Ralph Burns born 29 June 1922

Ralph Joseph P. Burns (June 29, 1922 – November 21, 2001) was an American jazz pianist, composer, and arranger. 

Burns was born in Newton, Massachusetts, United States, where he began playing the piano as a child. In 1938, he attended the New England Conservatory of Music. He admitted that he learned the most about jazz by transcribing the works of Count Basie, Benny Goodman and Duke Ellington. While a student, Burns lived in the home of Frances Wayne. Wayne was an established big band singer and her brother Nick Jerret was a bandleader who began working with Burns. He found himself in the company of such performers as Nat King Cole and Art Tatum. 

After Burns moved to New York in the early 1940s, he met Charlie Barnet and the two men began working together. In 1944, he joined the Woody Herman band with members Neal Hefti, Bill Harris, Flip Phillips, Chubby Jackson and Dave Tough. Together, the group developed Herman's sound. For 15 years, Burns wrote or arranged many of the band's major hits including "Bijou", "Northwest Passage" and "Apple Honey", and on the longer work "Lady McGowan's Dream" and the three-part Summer Sequence. 

Here's "Bijou" from aboe LP

                        

As Herman's Thundering Herd grew in popularity it landed a regular radio broadcast, and Burns found himself busy writing arrangements. Contemporary classical composer Igor Stravinsky was so impressed with the arrangements Burns was writing for Herman's band that he composed his Ebony Concerto exclusively for Herman, who later recorded it. 

Burns worked with many other musicians. Herman band member Stan Getz was featured as a tenor saxophone soloist on "Early Autumn", a hit for the band and the launching platform for Getz's solo career. Burns also worked in a small band with soloists including Bill Harris and Charlie Ventura. The success of the Herman band provided Burns the ability to record under his own name. In the 1950s, Burns played nightly from 5pm -9pm in The Baroque Room at Oscar's Delmonico restaurant in Downtown Manhattan. He collaborated with Billy Strayhorn, Lee Konitz and Ben Webster to create both jazz and classical recordings. He wrote compositions for Peggy Lee, Tony Bennett and Johnny Mathis and later Aretha Franklin and Natalie Cole. Burns was responsible for the arrangement and introduction of a string orchestra on two of Ray Charles's biggest hits, "Come Rain or Come Shine" and "Georgia on My Mind". In the 1990s, Burns arranged music for Mel Tormé, John Pizzarelli, Michael Feinstein and Tony Bennett. 

In the 1960s, Burns was no longer touring as a band pianist, and began arranging/orchestrating for Broadway shows including Chicago, Funny Girl, No, No, Nanette, and Sweet Charity. In 1971, Burns first film score assignment was for Woody Allen's Bananas. Burns worked with film-director Bob Fosse and won the Academy Award as music supervisor for Cabaret (1972). He composed the film scores for Lenny (1974) and Martin Scorsese's jazz-themed New York, New York (1977). Fosse again employed Burns to create the soundtrack for All That Jazz (1979) for which he also won an Academy Award. He then worked on Urban Cowboy (1980). Burns received another Academy Award nomination for his work in Annie (1982). 

Baryshnikov on Broadway in 1980 earned Burns an Emmy for his work. Burns won the Tony Award for Best Orchestrations in 1999 for Fosse and posthumously in 2002 for Thoroughly Modern Millie, which also garnered him the Drama Desk Award for Outstanding Orchestrations. The latter were won with Doug Besterman. From 1996 until his death, Burns restored many orchestrations for New York City Center's Encores, which were series revivals of both his own shows and shows originally orchestrated by others. 

Ralph lived his last years with his two dogs in a house in the hills above Los Angeles, on Woodrow Wilson Drive. On November 21, 2001, Burns died from complications of a recent stroke and pneumonia in a Los Angeles hospital. He was buried in Newton. Burns was inducted into the New England Jazz Hall of Fame in 2004. Although he will be long remembered for his contributions to the music of both Broadway and Hollywood, there is little doubt that his years with the Herman Herds--and the tremendous influence he had on the big band sound of that era and jazz in general--will be his greatest legacy. 

(Edited from Wikipedia & browsebiography)