Thursday, 1 August 2024

Lionel Bart born 1 August 1930

Lionel Bart (August 1, 1930 - April 3, 1999) was an English composer of songs and musicals, best known for Oliver!                     

Bart was born Lionel Begleiter the youngest of seven surviving children in East London to Galician Jews, and grew up in Stepney. His father worked as a tailor in a garden shed in London E1. The family had escaped the pogroms in Galicia which was then part of the Austrian Empire. Lionel later changed his name to Bart derived from the name of the silk screen printing firm he and John Gorman created ("G & B Arts", for Gorman and Begleiter) after completing his National Service.

As a young man he was quite an accomplished painter. When Lionel Bart was six years old a teacher told his parents that he was a musical genius. His parents gave him an old violin, but he did not apply himself and the lessons stopped. At the age of 16 he obtained a scholarship to St Martin's School of Art but he was expelled for "mischievousness", and he gave up his ambition to be a painter. However, he took jobs in silk-screen printing works and commercial art studios. He never learned to read or write musical notation; this did not stop him from becoming a highly significant personality in the development of British rock and pop music. 

He started his songwriting career in amateur theatre, first at The International Youth Centre in 1952 where he and a friend wrote a revue together called IYC Revue 52. The following year the pair auditioned for a production of the Leonard Irwin play The Wages Of Eve at Unity Theatre, London. Shortly after Bart began composing songs for Unity Theatre, contributing material (including the title song) to their 1953 revue Turn It Up, and songs for their 1953 pantomime, an agitprop version of Cinderella. While at Unity he was talent spotted by Joan Littlewood and so joined Theatre Workshop. 

Bart with Tommy Steele

He first gained widespread recognition through his songwriting, which includes the hits Livin' Doll (written for Cliff Richard) and Rock with the Cavemen, Handful of Songs, Butterfingers and Little White Bull (for Tommy Steele). During this period, Mike Pratt as well as Steele were his songwriting partners. In 1957, he won three Ivor Novello awards, a further four in 1958, and two in 1960. His other hits include: Do You Mind? (by Anthony Newley and Andy Williams), Easy Going Me (Adam Faith) and Always You And Me (with Russ Conway).  He wrote the theme song for the 1963 James Bond movie From Russia With Love. 

                                    

His first professional musical was the 1959 Lock Up Your Daughters, based on an 18th century play by Henry Fielding. Following that, Fings Ain't Wot They Used T'Be produced by Joan Littlewood's Theatre Workshop, was notable for encouraging the use of authentic Cockney accents on the London stage. Oliver! (1960), based on Dickens' Oliver Twist was a huge hit from the very beginning, and has sustained its popularity to the present day. The musical spawned such song hits as As Long As He Needs Me (a smash for Shirley Bassey) and Consider Yourself. In 1968 it was made into a film which won several Oscars, including best film. It is estimated that around this time Bart was earning 16 Pounds a minute from Oliver! 

Bart with Barbara Windsor (1965)

Bart's next two musicals, Blitz! (1962) and Maggie May (1964), had respectable West End runs (Blitz!, at the time London's most expensive musical ever, had a run of 568 performances); but Twang! (1965) was a notorious flop and La Strada (1969), which opened on Broadway in New York City, closed after only one performance. Bart used his personal finances to try to rescue them, selling his rights to others of his works, including Oliver!, in order to generate capital. By 1972, Bart was bankrupt, with debts of £73,0000. He turned to drink, and a twenty-year period of depression ensued, from which he ultimately recovered, attending Alcoholics Anonymous. 

In 1986 Bart received a special Ivor Novello Award for his life's achievement. He continued writing songs and themes for films, but his only real success in his later years was "Happy Endings," a 1989 advertising jingle for Abbey National.

Cameron Mackintosh, who owned half the rights to Oliver!, revived the musical at the London Paladium in 1994 in a version rewritten by Lionel Bart. Cameron Mackintosh gave Lionel a share of the production royalties. Although Lionel Bart was known to be gay by those in the theatre world, he was often publicly romantically linked with Judy Garland or Alma Cogan. 

Bart died at the Hammersmith Hospital in West London on 3 April 1999, of liver cancer. A memorial bench is dedicated to him in Kew Gardens.  (Edited from Wikipedia) 

1 comment:

boppinbob said...

For “Various Artists - Lionel Bart: Pop Bart! (Pop Hits, Misses & Rarities) (2020 Jasmine)” go here:

https://www.imagenetz.de/guMFx

Disc 1

Pop Originals
1. ROCK WITH THE CAVEMAN - Tommy Steele And The Steelmen
2. SWEETIE SWEETIE - Edmundo Ros And His Orchestra
3. HANDFUL OF SONGS - Tommy Steele And The Steelmen
4. WATER WATER - Tommy Steele And The Steelmen
5. WILD CAT - Marty Wilde And His Wildcats
6. UNDER CONTROL - Larry Page
7. LITTLE BOY BLUE - The Barry Sisters
8. JUST LET IT HAPPEN - Lionel Bart
9. LITTLE CUTIE - Sally Kelly
10. THE DING DONG SONG (THE SECOND SPRING) - Tsai Chin
11. CAN'T WAIT - Julien
12. BONNIE PRINCE CHARLIE - The Three Barry Sisters
13. SPOILSPORT - The Three Barry Sisters
14. DO YOU MIND - Anthony Newley
15. WAVE YOUR LITTLE HANDKERCHIEF - Bruce Forsyth
16. JELLIED EELS - Joe Brown And The Bruvvers
17. THE 'I LOVE YOU' BIT - Alma Cogan (With Ocher Nebbish)
18. KICKIN' UP THE LEAVES - Mark Wynter
19. WE WILL NEVER BE AS YOUNG AS THIS AGAIN - Danny Williams
20. WHY THE CHICKEN? - Dave Samson & The Hunters
21. EASY GOING ME - Adam Faith
22. HAPPINESS - Dickie Loader
23. HIDE AND SEEK - Marty Wilde
24. DON'T FORGET - Anne Shelton
25. I HAVEN'T GOT YOU - Anita Harris
26. WITH ALL MY LOVE - Petula Clark
27. HOW NOW BROWN COW - Lionel Bart
28. OVER AND OVER - Bobby Shafto
29. I WANT MY BED - Bobby Shafto
30. LET'S START ALL OVER AGAIN - Shirley Bassey
31. TOO YOUNG FOR SAD MEMORIES - Shane Fenton And The Fentones
32. ALWAYS YOU AND ME - Russ Conway

Disc 2

Film Soundtracks And Pop's From Musicals.
1. YOU GOTTA GO - Tommy Steele And The Steelmen
2. TIME TO KILL - Tommy Steele And The Steelmen
3. HAIR DOWN HOE DOWN - Tommy Steele And The Steelmen
4. PHOTOGRAPH - Tommy Steele With June Laverick
5. LIVIN' DOLL - Cliff Richard And The Drifters
6. MAD ABOUT YOU - Cliff Richard And The Drifters
7. SOMETIME SOMEWHERE - Frankie Vaughan
8. WALKIN TALL - Frankie Vaughan
9. WHERE'S THE BIRDIE - Sid James, Bernard Cribbins & Tommy Steele
10. IF I'D KNOWN YOU - Billy Dainty
11. FINGS AIN'T WOT THEY USED T'BE - Max Bygraves
12. LAYIN' ABAHT THE CEILING'S COMMIN' DAHN - The Lay-A-Bahts
13. BIG TIME - Adam Faith
14. CARVE UP - Adam Faith
15. SEND ME - Toni Eden
16. THE OLIVER TWIST - Bob Miller And The Miller Men
17. WHERE IS LOVE? - Mike Preston
18. CONSIDER YOURSELF - Max Bygraves
19. IT'S A FINE LIFE - Alma Cogan
20. I'D DO ANYTHING - Mike Preston
21. OOM PA PA - Alma Cogan
22. AS LONG AS HE NEEDS ME - Shirley Bassey
23. WHO WILL BUY? - The Limeliters
24. THE BLITZ THEME - Clive Lythgoe
25. THE DAY AFTER TOMORROW - Vera Lynn
26. WHO'S THIS GEEZER HITLER - Billy Cotton And His Band
27. OPPOSITES - Billy Cotton And Kathie Kay
28. FAR AWAY - Shirley Bassey
29. DOWN THE LANE - Max Bygraves
30. IF THE YOUNG ONES CAN BE HAPPY - Billy Cotton
31. IS THIS GONNA BE A WEDDING - Billy Cotton And His Band
32. DUTY CALLS - Bryan Johnson

Perhaps best known for writing the musical Oliver, Lionel Bart was a prolific songwriter and began his career, not writing musicals, but pop songs for the likes of Tommy Steele, Marty Wilde and Cliff Richard. This collection features many of the Bart penned pop singles released between the start of his professional writing career in 1956 and 1962 as well as pop covers of songs from his hit shows including Oliver!, Things Ain't What They Used To Be and Blitz!

Whilst his original cast recordings are well known, this set features rarer versions of songs from his shows covered by the likes of Adam Faith, Anthony Newley, Danny Williams, Shirley Bassey, Alma Cogan and more. The set features tracks in their original single versions (in stereo where possible), alongside selected studio cast LP recordings and recordings by Bart himself, under his own name or hiding behind a pseudonyms such as Ocher Nebbish.

This compilation features many recordings that have never been released on CD before including rare singles by Billy Dainty, Dickie Loader, and the Barry Sisters. (Jasmine notes)