Monday, 8 May 2023

Robert Johnson born 8 May 1911

Robert Johnson (May 8, 1911 – August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and one of the most influential musicians of the 20th century. To date there are only four known photographs of Robert Johnson in existence. 

Robert Leroy Johnson was born to Julia Major Dodds and Noah Johnson in Hazelhurst, Mississippi. Until his late adolescence, his name was Robert Spencer after his stepfather, who had to change his name from Dodds to Spencer when he ran from Mississipi after a personal vandetta with the Marchetti Brothers. Johnson took the name of his natural father as a teenager, even though he had not met him. 

Music was a long-time interest for Johnson, and his first instruments were the Jew's harp and the harmonica. Before he became seriously involved with the guitar, he married Virginia Travis in February 1929, and the young couple soon became expectant parents. But tragedy struck when Virginia, only sixteen years old, died in childbirth in 1930.   

Around June of 1930, blues musician Son House came to Mississippi. His music deeply affected Johnson, for it was the "rawest, most direct pure emotion Robert had ever heard, and he followed House and [Willie] Brown wherever they went" . But Johnson did not appear to be gifted with a musician's talent for guitar, as Son House asserts, " Such another racket you never heard! It'd make people mad, you know. They'd come out and say, "Why don't y'all go in there and get that guitar from that boy!" 

Unhappy and unwilling to be caught in the sharecropper's world of backbreaking work with little reward, Johnson left the regular scene around Robinsonville, Mississippi and went to Hazelhurst, MS. There he played at the "jook joints of the road gangs and lumber camps," and found a "kind and loving woman more than ten years his senior" named Calletta "Callie" Craft. The couple was married in May 1931, but they kept the marriage a secret. This time in Southern Mississippi was very important for Johnson, because his musical talent came to fruition. When he returned to Robunsonville, Son House and Willie Brown were astounded by his development. Rumours began about Johnson trading his soul to the devil in exchange for the guitar expertise. His career took off.   


                               

In performance, Johnson played his own songs as well as those of other bluesmen. When he made up his mind to record, in 1936, he approached H. C. Speirs, a white record store owner in Jackson, MS. Speirs sent him to Ernie Oertle, an ARC scout. Oertle and Johnson went to San Antonio late in November 1936, where, in 5 days, he recorded Kindhearted Woman Blues, I Believe I'll Dust My Broom, Sweet Home Chicago, Rambling On My Mind, When You Got a Good Friend, Come On In My Kitchen, Terraplane Blues, Phonograph Blues, 32-20 Blues, They're Red Hot, Dead Shrimp Blues, Cross Road Blues, Walking Blues, Last Fair Deal Gone Down, Preaching Blues (Up Jumped the Devil), and If I Had Possession Over Judgment Day. When he was done, he returned home to Mississippi.   

Johnson returned to recording in June of 1937, this time in Dallas. He did two takes each of Hellhound On My Trail, Little Queen of Spades, Malted Milk, Drunken Hearted Man, Me and the Devil Blues, Stop Breakin' Down Blues, Traveling Riverside Blues, and Honeymoon Blues, and three takes of Milkcow's Calf Blues, and four takes of Love in Vain. During the next year, Johnson traveled to such places as St. Louis, Memphis, and back home to the Delta. 

Johnson with Johnny Shines

On Saturday night, August 13, 1938 at a jook joint named Three Forks, Johnson played his last gig. Of the many rumours concerning Johnson's death in 1938 (stabbing, poison, the devil catching up with him), poisoning is the most prevalent and most substantiated. His death certificate was found in 1968, verifying his death in Greenwood, Mississippi. He is buried at a small church in Morgan City, MS, which is near Greenwood. It was soon after Johnson's death, but before the news was wide-spread, that John Hammond began looking for Johnson to perform at Carnegie Hall in a "From Spirituals to Swing" concert. 

His landmark recordings from 1936–1937 display a remarkable combination of singing, guitar skills, and songwriting talent that have influenced generations of musicians. Johnson's shadowy, poorly documented life and death at age 27 have given rise to much legend. Considered by some to be the "Grandfather of Rock 'n' Roll", his vocal phrasing, original songs, and guitar style have influenced a broad range of musicians, including John Fogerty, Bob Dylan, Johnny Winter, Jimi Hendrix, The Yardbirds, Led Zeppelin, The Allman Brothers Band, The Rolling Stones, Paul Butterfield, The Band, Neil Young, Warren Zevon, Jimmy Page, Jeff Beck, and Eric Clapton, who called Johnson "the most important blues musician who ever lived". He was also ranked fifth in Rolling Stone's list of 100 Greatest Guitarists of All Time. He is an inductee of the Rock and Roll Hall of Fame. 

(Edited from Wikipedia & University Of Virginia xroads)

 

4 comments:

  1. FOR ”ROBERT JOHNSON - HIS RECORDED LEGACY - THE 29 SONGS (2001 JASMINE)” GO HERE:

    https://www.imagenetz.de/kLw67

    1. WALKING BLUES
    2. RAMBLING ON MY MIND
    3. 32-20 BLUES
    4. I BELIEVE I'LL DUST MY BROOM
    5. COME ON IN MY KITCHEN
    6. SWEET HOME CHICAGO
    7. TERRAPLANE BLUES
    8. KINDHEARTED WOMAN BLUES
    9. PHONOGRAPH BLUES
    10. WHEN YOU GOT A GOOD FRIEND
    11. DEAD SHRIMP BLUES
    12. CROSS ROAD BLUES
    13. STOP BREAKIN' DOWN BLUES
    14. LAST FAIR DEAL GONE DOWN
    15. PREACHING BLUES (UP JUMPED THE DEVIL)
    16. STONES IN MY PASSWAY
    17. IF I HAD POSSESSION OVER JUDGEMENT DAY
    18. I'M A STEADY ROLLIN' MAN
    19. FROM FOUR TILL LATE
    20. HELLHOUND ON MY TRAIL
    21. MALTED MILK
    22. LITTLE QUEEN OF SPADES
    23. DRUNKEN HEARTED MAN
    24. TRAVELLING RIVERSIDE BLUES
    25. ME AND THE DEVIL BLUES
    26. LOVE IN VAIN
    27. MILKCOW'S CALF BLUES
    28. HONEYMOON BLUES
    29. THEY'RE RED HOT

    The plot of the 1986 Hollywood movie "Crossroads" concerns a teenage classical guitar student at New York's prestigious Juilliard School of Music. His personal obsession is the music of long-dead blues singer Robert Johnson and he has a notion that instead of the twenty-nine songs Johnson is known to have recorded, a thirtieth one exists; with the discovery of this missing song, he could make his own reputation by recording it. When the lad finds Willie Brown, a known associate of Johnson, to be a patient in a New York hospital, he befriends the old man and together they start on an unlikely odyssey to Mississippi to unearth the song (unsuccessfully) and to discover whether Johnson had made a pact with the Devil, at a crossroad, as legend would have it. Presented here are the twenty-nine songs, remastered using the wizardry of modern sound techniques to give the listener a lot more of Robert Johnson and a lot less of the poor recording techniques of his day, without in any way corrupting the actual music. The only liberty which has been taken has been to select the best take where an alternative exists and to compile the twenty-nine songs in a running order which provides a better listening experience than the strict discographical order allows. (Jasmine notes)

    Please note playlist reconstructed using mp3’s from digital download The Complete Recordings of Robert Johnson (Doxy Remastered)

    ReplyDelete
  2. Good stuff BB. I bought his biography to learn more about his mysterious life and the Mississippi Delta of those times. A rich period of music in it's time.

    ReplyDelete
  3. So nice! Thanks a lot for this great stuff and for all your work with the recherches in the biography too!

    ReplyDelete
  4. 4 photographs, 29 sides. That’s all there is, probably all there will ever be. Considering the influence they have had, they was enough.

    ReplyDelete