Albert Nelson (April 25, 1923 – December 21, 1992), known by his stage name Albert King, was an American blues guitarist and singer whose playing influenced many others He is one of the three performers (together with B.B. King and Freddie King) known as the "Kings of the Blues."
Albert King was born in Indianola, Mississippi, the same
town where B.B. King grew up. However, on his Social Security application in
1942, his birthplace was entered as “Aboden, Miss.,” likely based on his
pronunciation of Aberdeen. King, who gave his birth date as April 25, 1923, was
raised primarily in Arkansas. As a child, he sang with his family’s gospel
group at a church where his father played the guitar. When King was eight, his
family moved to Forrest City, Arkansas and he would pick cotton on plantations
in the area. Around that same time, King bought his first guitar, paying only
$1.25. His first inspiration was T-Bone Walker.
King began working as a professional musician when he
joined a group called In the Groove Boys in Osceola, Arkansas, in the late
Forties. He then moved north and played drums with Jimmy Reed, both onstage and
on several early Reed recordings. In the early Fifties, King moved to Gary,
Indiana, and then, in 1953, to Chicago. It was in Chicago that King cut his
first singles, “Lonesome in My Bedroom” and “Bad Luck Blues,” for Parrot
Records.
The electric guitar quickly became King’s primary instrument;
his preferred instrument being “Lucy” a Gibson Flying V that he played
left-handed, holding it upside down and tuning it for a right-handed player.
Standing 6′ 4″, and weighed 260 pounds, known as “The Velvet Bulldozer”, he was
a major influence on blues & rock guitar players, some say without him,
modern guitar music would
not sound as it does, his style has influenced both
black and white blues players from Otis Rush and Robert Cray to Gary Moore and
Stevie Ray Vaughan.
not sound as it does, his style has influenced both
black and white blues players from Otis Rush and Robert Cray to Gary Moore and
Stevie Ray Vaughan.
In 1956, King returned to St. Louis and formed a new
band. He resumed recording in 1959 and scored his first minor hit, “I’m a
Lonely Man.” The song was written by Little Milton, who was an A&R man for
Bobbin Records, the label that released the record. King recorded for several
other small labels during this period, including King Records. In 1961, he
scored his first major hit, “Don’t Throw Your Love on Me Too Strong,” which
reached Number 14 on the R&B chart.
King’s real breakthrough came in 1966, when he moved to
Memphis and signed with Stax Records. Working with producer Al Jackson Jr. and
backed by Booker T. and the M.G.’s, King recorded such classics as “Crosscut
Saw” and “As the Years Go Passing By.” In 1967, Stax released Born Under a Bad
Sign.
The title track became King’s best-known song and has been covered by many artists, including Cream, even though they titled it “Strange Brew”. (Clapton’s solo is a note-for-note cover of King’s solo on his Stax Record hit “Crosscut Saw”). King played many shows at promoter Bill Graham’s Fillmore East and the Fillmore West venues. One show was recorded and released as the album Live Wire/Blues Power.
The title track became King’s best-known song and has been covered by many artists, including Cream, even though they titled it “Strange Brew”. (Clapton’s solo is a note-for-note cover of King’s solo on his Stax Record hit “Crosscut Saw”). King played many shows at promoter Bill Graham’s Fillmore East and the Fillmore West venues. One show was recorded and released as the album Live Wire/Blues Power.
In 1969, King performed live with the St. Louis Symphony
Orchestra, forming what was called an “87-piece blues band.” During the early
Seventies, he recorded the album Lovejoy with a group of white rock singers and
an Elvis Presley tribute album, Albert King Does the King’s Things. By 1970s,
Albert King was releasing one album a year. His albums were steady sellers,
consistently entering the US Billboard 200 and the US R&B Charts. King
continued to tour throughout the Seventies, and in June 1970, he joined the
Doors onstage at a show in Vancouver, Canada.
King’s sound underwent a major change in the Seventies,
as he teamed up with the Bar-Kays and the Memphis Horns on the albums I’ll Play
the Blues for You and I Wanna Get Funky. That partnership gave his music a much
funkier sound than it had on his earlier recordings, and the former album’s
title track became one of his signature songs. King also worked with Allen
Toussaint and some of the Meters during this period.
During the Eighties, King received considerable praise
from many young blues guitarists, most notably Stevie Ray Vaughan. The two
appeared together on the Canadian television show In Session in December 1983,
a performance that was issued on CD in 1993. One British writer described
Vaughan as a “young Texan who apparently believes that Albert King is God and
the Lord should be praised regularly.”
King announced his retirement in the mid 80.s,, but it
was short-lived -- Albert continued to regularly play concerts and festivals
throughout America and Europe for the rest of the decade. He continued to
perform until his sudden death in 1992, when he suffered a fatal heart attack
on December 21. His final concert had been in Los Angeles two days earlier. He
was given a funeral procession with the Memphis Horns playing "When the
Saints Go Marching In" and at his funeral, Joe Walsh played a slide-guitar
rendition of “Amazing Grace” as a tribute to King. He was buried in Paradise Gardens
Cemetery in Edmondson, Arkansas, near his childhood home.
(Edited mainly from rockandrollparadise.com)





