident, and more mature, with ageless wise and vulnerable qualities that have enabled her records to maintain their appeal with subsequent generations. When k.d. lang recorded her 1988 album Shadowland with Owen Bradley, it was this phase of Cline's career that she was specifically attempting to emulate.
It's arguable that too much has been made of Cline's crossover appeal to the pop market. Brenda Lee, whose records were graced with similar Bradley productions, was actually more successful in this area (although her records were likely targeted toward a younger audience). Cline's appeal was undeniably more adult, but she was always more successful with country listeners. Her final four Top Ten country singles, in fact, didn't make the pop Top 40.
Despite a severe auto accident in 1961, Cline remained hot through 1961 and 1962, with "Crazy" and "She's Got You" both becoming big country and pop hits. Much of her achingly romantic material was supplied by fresh talent like Hank Cochran, Harlan Howard, and Willie Nelson (who penned "Crazy").
Cline was just coming into her own when tragedy struck on March 5, 1963. On the way home from a Kansas City benefit for disc jockey Cactus Jack Callat, Cline, Randy Hughes, Cowboy Copas, and Hawkshaw Hawkins were killed when the airplane they were flying in crashed near Camden, Tennessee. At the age of 31 she had been performing for over twenty years, yet recording for less than eight. She was only a big star for a couple of years, but her influence was and remains huge.
While the standards of professionalism on her recordings have been emulated ever since, they've rarely been complemented by as much palpable, at times heartbreaking emotion in the performances. For those who could do without some of more elaborate arrangements of her later years, many of her relatively unadorned appearances on radio broadcasts have been thankfully preserved and issued.
Ironically, perhaps her most identifiable tune, "Sweet Dreams," was released posthumously and also broke the Top 10. Even with her relatively small collection of songs, Cline managed to break new ground and influence hundreds of female, and some male, country singers since. Loretta Lynn, undoubtedly Cline's most successful pupil, recorded a tribute LP, I Remember Patsy, featuring nine of Cline's songs.
"Patsy Cline knew how to cry on both sides of the microphone," wrote Donn Hecht in The Country Music Encyclopedia. "And the why of it all, explained by many, understood by few, is slowly becoming a legend unparalleled by any other country entertainer since Hank Williams." (edited mainly from AMG & Wikipedia)