Walter Bishop Jr. born 10 April 1927

Walter Bishop Jr. (October 4, 1927 – January 24, 1998) was an American jazz pianist.

Bishop was raised in lower Harlem, his father – Walter Bishop Sr,  was a popular songwriter and colleague of Fats Waller and he encouraged his son to play the piano at an early age. By the time he was a teenager, Bishop grew up in a clique of musicians centered on Harlem’s Sugar Hill neighborhood, which included pianist Kenny Drew, saxophonist Sonny Rollins and drummer Art Taylor. He dropped out of high school and joined a band that played in Harlem dance halls. 

Bishop spent two years in the Army Air Corps based near St. Louis during which he met touring bebop musicians. By 1947 he was back in Manhattan. He was a regular at Harlem’s Minton’s Playhouse where nightly jam sessions, which included Charlie Parker, Dizzy Gillespie and Thelonious Monk, were the proving grounds for a new jazz genre, bebop. Bishop soon joined the sessions and became a full-fledged bebopper, along with his neighborhood buddies Sonny Rollins and Jackie McLean. 

A disciple of Bud Powell, Bishop played in Art Blakey’s first Jazz Messengers, a seventeen piece big band that performed in New York in the late 40s but really jumped into the limelight when he joined Charlie Parker in 1951. Bishop played and recorded with Bird until his untimely death in 1955, on Parker’s later Verve sessions as well with Bird’s  Quintet and Bird with Strings. During the 50s, Bishop also worked with Miles Davis, recording with the trumpeter on the seminal 1951 Dig session, which included McLean, Rollins, and Blakey. And in 1953, he returned to the studio with Miles and Rollins for a date that featured Charlie Parker on tenor and produced “Serpent’s Tooth.” 

                                   

During this period, he also suffered drug addiction and was incarcerated for a time, with his New York City Cabaret Card getting revoked. By the late '50s, he had become a Muslim and adopted the name Ibrahim ibn Ismail, but didn't use publicly. Featured as the pianist with the popular Monday night jam sessions at Birdland in the late 50s, Bishop formed his own group in 1960, with bassist Jimmy Garrison and drummer G.T. Hogan. It was with this trio that he made his recorded debut as leader with 1961's Speak Low on the Jazztime label. 

More albums followed, including 1963's Summertime with bassist Butch Warren and drummer Jimmy Cobb, and Bish Bash, the latter recorded in 1964 and 1968 and featuring bassist Eddie Kahn and drummer Dick Berk with saxophonist Frank Haynes, as well as tracks with bassist Reggie Johnson and drummer Idris Muhammad. Also in the '60s, he toured with vibist Terry Gibbs and recorded with Joe Henderson, Freddie Hubbard, Sonny Stitt, and others. During the period, Bishop also played and recorded with Oscar Pettiford, Jackie McLean, Paul Gonzalves, Curtis Fuller, Paul Gonzalves, and Terry Gibbs. 

In the late 60s, he moved at LA where he played with Supersax and Blue Mitchell, as well as studying with Lyle Spud Murphy and in 1971 recorded Coral Keys on the Black Jazz label. A second Black Jazz album arrived in 1973, Keeper of My Soul. Returning to New York in 1974, he studied with Hall Overton at Julliard and then formulated his own harmonic theory, A Study in Fourths. In the 70s, he worked with Clark Terry’s big band and Quintet, Junior Cook and Bill Hardman’s Quintet, and also led his own group, which included two of his discoveries, bassist  Marcus Miller, and drummer Kenny Washington. 

In the 80s, with the help of his lifelong friend Jackie McLean, he started teaching at the University of Hartford. Bishop also discovered a talent for poetry and began to incorporate his witty, insightful poems (“Max the Invincible Roach,” “Thelonious and the Keyboard Bugs”) into his performances. In 1983, he played a solo concert at Carnegie Hall. He released more trio albums, including 1988's Just in Time with bassist Paul Brown and drummer Walter Bolden, and 1990's What's New with bassist Peter Washington and drummer Kenny Washington. 

In his last decade, he regularly toured Europe and Japan and appeared to great acclaim at the Charlie Parker Jazz Festival on New York City's Lower East Side.  Walter Bishop Jr., died of a heart attack  on January 24, 1998 at the age of 70 at the Veterans Affairs Medical Center in Manhattan. 

(Edited from Jazz Giants and AllMusic)