Jerry Summers (born Jerome David Gross) 29 December 1942 is a founder member and lead singer with the Dovells.
The Dovells were a rock vocal group formed in
Philadelphia, PA, in 1957, as The Brooktones (taking their name from Overbrook
High School, which all its members attended). The original members were lead
singer Len Barry, Jerry Summers, Mike Freda, Arnie
Satin, Jim Mealey and Mark
Gordesky. They started to get dates singing at various school functions and
every so often at a local record store owned by John Madara, who was also a
songwriter (he co-wrote "At the Hop" for Danny and the Juniors). The
group recorded a song called "No, No, No", which got some local play,
but they remained little known outside the Philadelphia area and soon broke up.
Satin, Jim Mealey and Mark
Gordesky. They started to get dates singing at various school functions and
every so often at a local record store owned by John Madara, who was also a
songwriter (he co-wrote "At the Hop" for Danny and the Juniors). The
group recorded a song called "No, No, No", which got some local play,
but they remained little known outside the Philadelphia area and soon broke up.![]() |
Len Barry, Arnie Silver, Jerry Summers, Mike Freda, Jim
Meeley.
|
it heard and immediately signed them. Lead singer Barry asked Summers and Freda to rejoin the group, and they did. Cameo/Parkway co-owner Bernie Lowe told the group they needed a new name, and he suggested they rename themselves The
Deauvilles (after a famous hotel in Miami Beach). The members liked the sound
of the name but thought it would be too hard to spell, so they changed it to
The Dovells.
Their first record was to be a cover of a 1957 ballad by
Frankie Lymon and the Teenagers called "Out in the Cold Again", but
during production a Cameo promotions man came into the studio and told the
producers about a new dance that kids at a dance hall in Bristol--a suburb of
Philadelphia--were doing, called "The Stomp". He brought along a copy
of a record cut by some students called "Every Day of the Week" and
played it for
them. The producers liked it, stopped the session, went home that night and the next day came back with a song called "The Bristol Stomp" ("Out in the Cold Again" became that record's "B" side). The song, released in late 1961, eventually got to #2 on the Billboard charts and later went to #1 on the CashBox and R&B charts. The group's follow-up songs, all dance tunes, made it to the charts, although not as successful as "Bristol Stomp".
them. The producers liked it, stopped the session, went home that night and the next day came back with a song called "The Bristol Stomp" ("Out in the Cold Again" became that record's "B" side). The song, released in late 1961, eventually got to #2 on the Billboard charts and later went to #1 on the CashBox and R&B charts. The group's follow-up songs, all dance tunes, made it to the charts, although not as successful as "Bristol Stomp".
In January 1963 they released their second true smash,
the driving "You Can't Sit Down", hitting the top 5 on both pop and
R&B charts. The follow-up to that song, "Betty in Bermudas",
however, only made it to #50. Not long after afterwards the band heard a tape
of a song by an unknown English band that had been leased to a
small US label,
Swan Records (co-owned by Philadelphia personality Dick Clark). They liked the
song and recorded it, but Cameo Records kept putting off its release and
nothing ever came of it. The unknown English group, as it turns out, was The Beatles
and the song was "She Loves You". The Dovells' version of it remains
unreleased.
small US label,
Swan Records (co-owned by Philadelphia personality Dick Clark). They liked the
song and recorded it, but Cameo Records kept putting off its release and
nothing ever came of it. The unknown English group, as it turns out, was The Beatles
and the song was "She Loves You". The Dovells' version of it remains
unreleased.
Barry signed with Decca Records and in 1965 released his
biggest solo hit, "1-2-3", which hit #2 on the Billboard charts. His
two follow-up songs made it to the Top 40, but were not as successful as his
first one. The group continued as a trio and recorded with
varying degrees of success (they appeared in a low-budget rock film, Don't Knock the Twist (1962)), and in 1974 recorded a cover of "Dancin' in the Street," which had been a huge hit for Martha and the Vandellas ten years before in 1964, but their version -- for the Event label -- barely charted at number 105. They continued to perform until Satin gave notice that he, too, would be leaving the group. Stevens and Summers decided to continue, having band members filling in on vocals and developing a Dean Martin/Jerry
Lewis-styled stage act to go with their million-selling hits. This
approach enabled them to work for another 16 weeks a year in Las Vegas.
varying degrees of success (they appeared in a low-budget rock film, Don't Knock the Twist (1962)), and in 1974 recorded a cover of "Dancin' in the Street," which had been a huge hit for Martha and the Vandellas ten years before in 1964, but their version -- for the Event label -- barely charted at number 105. They continued to perform until Satin gave notice that he, too, would be leaving the group. Stevens and Summers decided to continue, having band members filling in on vocals and developing a Dean Martin/Jerry
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| Jerrry Summers & Mark Stevens |
In 1991, Len Barry rejoined for two reunion performances.
Summer and Stevens continue to perform nationally and internationally and have
performed for former president Bill Clinton twice at inaugural balls. Summers
also produces corporate events and runs an advertising agency when not
performing with the Dovells.
(Edited from IMDb mini bio)





