Barbara Dane (born May 12, 1927) is an American folk, blues, and jazz singer. She co-founded Paredon Records with Irwin Silber.
1920s. Out of high school, Dane began to sing regularly at demonstrations
for racial equality and economic justice. While still in her teens, she sat in
with bands around town and won the interest of local music promoters. She got
an offer to tour with Alvino Rey's band, but she turned it down in favour of
singing at factory gates and in union halls.
By 1959, Louis Armstrong had asked Time magazine readers:
"Did you get that chick? She's a gasser!" and invited her to appear
with him on national television. She appeared with Armstrong on the Timex
All-Star Jazz Show hosted by Jackie
Gleason on January 7, 1959. She toured the
East Coast with Jack Teagarden, appeared in Chicago with Art Hodes, Roosevelt
Sykes, Little Brother Montgomery, Memphis Slim, Otis Spann, Willie Dixon and
others, played New York with Wilbur De Paris and his band, and appeared on The
Tonight Show Starring Johnny Carson as a solo guest artist.
Gleason on January 7, 1959. She toured the
East Coast with Jack Teagarden, appeared in Chicago with Art Hodes, Roosevelt
Sykes, Little Brother Montgomery, Memphis Slim, Otis Spann, Willie Dixon and
others, played New York with Wilbur De Paris and his band, and appeared on The
Tonight Show Starring Johnny Carson as a solo guest artist.
Other national TV work included The Steve Allen Show, Bobby
Troup's Stars of Jazz, and Alfred Hitchcock Presents. In 1961, the singer
opened her own club, Sugar Hill: Home of the Blues, on San Francisco's Broadway
in the North Beach district, with the idea of creating a venue for the blues in
a tourist district where a wider audience could hear it. There Dane performed
regularly with her two most constant musical companions: Kenny "Good
News" Whitson on piano and cornet and Wellman Braud, former Ellington
bassist.
In her speech to the GI Movement of the Vietnam War Era
Barbara Dane said, "I was too stubborn to hire one of the greed-head
managers, probably because I'm a woman who likes to speak for herself. I always
made my own deals and contracts,
and after figuring out the economics of it, I
was free to choose when and where I worked, able to spend lots more time with
my three children and doing political work, and even brought home more money in
the end, by not going for the 'big-time.' I did make some really nice records,
because I was able to choose and work with wonderfully gifted musicians."
and after figuring out the economics of it, I
was free to choose when and where I worked, able to spend lots more time with
my three children and doing political work, and even brought home more money in
the end, by not going for the 'big-time.' I did make some really nice records,
because I was able to choose and work with wonderfully gifted musicians."
She continued to weave in appearances as a solo performer on
the coffeehouse circuit with her folk-style guitar. She opposed building a
Pacific Gas and Electric nuclear plant at the seismically precarious Bodega
Bay. In organizing the resistance to that citing proposal, she recorded an
album on the Fantasy label with Wally Rose, Bob Helm, Bob Mielke, and Lu
Watters. It included the title track, "Blues over Bodega", and
another tune, San Andreas Fault.
She also stepped up her work in the movements
for peace and justice as the struggle for civil rights spread and the Vietnam War
escalated. She sang at peace demonstrations in Washington, D.C. and throughout
the U.S. and toured anti-war GI coffeehouses all over the world. In 1966,
Barbara Dane became the first U.S. musician to tour post-revolutionary Cuba.
In 1970, Dane founded Paredon Records with husband Irwin
Silber, a label specializing in international protest music. She produced
nearly 50 albums, including three of her own, over a 12-year period. The label
was later incorporated into Smithsonian-Folkways, a label of the Smithsonian
Institution, and is available through its catalogue In 1978, Dane appeared with
Pete Seeger at a rally in New York for striking coal miners.
"The world needs more people like Barbara, someone who
is willing to follow her conscience. She is, if the term must be used, a
hero", Bob Dylan wrote in an open letter to Broadside magazine in 1964.
When she was in her late 70s, Philip Elwood, jazz critic of
the San Francisco Examiner, said of her: "Dane is back and beautiful...she
has an immense voice, remarkably well-tuned...capable of exquisite
presentations regardless of the material. As a gut-level blues singer she is
without compare." Blues writer Lee Hildebrand calls her "perhaps the
finest living interpreter of the classic blues of the 1920s."
In a 2010 profile on Barbara produced by Steven Short of KALW in San Francisco, Bonnie Raitt said "she’s always been a role model and a hero of mine, musically and politically. I mean, the arc of her life so informs mine that I really can’t think of anyone I admire [more], the way that she’s lived her life." The interview is archived on KALW's website.
Barbara continues to share her legacy of song well into the
21st Century. In celebration of her 90th year, Barbara did concerts at SFJAZZ,
UCLA's Royce Hall, Berkeley's Freight & Salvage and Joe's Pub in NYC. (Edited mainly from Wikipedia)





