Kenneth McKellar (23 June 1927 – 9 April 2010) was a
lyric tenor and among the most popular of Scotland's singers, recording both
classical and popular music.
Kenneth McKellar was born on June 23 1927 at Paisley,
where his father owned a grocery shop. Although there were no musicians in the
family, Kenneth's father and uncles sang in the High Kirk and his parents would
often listen to opera on the gramophone. The boy grew up listening to the
voices of singers such as Peter Dawson, Paul Robeson and Richard Tauber and
recalled being taken to a concert at St Andrew's Hall in Glasgow to hear the
great Italian tenor Beniamino Gigli. Kenneth was soon entertaining family
friends by impersonating his favourite singers.
But his greatest pleasure in his early years was
exploring the Scottish Highlands. The depletion of Scotland's forest reserves
during the Second World War left him with a burning desire to help restore
them, and after leaving the John Neilson school, Paisley, he took a Science degree
from Aberdeen University and joined the Scottish Forestry Commission. Over the
next two years he took part in a research and survey programme on the woodlands
of the British Isles, travelling by horseback up and down the Scottish
countryside.
At university, McKellar had joined the student choir. The
university's director of music was so impressed that he gave him lessons, and
McKellar went on to sing solo roles with the university choir. He first came to
public notice in 1947 through a broadcast with the BBC in Glasgow when he sang
the main tenor role in the ballad opera The Gentle Shepherd. After a couple of years with the Forestry
Commission, McKellar decided to devote himself to music. He gained a top
scholarship to the Royal College of Music in London, where he won the Henry Leslie singing prize. Among his contemporaries were Joan Sutherland and the future founder of Scottish Opera, Alex Gibson.
scholarship to the Royal College of Music in London, where he won the Henry Leslie singing prize. Among his contemporaries were Joan Sutherland and the future founder of Scottish Opera, Alex Gibson.
His recording career began while he was still at the RCM.
It happened that he needed to have his tonsils out, and a friend suggested,
jokingly, that in case the surgeon's scalpel slipped, he should cut a recording
for posterity. He went along to HMV and sang Roger Quilter's O
Mistress Mine and a few Scottish ballads. HMV sent the recording to Parlophone, which immediately gave him a recording contract. He recorded eight sides of songs and ballads on 78s. After graduating from the RCM, McKellar joined the Carl Rosa Opera Company. He expected to be assigned to the chorus but, during his audition, was asked to sing the opening aria from The Barber of Seville. He was immediately offered a principal tenor's contract at £15 a week and was so pleased that he got married and bought a car.
Mistress Mine and a few Scottish ballads. HMV sent the recording to Parlophone, which immediately gave him a recording contract. He recorded eight sides of songs and ballads on 78s. After graduating from the RCM, McKellar joined the Carl Rosa Opera Company. He expected to be assigned to the chorus but, during his audition, was asked to sing the opening aria from The Barber of Seville. He was immediately offered a principal tenor's contract at £15 a week and was so pleased that he got married and bought a car.
He toured with the company for two seasons but did not
like the life of an opera singer. After abandoning the operatic stage, in 1954
McKellar signed with the Decca record company. Over a period of 25 years he
recorded some 45 LPs, ranging from oratorio to Burns songs, achieving massive
sales all over the world.
During the 1950s McKellar became well-known in Scotland
through radio, singing Scottish songs, light opera and popular songs on his own
series, A Song For Everyone, for the BBC. At the same time, he began trying his
hand as a songwriter and was responsible for such ballads as The Tartan, which
has been covered by some 40 artistes; The Royal Mile, which was heard by more
than four million people during the televised opening of the 1986 Commonwealth
Games in Edinburgh; and for comedy items such as The Midges ("With teeth
like piranhas, they drive you bananas... ").
He became familiar to English television viewers courtesy
of the BBC and The White Heather Club, a hugely popular Scottish country dance
and music show which ran from 1958 to 1968 and, at its peak, drew an audience
of 10 million. In 1966 McKellar was chosen to represent Britain in the
Eurovision Song Contest, singing A Man Without Love. It was not a happy
experience. Despite widespread predictions that he would win, he was placed
ninth, a result he attributed to the fact that the Scandinavian nations had
"made a mockery of the whole contest" by voting for each other.
He held trusteeships in various education, health and arts
organisations helping to promote Scottish talent and was honorary president and
life member of most of the principal Burns societies around the world. But his
Scottish nationalism was always outward-looking, and he was opposed to the
creation of a Scottish parliament. He
retired from performing in 1997.
McKellar died of pancreatic cancer, at the age of 82, at
his daughter's home near Lake Tahoe in the United States, on 9 April 2010. His
funeral was in Paisley. (Edited from The Telegraph & Wikipedia)
4 comments:
For “Kenneth McKellar – The Decca Years 1955 – 1975” go here:
https://www.upload.ee/files/11917483/Kenneth_McKellar_-_Decca_Years.rar.html
1-1 Kishmul's Galley
1-2 An Island Sheiling Song
1-3 Wi’ A Hundred Pipers
1-4 The De'il's Awa' Wi' The Exciseman
1-5 There Was A Lad Was Born In Kyle
1-6 Mary Morison
1-7 The Christ-Child's Lullaby
1-8 The Peat Fire Flame
1-9 To People Who Have Gardens
1-10 Country Girl
1-11 Think On Me
1-12 O Sole Mio
1-13 Dream Angus
1-14 Ombra mai fu (Largo)
1-15 Love In Her Eyes Sits Playing
1-16 En fermant les yeux (Dream)
1-17 Serenade
1-18 This Is My Lovely Day
1-19 Ae Fond Kiss
1-20 Ye Banks And Braes
1-21 Skye Fisher's Song (Tir Nan Og)
1-22 Sleeps The Noon In The Deep Blue Sky
1-23 Kalinka
1-24 The Longest Day
2-1 Trottin’ To The Fair
2-2 By The Short Cut To The Rosses
2-3 Down By The Salley Gardens
2-4 Una furtiva lagrima
2-5 On Wings Of Song
2-6 Faery Song (from "The Immortal Hour")
2-7 I'll Walk Beside You
2-8 On The Road To Mandalay
2-9 My Lagen Love
2-10 She Moved Through The Fair
2-11 Sunrise, Sunset
2-12 Maria
2-13 Ca' The Ewes
2-14 An Eriskay Love Lilt
2-15 Roamin' In The Gloamin'
2-16 Song Of The Clyde
2-17 Uist Tramping Song (Come Along)
2-18 Hame O' Mine
2-19 Hail Caledonia
2-20 Great Is Jehovah
2-21 I To The Hills
2-22 God Be In My Head
2-23 My Ain Folk
2-24 Lewis Bridal Song
2-25 Skye Boat Song
2-26 Will Ye No Come Back Again
https://mega.nz/file/Kkgh3aYT#QLypeOuiDBUeN-BHD7FSeSTvPkRTsl7ApNNj9ey_dUU
Here are some Handel Arias sung magnificently by McKellar.
The article was very informative. I always thought he had a shorter recording career, but now I have a lot more McKellar albums to find.
Thanks Eric, much appreciated.
Excellent compilation of Kenneth's music, which was wide ranging. The Handel album is a wonderous thing. He made a number of semi-documentaries about Scottish geographical locations. However, the one I remember most fondly was "Eco di Napoi" when he took us to a number of historical Roman site in around the Naples region during which he broke off to sing a number of those great Neopoiltan songs usually bellowed by Italian tenors, but in arrangements which were much more considered, gentler and nicer. Thanks for these links, they are most welcome.
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