Anthony Perkins born 4 April 1932

Anthony Perkins (April 4, 1932 – September 12, 1992) was an American actor and singer. He was nominated for the Academy Award for Best Supporting Actor for his second film, Friendly Persuasion (1956), but is best remembered for playing Norman Bates in Alfred Hitchcock's Psycho (1960) and its three sequels.

A shy, slender actor whose name became virtually synonymous with legendary screen Psycho Norman Bates despite numerous solid performances in films outside the Hitchcock originated series, Anthony Perkins' sensitive and versatile early performances remain unfortunately obscured by his portrayal of the gender-bending sociopath that made filmgoers reluctant to shower alone for decades to come.

Born to actor Osgood Perkins in April 1932 (who would die when Tony was but five years old), the young Perkins decided to follow in his father's footsteps when, at age 15, he became a member of the Actor's Equity. Soon taking the stage in summer stock, the fledgling and humble thespian embraced even the more un-glamorous aspects of stage work and worked tirelessly to develop into an actor who could find celluloid success.

 Subsequent performances in such Rollins College productions as The Importance of Being Ernest helped him to develop the necessary skills, and following relocation to Hollywood, Perkins was cast alongside Spencer Tracy in the film adaptation of Ruth Gordon's dramatic play The Actress.

Reluctant to dive headfirst into what he considered the questionable ethics of Tinsletown, Perkins packed his bags for Columbia University. Landing roles in such Golden Age of Television staples as Studio One and G.E. Theatre found the actor
continuing to gain positive notice and exposure, with the success carrying over to Broadway, where Perkins would gain the respect 
of some of New York's harshest critics for his performance as a college student suspected of homosexuality in Robert Anderson's Tea and Sympathy.Nearly becoming a teen idol after crooning "A Little Love Goes a Long, Long Way" in the Goodyear TV Playhouse production Joey, Perkins released three pop music albums and several singles in 1957 and 1958 on Epic and RCA Victor under the name Tony Perkins. His single "Moon-Light Swim" was a moderate hit in the United States, peaking at number 24 on the Billboard Hot 100 in 1957.

                            

shortly before earning an Oscar nomination for his breakthrough roles in both William Wyler's Friendly Persuasion (1956) and Robert Mulligan's Fear Strikes Out (1957). With his portrayal as a timid pacifist and a disturbed baseball player respectively, Perkins' 

Perkins & Sophia Loren

sensitive performances riveted audiences and resulted in numerous film offers. Appearing in The Matchmaker (1958) and On the Beach (1959) in the following years, Perkins' screen image as a soft-spoken everyman would be forever shattered with the release of Alfred Hitchcock's controversial masterpiece Psycho. Purposefully cast against type as twitchy, psychotic mama's boy Norman Bates, it would be that characterization which would haunt Perkins' career for the rest of his days.

Alfred Hitchcock and Perkins

In an attempt to shake the association, Perkins would move to Europe after becoming a minor cultural icon following his role in Goodbye Again (1961). He appeared in such efforts as Orson Welles' The Trial (1963), Is Paris Buring? (1966), Pretty Poison (1968), Catch-22 (1970), and Mahogany (1975).  He worked more frequently in television whilst moving into the 1980s, before returning to the character of Norman Bates in the inevitable sequel Psycho II. Directed this time by Hitchcock protégé Richard Franklin, the film proved a success and ranked among the top ten releases of 1983.

From this point forward there would be little deviation from the twitchy theatricals that Perkins had perfected, and contemporary audiences would sadly witness little of the talented actor's pre-Psycho dramatic range. Associated almost exclusively with horror films by the onset of the 1990s, Perkins would return to the role of Bates for curious but widely ignored Psycho III (1986). It was only a short 
time later that Perkins would learn of his contraction of the virus 
that causes AIDS after reading of it in the tabloids. He made one more sequel in Psycho IV in 1990

Working tirelessly alongside his long-time wife, Berry Berenson, for Project Angel Food (a non-profit organization dedicated to bringing meals to AIDS patients) in his later years, Perkins' philosophical statements regarding the ravaging disease that many considered a curse of humanity showed neither bitterness, anger, nor resentment toward the disease, but that his experiences in dealing with it had taught him more about compassion and love than he ever learned in his years in the film industry. 

On September 12, 1992, Perkins succumbed to AIDS-related pneumonia in Hollywood, CA, leaving behind a haunting but hopeful message to those who have suffered from the disease in an uncredited epilogue to the AIDS drama And the Band Played On (1993).

Tragically, Perkins' wife was a passenger on one of the terrorist-hijacked planes that crashed into the World Trade Centre a day before the nine-year anniversary of Perkins' death.

 (Edited mainly from article by Jason Buchanan @ AllMusic)