Allan Jones
(October 14, 1907 – June 27, 1992) was an American actor and tenor. For many
years he was married to actress Irene Hervey; their son is American pop singer
Jack Jones.
Allan Jones
was born Theodore Allen Jones in Old Forge, Pennsylvania. A coal miner's son,
he worked in the mines until 1926. At that point in time, he received a
scholarship from
Syracuse University, but chose instead to study music at New
York University with Claude Warford and then with Felix Leroux in Paris and Sir
Henry Wood in London.
Syracuse University, but chose instead to study music at New
York University with Claude Warford and then with Felix Leroux in Paris and Sir
Henry Wood in London.
In an
interview in 1973, Jones recalled that his father and grandfather were
musically talented: "My father had a beautiful tenor voice. So did my
grandfather. ... Grandfather taught violin, voice and piano when he could. My
father sang every chance he could get and realized his ambition through me."
Classically
trained in opera, the handsome Jones worked on Broadway a few times, including
1933's Roberta and the short-lived 1934 revival of Bitter Sweet and in operettas until 1935.
At that point,
Jones was signed by MGM Grand. He is best remembered for his roles in the two
Marx Brothers movies "A Night at the Opera" and "A Day at the
Races". On the strength of
his appearance in A Night at the Opera, he won the
coveted role of Gaylord Ravenal in the 1936 film version of Show Boat (opposite
Irene Dunne) over such screen musical favorites as Nelson Eddy and John Boles.
It would be Jones's most distinguished screen role in which, under the
direction of James Whale, he displayed fine dramatic acting ability, as well as
musical talent.
his appearance in A Night at the Opera, he won the
coveted role of Gaylord Ravenal in the 1936 film version of Show Boat (opposite
Irene Dunne) over such screen musical favorites as Nelson Eddy and John Boles.
It would be Jones's most distinguished screen role in which, under the
direction of James Whale, he displayed fine dramatic acting ability, as well as
musical talent.
Jones made a
brief appearance in the 1936 Nelson Eddy - Jeanette MacDonald film Rose Marie,
singing music from Charles Gounod's Romeo et Juliette and Giacomo Puccini's
Tosca, but according to Merchant of Dreams, Charles Higham's biography of Louis
B. Mayer, Eddy, who apparently considered Jones a rival and a potential threat,
asked that most of Jones's footage in Rose Marie be cut, including his
rendition of the great Puccini aria E lucevan le stelle - and MGM agreed to
Eddy's demand.
The movie
"The Firefly" (1937) produced the song "Donkey Serenade",
which became Jones's signature song. Jones' recording of The Donkey Serenade
ranks third among all-time sales of single records by RCA Victor. Jones's final
film for MGM was Everybody Sing (1938) opposite Judy Garland and Fanny Brice.
In 1940, he moved to Universal for two musicals, both with scores by immortal composers: The Boys from Syracuse, with the stage score (severely cut) by Richard Rodgers and Lorenz Hart, and One Night in the Tropics, with an original score by Jerome Kern and Dorothy Fields which produced no hit songs. Following those, he slipped to leads in several B musicals, two at Paramount, then eight at Universal, including a re-teaming with Kitty Carlisle in Larceny with Music (1943). The same year, he briefly returned to A’s by guesting, as himself, in the Olsen and Johnson musical Crazy House, where he again performed "Donkey Serenade."

In 1940, he moved to Universal for two musicals, both with scores by immortal composers: The Boys from Syracuse, with the stage score (severely cut) by Richard Rodgers and Lorenz Hart, and One Night in the Tropics, with an original score by Jerome Kern and Dorothy Fields which produced no hit songs. Following those, he slipped to leads in several B musicals, two at Paramount, then eight at Universal, including a re-teaming with Kitty Carlisle in Larceny with Music (1943). The same year, he briefly returned to A’s by guesting, as himself, in the Olsen and Johnson musical Crazy House, where he again performed "Donkey Serenade."
During the war
years, Jones was one of the first entertainers to volunteer to sing for the
troops overseas. In 1945, Jones left Hollywood and toured Great Britain for two
years. He returned to the stage and toured with several off-Broadway musicals.
Over the next twenty years, he worked the nightclub circuit, appeared in
summer-stock and off-Broadway productions, and recorded extensively, including
several short "songfests", meant to be fillers in the early days of
TV.
In the mid 1960s
the busy Jones managed to fit a few appearances on television and in movies
into his busy theatre
, nightclub, and recording career. In 1971, he took on the
role of Don Quixote in "Man of La Mancha", a role he would perform
off and on for the next eight years. He also was very successful on the lecture
circuit.
In 1982, the
75-year-old Jones cut yet another LP, his voice belying his age: as clear and
vibrant as singers a third his age. Having overcome a battle with alcoholism
Jones became a cabaret and club performer and came to Britain to tour the club circuit. He had
finished a successful tour of Australia a few weeks before his death from lung
cancer at Lenox Hill Hospital in New York City in 1992, aged 84.
(Compiled mainly
from a bio by Tom Barrister @ IMDb & info from Wikipedia)

