Saturday, 9 March 2019

Georgia White born 9 March 1903


Georgia White (March 9, 1903 – c.1980) was an African-American blues singer who recorded mildly risqué blues songs from the mid-30s through the early '40s.

Georgia White was one of the rare female blues singers of the post classic era who can be compared to Memphis Minnie. Although she did not belong to the world of vaudeville that had produced the first female blues singers (Bessie Smith and Ma Rainey), she managed to combine their influence with that of the southern barrel-houses.

She was a powerful piano player in the tradition of these places, where it was necessary above all to make oneself heard. She used her instrument to enhance her amazing voice with a register that was rarely equaled.

Little is known of her early life, but it has been suggested that she was born in Sandersville, Georgia. By the late 1920s she was singing in clubs in Chicago. She made her first recording, "When You're Smiling, the Whole World Smiles With You," with Jimmie Noone's orchestra in 1930. She returned to the studio in 1935, and over the next six years recorded over 100 tracks for Decca Records, usually accompanied by the pianist Richard M. Jones and also, in the late 1930s, by the guitarist Lonnie Johnson.


                           

Her repertoire which contained a biting irony, enabled her to have a big commercial hit with such pieces as “Hot Nuts! Get ‘em from the Peanut Man” and "I'll Keep Sitting on It," "Take Me for a Buggy Ride," "Mama Knows What Papa Wants When Papa's Feeling Blue," and "Hot Nuts." Her best-known song was "You Done Lost Your Good Thing Now" (1935). She also recorded under the name Georgia Lawson.

Her jazz-blues style, contrary to that of most of her contemporaries, aged very little. It was based on the use of a strong rhythm section that announced the postwar Chicago blues and on the participation of excellent musicians like the guitar player Ikey Robinson. All together, the hundred or so titles that she recorded for Decca between 1935 and 1941 are first rate.

White formed an all-female band in the 1940s. She also performed with Bumble Bee Slim. She joined Big Bill Broonzy's Laughing Trio in 1949 as pianist. "She was very easy to get along with," said Broonzy, "real friendly." She was a club singer in the 1950s, finally performing in 1959 in Chicago. She then resumed performing on weekends at the Blue Pub, a bar on Irving Park Road near the Kennedy Expressway, where she quickly won a loyal following. She sang many of her famous songs, including "Maybe I'm Wrong Again," a ballad from an early Bing Crosby movie.

Her complete work has been reissued on four CDs on the Austrian Document label.

(Edited from Wikipedia and Encyclopedia Of The Blues)

1 comment:

boppinbob said...

For “Georgia White ‎– Complete Recorded Works In Chronological Order
Volume 4 (18 May 1939 To 11 March 1941)” go here:

https://www.upload.ee/files/9676033/Georgia_White_1939-1941.rar.html

1 How Do You Think I Feel
2 Fire In The Mountain
3 When The Red Sun Turns To Gray
4 Hydrant Love
5 Do It Again
6 Beggin' My Daddy
7 What Have You Done To Me?
8 Take Me For A Buggy Ride
9 Furniture Man
10 I'm Doing What My Heart Says Do
11 You Got To Drop The Sack
12 'Tain't Nobody's Fault But Yours
13 Worried Head Blues
14 Jazzin' Babies Blues
15 Papa Pleaser
16 Sensation Blues
17 Late Hour Blues
18 Panama Limited Blues
19 You Ought To Be Ashamed Of Yourself
20 Mail Plane Blues
21 Mama Knows What Papa Wants When Papa's Feeling Blue
22 Come Around To My House
23 Territory Blues
24 When You're Away

AllMusic Review by arwulf arwulf

The fourth and final volume of Georgia White's complete recorded works as compiled and reissued by Document during the 1990s is packed with 24 titles recorded for the Decca label in Chicago and New York between May 1939 and March 1941. During this period she collaborated with pianist Blind John Davis, bassist John Lindsay, and guitarist Teddy Bunn, often singing at a relaxed and perhaps more traditionally staid pace than was customary for this often spunky vocalist, although "Hydrant Love" and "Do It Again" do have a bit of a kick to them. Wesley Wilson's "Take Me for a Buggy Ride" was solidly identified with Bessie Smith when White recorded it just a couple of years after the death of the Empress, and "'Tain't Nobody's Fault But Yours" is one of several Porter Grainger compositions linking White with her predecessors in the grand tradition of female blues. On "Panama Limited" she sounds more than a little like Victoria Spivey. The bands backing her on the second half of this collection included trumpeter Jonah Jones, clarinetist Fess Williams, pianist Lil Hardin Armstrong, bassist Milt Hinton, and drummer Walter Martin -- real swing musicians, whose participation successfully undermines the artificially imposed boundaries between blues and jazz. This remarkable vocalist deserves much more recognition than has ever come her way, and one can only hope that careful remastering, judicious marketing, and growing interest among youthful listeners will serve her memory with the respect that she deserves.