Dottie West (born Dorothy Marie Marsh; October 11, 1932 –
September 4, 1991) was an American country music singer and songwriter Her
career started in the 1960s, with her Top 10 hit, "Here Comes My Baby Back
Again", which won her a Grammy Award for Best Female Country Vocal
Performance in 1965, the first female in Country Music to receive a Grammy. She
was
known as the Country Sunshine girl after writing and recording a song of that title for a Coca Cola commercial.
known as the Country Sunshine girl after writing and recording a song of that title for a Coca Cola commercial.
The oldest of ten children, she was born just outside of
McMinnville, Tennessee. After her abusive, alcoholic father was imprisoned, her
mother opened a small cafe. Dottie began appearing on local radio just shy of
her 13th birthday, and went on to study music at Tennessee Tech, where she also
sang in a band and met her future husband, Bill West, whom she married in
1953.
When he took a job in Cleveland, Ohio, Dottie landed a singing slot on that city’s Landmark Jubilee TV show as half of the Kay-Dots duo with Kathy Dee (Kathy Dearth, 1933-68).
When he took a job in Cleveland, Ohio, Dottie landed a singing slot on that city’s Landmark Jubilee TV show as half of the Kay-Dots duo with Kathy Dee (Kathy Dearth, 1933-68).
On weekends the Wests would drive to Nashville to
cultivate music industry contacts. Dottie successfully auditioned for Starday in
1959, but little came of the affiliation. In 1961 the couple moved to Music
City. West signed with Atlantic, but fared no better than she had at Starday. While
at Nashville. she and her husband fell in with a group of aspiring songwriters
like Willie Nelson, Roger
Miller, Hank Cochran and Harlan Howard. They also became close friends with Patsy Cline and her husband Charlie Dick.
Miller, Hank Cochran and Harlan Howard. They also became close friends with Patsy Cline and her husband Charlie Dick.
Dottie landed a publishing deal and a new record contract
with Atlantic. The songwriting initially proved more profitable, when Jim
Reeves took her song Is This Me? into the charts in 1963. That led to an RCA
contract, and working with Chet Atkins, Dottie’s tear in her voice style was
soon heard extensively on country radio initially with her first Top 40 country
hit in 1963 with Let Me Off At The Corner, followed a year later by the Top Ten
Love Is No Excuse, a duet with Jim Reeves.
The self-penned Here Comes My Baby also became a top ten
hit as Dottie West became the first female country artist to win a Grammy Award
in 1965 leading to an invitation to join the Grand Ole Opry. She enjoyed
further top ten hits with Would You Still Hold It Against Me and Paper
Mansions, while equally impressive singles such as Reno, What’s Come Over My
Baby, Like A Fool and Country Girl only just scraped into the top twenty.
She was paired with both Don Gibson and Jimmy Dean for
duet hits, scoring her biggest hit of the 1960s with Rings Of Gold a number two
hit with Gibson, but never really became a top ten regular. It was the
self-penned Country Sunshine, originally a jingle written for Coca-Cola that
led to pop-crossover success in 1973. It won the prestigious Clio advertising
award and was nominated for two Grammy Awards.
Shortly after that success, she left RCA and signed with
United Artists and also changed her image, becoming one very sexy lady with her
glorious red hair and provocative outfits. She had parted from Bill West, and
in 1972 married drummer Bryan Metcalf, who was a dozen years her junior.
Suddenly, her image underwent a huge metamorphosis. As the sexual revolution
peaked, so did Dottie West’s career. Her material became far more provocative
and, much to the chagrin of country purists, more commercially successful as
well.
In 1983 she married her sound engineer, Al Winters, who
was 23 years her junior. By this time her career was suddenly on the rocks. She
moved across to the small independent Permian Records, but failed to score any
more major chart hits after a top 20 duet of Together Again with Kenny Rogers
in 1984. She became caught up in a tragic spiral of disasters. Hooked on drugs
and booze, she reached an all-time low in 1990 when following her divorce from
Winters, her manager sued her and the bank foreclosed on her house. She lost
her car, declared bankruptcy and when the IRS held a public auction so they
could recover $1 million in back taxes, all her life souvenirs were sold off.
For a time she lived in a parking lot on her tour bus, but even that had to be
sold.
A Grand Ole Opry member since 1964, she got her
81-year-old neighbour to drive her to a Friday night Opry appearance September
1, 1991. He lost control of the car and they crashed. Dottie died four days
later from her injuries. In 1995 a television movie, Big Dreams and Broken
Hearts: The Dottie West Story, starring Michelle Lee as Dottie, premiered on
CBS-TV. A distinctive stylist, Dottie West and her music has proved to be a
major influence still felt in modern-day country music.
In 2018, West was posthumously inducted into the Country
Music Hall of Fame
3 comments:
For “ The Essential Dottie West” (1996) go here:
https://www.upload.ee/files/10585712/DotWes_Essential.rar.html
1 Love Is No Excuse (Guest – Jim Reeves) 2:30
2 Here Comes My Baby 2:31
3 Would You Hold It Against Me 2:43
4 What's Come Over My Baby 2:57
5 Me Today And Her Tomorrow 2:34
6 Mommy, Can I Still Call Him Daddy 2:55
7 Paper Mansions 2:55
8 His Eye Is On The Sparrow 3:32
9 Like A Fool 2:10
10 Childhood Places 3:04
11 Country Girl 3:03
12 Reno 2:35
13 Rings Of Gold (Guest – Don Gibson) 2:43
14 There's A Story (Goin' Round) (Guest – Don Gibson) 2:36
15 Forever Yours 2:30
16 Slowly (Guest – Jimmy Dean) 1:59
17 Six Weeks Every Summer (Christmas Every Other Year) 3:57
18 Country Sunshine 2:01
19 House Of Love 2:06
20 Last Time I Saw Him 3:00
Recordings from December 17, 1963 to January 18, 1974.
AllMusic Review by Bil Carpenter
This Dottie West collection is truly overdue. Most of these tracks have been long out of print even prior to the CD revolution. The set opens with a smooth duet between crooner Jim Reeves and West on "Love Is No Excuse." It must have been difficult to decide on 20 songs for what will probably be the only release on West in this series. In addition to recording several big original hits, she left a body of excellent cover songs, such as her haunting rendition of Don Gibson's "A Legend in My Own Time," which is sadly absent here. Two upbeat but so-so Gibson duets are presented here, "There's a Story (Goin' Round)" and "Rings of Gold." Barring those couple of tracks, the song selection is flawless. Hank Cochran's slightly honky tonk "Me Today and Her Tomorrow" is featured, as is a warm duet with Jimmy "The Sausage King" Dean on "Slowly." There are three songs from what may well be West's best album, 1966's Suffer Time. Two superb B-side singles show up -- the quiet "Childhood Places" and the up-tempo "Reno," which carries a storyline similar to Linda Ronstadt's "Desperado" or Judy Collins' "Someday Soon." West's stellar rendition of "His Eye Is on the Sparrow" is simple and seemingly divinely inspired. When she pays homage to her rural roots on "Country Girl" or bemoans her role of absentee mother on "Six Weeks Every Summer (Christmas Every Other Year)" it's hard to imagine West ever topping these records in substance or passion.
For “Dottie West - The Chronogical Classics 1960-1963” go here:
https://www.upload.ee/files/10585683/DotWes_TCC60-63.rar.html
01 - Angel On Paper
02 - No Time Will I Ever
03 - I Shoud Start Running
04 - I Lost, You Win, I'm Leaving
05 - I'd Be Lying
06 - Sing A Little Song Of Heartache
07 - Walking In The Dark
08 - She's Got You
09 - Will Your Lawyer Talk To God
10 - Crazy
11 - Mental Cruelty
12 - Heartbreak USA
13 - Loose Talk
14 - I Fall To Pieces
15 - The Hands You're Holding Now
16 - Big John
17 - Men With Evil Hearts
18 - You Said I'd Never Love Again
19 - I'll Pick Up My Heart
20 - I Wish You Wouldn't Do That
21 - More Than I Mean To
22 - Mama Kiss The Hurt Away
23 - Touch Me
24 - Mama, You'd Have Been Proud Of Me
25 - Let Me Off At The Corner
26 - That's Where Our Love Must Be
27 - Didn't I
A big thank you to TJ’s House Of Country for original posts.
Despite growing up in Nashville, I've never been much of a country music fan. I did live around the corner and down the street from Dottie West for four years in the 60s, and vaguely recall trick-or-treating at her house. I can't recall if I ever met her, but all the boys at Burton elementary School thought her daughter Shelley was the prettiest girl in class. :) Thanks for posting this.
Once again, a superb collection of songs by a great singer. You the man, boppinbob.
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