Benjamin Clarence "Bull Moose" Jackson (April
22, 1919 – July 31, 1989) was an American blues and rhythm-and-blues singer and
saxophonist, who was most successful in the late 1940s. He is considered a
performer of dirty blues because of the suggestive nature of some of his songs, such as "I
Want a Bowlegged Woman" and "Big Ten Inch Record".
Jackson was born Benjamin Joseph Jackson in Cleveland,
Ohio. He played violin as a child but quickly became drawn to the saxophone and
started his first band, the Harlem Hotshots, while he was still in high school.
In 1943, he was recruited as a saxophonist by the bandleader Lucky Millinder,
and the musicians in Millinder's band gave him the nickname "Bull
Moose" for his appearance. He began singing when he was required to stand
in for Wynonie Harris at a show in Texas.
Millinder encouraged Jackson to sign a solo contract with
Syd Nathan of King Records to play rhythm and blues. The first recording in his
own right was "I Know Who Threw the Whiskey", in 1946, an answer song
to Millinder's "Who Threw the Whiskey in the Well". The following
year, his recording of "I Love You, Yes I Do" reputedly became the
first R&B single to sell a million copies, holding the number 1 spot on the
R&B chart for three weeks and crossing over to the pop chart, where it
reached number 24.
He formed his own group, the Buffalo Bearcats, and over
the next five years recorded in a wide variety of musical styles, including
both romantic crooning and bawdy jump blues. His big hits in 1948 included the
double-sided hit "All My Love Belongs to You" / "I Want a
Bowlegged Woman", and his biggest R&B chart hit, "I
Can't Go on Without You", which stayed at number 1 on the R&B chart for eight weeks. He also made an appearance in the 1948 film Boarding House Blues, with Millinder.
Can't Go on Without You", which stayed at number 1 on the R&B chart for eight weeks. He also made an appearance in the 1948 film Boarding House Blues, with Millinder.
In 1949, Jackson covered "Why Don't You Haul Off and
Love Me", a song that been successful for Wayne Raney and also for several
country-and-western performers. Jackson toured throughout the late 1940s and
early 1950s. Around 1951, his band included the bebop composer and arranger
Tadd Dameron on piano and Benny Golson, another jazz musician, on saxophone.
Some of Jackson's later risqué material, including
"Big Ten Inch Record" and "Nosey Joe" (written by Jerry
Leiber and Mike Stoller), caused a sensation during live performances but were
too suggestive for the radio, and few of the records were sold. However, his
band faithfully played "Big Ten Inch Record" at every show.
Jackson kept recording for King Records until 1954 and
had a total of 34 singles issued on Queen/King between 1945 and 1955. Credit on
the label usually went to “Bull Moose Jackson And His Buffalo Bearcats”, a
slimmed-down version of the Lucky Millinder orchestra. The rock n roll years
were not good to Bullmoose and he had very few releases between 1955 and 1960.
In 1960-61 he
recorded for Morty Craft’s Warwick label and its 7 Arts subsidiary. A re-recording of “I Love You Yes I Do” (1961) returned him to the charts for the last time..
recorded for Morty Craft’s Warwick label and its 7 Arts subsidiary. A re-recording of “I Love You Yes I Do” (1961) returned him to the charts for the last time..
Jackson was virtually out of the music business by 1962 although
he occasionally still performed at private parties. He later managed food
service at Howard University in Washington, D.C. In a strange twist of fate,
the ageing Jackson was lured back on stage after a Pittsburgh rock band named
The Flashcats, scored a local hit with “Nosey Joe” in 1983.
The concerts with the Flashcats made him something of a
cult figure around Pittsburgh. A new single, “Get Off the Table, Mabel (The Two
Dollars Is For the Beer)” got an enthusiastic reception and was followed by an
album with the Flashcats, “Moosemania!”. The 1980s proved to be the most
successful decade of Jackson’s career. He played Carnegie Hall in 1985, toured
Europe as a special guest of The Johnny Otis Show, and thrilled stateside
audiences from coast to coast.
In 1987, though, Bull Moose got sick. Stricken with
cancer, he performed his final show in Pittsburgh on April 23, 1988. An old
girlfriend, who had read about Jackson’s fame, came to care for him during the
last days of his life.
Bull Moose Jackson died July 31, 1989, in Cleveland
(Mainly edited from Wikipedia & Black Cat Rockabily)







