Edwin Starr (January 21, 1942 – April 2, 2003), was an American singer and songwriter. Starr was famous for his Norman Whitfield-produced Motown singles of the 1970s, most notably the number-one hit "War".
He was born Charles Edwin Hatcher in Nashville, Tennessee. He and his cousins, soul singers Roger and Willie Hatcher, moved to Cleveland, Ohio, where they were raised. In 1957, Hatcher formed a doo-wop group, the Future Tones, and began his singing career. However after just one single, he was called up for military service in the United States Army for three years, where he was posted to Europe, following the end of his service he decided to make music his career, and joined the musical group of Bill Doggett. Hatcher, adopted the name Edwin Starr at the suggestion of Doggett's manager Don Briggs, and made his solo recording debut in 1965 for the Detroit record company Ric-Tic.
The song that launched his career was "Agent Double-O-Soul" (1965). Other early hits included "Headline News", "Back Street", and "Stop Her on Sight (S.O.S.)". While at Ric-Tic, he wrote the song, "Oh, How Happy", a number 12 Billboard Hot 100 hit in 1966 for The Shades of Blue (he would go on to release a version of the song with Blinky in 1969) and sang lead for the Holidays on their number 12 R&B hit, "I'll Love You Forever". At Motown he recorded a string of singles before enjoying international success with "Twenty-Five Miles", which he co-wrote with producers Johnny Bristol and Harvey Fuqua. It peaked at number 6 in both the Hot 100 and R&B Charts in 1969.
It was when Motown's Berry Gordy became frustrated with smaller labels like Ric-Tic stealing some of the success of his company that he bought out the label. Many of Starr's Ric-Tic songs (subsequently owned by Motown) like "Back Street" and "Headline News" became favored northern soul classics. His early Ric-Tic hit "Stop Her on Sight (S.O.S.)", was reissued in Britain (with "Headline News" as its B-side) in 1968, and it performed better than the original release on the UK Chart, surpassing the original number 35 and peaking at number 11. His 1970 song "Time" also helped to establish him as a prominent artist on the northern soul scene.
The biggest hit of Starr's career, which cemented his reputation, was the Vietnam War protest song "War" (1970). Starr's intense vocals transformed a Temptations album track into a number one chart success, which spent three weeks in the top position on the U.S. Billboard charts, an anthem for the antiwar movement and a cultural milestone that continues to resound in movie soundtracks and hip hop music samples. It sold over three million copies, and was awarded a gold disc. His backing singers during this time were Total Concept Unlimited, who later became Rose Royce.
Starr continued to record, most notably the song "Hell Up in Harlem" for the 1974 film Hell Up in Harlem, which was the sequel to Black Caesar, an earlier hit with a soundtrack by James Brown. In 1979, Starr reappeared on the charts with a pair of disco hits, "(Eye-to-Eye) Contact" and "H.A.P.P.Y. Radio". "Contact" was the more successful of the two, peaking at number 65 on the US pop chart, number 13 on the R&B chart, number 1 on the dance chart, and number 6 on the UK Singles Chart. "H.A.P.P.Y. Radio" was also a top ten hit in the UK, reaching number 9 on the chart in mid-1979.
By now, he had joined the well-established disco boom and had further singles on 20th Century Records. Over the years, he released tracks on a variety of labels, including Avatar, Calibre, 10 Records, Motown, Streetwave and Hippodrome (a division of Peter Stringfellow's Hippodrome nightclub). In 1985, Starr released "It Ain't Fair". Despite garnering the attention of many in the soul and dance clubs, it fell short of becoming a major hit (managing number 56 on the UK Chart). Other singles released around the same time, appeared on Starr's Through the Grapevine album, which was not released until 1990. In 1989, Starr also joined Ian Levine's Motorcity Records, releasing six singles and the album Where Is the Sound, as well as co-writing several songs for other artists on the label. Starr resurfaced briefly in 2000 to team up with the UK band Utah Saints to record a new version of "Funky Music Sho' 'Nuff Turns Me On". He appeared again in 2002 to record a song with the British musician Jools Holland, singing "Snowflake Boogie" on Holland's compact disc More Friends; and to record another track with Utah Saints, a so-far-unreleased version of his number one hit "War"—his last recording.
For “The Best Of Edwin Starr” go here:
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01) Edwin Starr - War
02) Edwin Starr - Contact (UK 7'' Version)
03) Edwin Starr - You've Made Me So Very Happy
04) Edwin Starr - Stop Her On Sight
05) Edwin Starr - 25 Miles
06) Edwin Starr - Soul Master
07) Edwin Starr - Headline News
08) Edwin Starr - H.A.P.P.Y. Radio
09) Edwin Starr - Oh How Happy
10) Edwin Starr - I Am The Man For You Baby
11) Edwin Starr - Agent Double-O Soul
12) Edwin Starr - Way Over There
13) Edwin Starr - Back Street
14) Edwin Starr - I'm So Into You
15) Edwin Starr - I Want My Baby Back
16) Edwin Starr - Gonna Keep On Tryin' Till I Win Your Love
17) Edwin Starr - Stop The War Now
18) Edwin Starr - Funky Music Sho Nuff Turns Me On
19) Edwin Starr - Bigger And Better
20) Edwin Starr - Ooo Baby Baby
21) Edwin Starr - Time
22) Edwin Starr - He Who Picks A Rose
23) Edwin Starr - You Beat Me To the Punch
24) Edwin Starr - Don't Waste Your Time
25) Edwin Starr - At Last (I Found A Love)
26) Edwin Starr - There You Go
27) Edwin Starr - Who's Right Or Wrong
28) Edwin Starr - Cloud Nine
29) Edwin Starr - Contact
30) Edwin Starr - Boop Boop Song
31) Edwin Starr - Sweet
32) Edwin Starr - Take Me Clear From Here
33) Edwin Starr - If My Heart Could Tell The Story
34) Edwin Starr - Patiently
35) Edwin Starr - You've Got My Soul On Fire
36) Edwin Starr - Never Turn My Back On You
37) Edwin Starr - I Have Faith In You
38) Edwin Starr - My Weakness Is You
39) Edwin Starr - Harlem
A big thank you goes to Denis for suggesting today’s birthday singer and also for loaning the digital album.
Thanks Bob.
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