Friday, 16 September 2022

Little Willie Littlefield born 16 September 1931

 

Willie Littlefield, Jr., billed as Little Willie Littlefield (September 16, 1931 – June 23, 2013), was an American R&B and boogie-woogie pianist and singer whose early recordings "formed a vital link between boogie-woogie and rock and roll". 

Littlefield was born in El Campo, Texas, and grew up in Houston with his mother. By 1947, at the age of sixteen, he was already a local attraction in many of the clubs on Dowling Street in Houston and was recording for Eddie Henry, a local record shop proprietor who ran his own label, Eddie's Records. He formed his first band with the saxophonist Don Wilkerson, a friend from school. 

Littlefield & Pee Wee Crayton
Littlefield was strongly influenced by the boogie-woogie pianist Albert Ammons. A particular favourite of his was Ammons's "Swanee River Boogie", which he later recorded for Eddie's Records. Other major influences on Littlefield's style were the Texas musicians Charles Brown and Amos Milburn. Littlefield learned most of their "chops" and soon developed his own distinctive triplet style, which was widely copied by R&B musicians in the early 1950s, particularly Fats Domino, who incorporated it into his New Orleans rhythm and blues. 

His first recording, "Little Willie's Boogie", was a hit in Texas in 1949 and brought him to the attention of Jules Bihari, of Modern Records in Los Angeles, who was searching for a performer to rival the success of Amos Milburn. Bihari flew to Houston in July 1949 to investigate the city's black entertainment venues and heard of a "teenage wonder boy pianist" who was causing a stir at the Eldorado Ballroom. Bihari went to hear Littlefield and soon arranged for an audition at a local studio. The session was captured on acetate disc, with Bihari, clearly audible in the background, calling for Littlefield to play popular R&B tunes of the day. 

Back at Modern Records, he recorded "It's Midnight", which became a national hit, reaching number three on the Billboard R&B chart, and its follow-up, "Farewell", which reached number five. He became a major nightclub attraction and recorded with West Coast musicians such as Maxwell Davis. Don Wilkerson, Littlefield's schoolmate and the leading saxophone player in his band, also travelled to Los Angeles, but Milburn promptly persuaded him to lead Milburn's new band, the Aladdin Chickenshackers. 


                              

Modern Records booked Littlefield for three recording sessions in October 1949, followed by more sessions over the next two months at Radio Recorders in Hollywood. During these three months alone, over 22 sides were cut – an unusual output compared to that of most other artists, who averaged only two sessions a year. Other musicians at these sessions included the saxophonists Maxwell Davis and Buddy Floyd, the guitarists Chuck Norris and Johnny Moore, and the drummers Al Wichard and Jessie Price. One of his 1950 recordings, "Happy Pay Day", written by Jack Holmes, was later rewritten by Holmes with entirely different lyrics as "The Blacksmith Blues", which became a hit for Ella Mae Morse.

In 1951, his duet with Little Lora Wiggins, "I've Been Lost", reached number 10 on the R&B chart. In 1952 he moved to the Federal subsidiary of King Records. His first session for Federal produced "K. C. Loving", written by Jerry Leiber and Mike Stoller and later re-recorded by Wilbert Harrison as "Kansas City". By 1957 Littlefield had moved to northern California. He continued to record for Don Barksdale's Rhythm label in San Francisco and produced the single "Ruby, Ruby". Littlefield's recording and his subsequent releases were not successful, but he remained a popular performer in clubs in the San Francisco area. 

In the late 1970s he toured Europe successfully, settling in the Netherlands and releasing a number of albums from 1982 into the late 1990s for the Oldie Blues label from Martin van Olderen. After touring for more than 50 years, Littlefield stopped in 2000. After five years of retirement in his adopted home country, the Netherlands, he decided to play again, starting in 2006, declaring, "I went fishing for five years – now I know every herring in Holland by name – it got boring. I feel great and I want to be back with my audience." 

In his later years Littlefield continued to perform occasionally, mainly at festivals, particularly in the UK. In 2008 he played at the 20th Burnley Blues Festival, in 2008, and at the 5th annual UK Boogie Woogie Festival at Sturminster Newton in Dorset, in July 2009. He performed at Shakedown Blues Club, at Castor Village Hall, near Castor, Peterborough, in 2006 and made a return appearance in October 2010. 

He died at his home in Voorthuizen, Netherlands, in 2013, at the age of 81. He had cancer. 

(Edited from Wikipedia)

3 comments:

  1. For”LITTLE WILLIE LITTLEFIELD - THE BEST OF THE REST (2018 Jasmine)” go here:

    https://www.imagenetz.de/iwxZ4

    1. LITTLE WILLIE'S BOOGIE
    2. MY BEST WISHES
    3. SWANEE RIVER
    4. BOOGIE WOOGIE PLAYGIRL
    5. LITTLEFIELD BOOGIE
    6. STRIKING ON YOU BABY
    7. BLOOD IS REDDER THAN WINE
    8. K. C. LOVIN' (Kansas City)
    9. PLEADING AT MIDNIGHT
    10. THE MIDNIGHT HOUR WAS SHINING
    11. MY BEST WISHES AND REGARDS
    12. MISS K. C.'S FINE
    13. ROCK A BYE BABY
    14. (Please Don't Go) O-O-O-OH
    15. DON'T TAKE MY HEART, LITTLE GIRL
    16. FALLING TEARS
    17. GOOFY DUST BLUES
    18. JIM WILSON'S BOOGIE
    19. SITTING ON THE CURBSTONE
    20. MISTREATED
    21. BABY SHAME
    22. RUBY-RUBY (With the Mondellos)
    23. EASY GO
    24. I NEED A PAYDAY
    25. I WANT A LITTLE GIRL
    26. THERESA
    27. GOODBYE BABY
    28. I WANNA LOVE YOU


    Here are some selected recordings from Eddie's, Federal & Rhythm 1948-1958. Willie Littlefield has a long and distinguished career as a boogie pianist and R&B singer and was one of the greatest and most influential of the genre throughout the 1950s. This CD includes 28 rockin', rollin' and bluesin' tracks including 'Little Willie's Boogie', 'Swanee River', 'K. C. Lovin' (Kansas City)' and many more. This collection will appeal across the board to fans and collectors and those who enjoyed his European popularity. (Jasmine notes)

    N.B. I couldn’t find the complete Jasmine album in the usual music blogs, so you will notice by the mp3 tags I managed to find those missing from other albums. Missing tracks are the same recordings used on the jasmine playlist.


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  2. For”Little Willie Littlefield - I'm In The Mood (1982)” go here:

    https://turbobit.net/bu8ukekm8st6.html

    1. Farmsound Boogie
    2. Houseparty
    3. Holland Boogie Wiggle
    4. Beggin
    5. Chief Boogie Woogie
    6. Raining
    7. Walking Through The Streets
    8. Just Relax
    9. Willie Rolls The Boogie
    10. Then I Wonder
    11. Jump The Boogie Woogie
    12. Rollin' The Basses
    13. Boogie Woogie Playgirl
    14. The Breeze
    15. Little Willie's Boogie
    16. Ain't A Better Story To Be Told
    17. Riffin' Along
    18. One More Drink
    19. Found My Baby
    20. A Little Cure
    21. Jive At Five

    Recorded at The Farmsound Studio in Heelsum in the Netherlands in June 1982

    Bass – Harry Noordhof
    Drums – Diederik van Hamersveld
    Piano – Little Willie Littlefield
    Producer – Martin van Olderen
    Vocals – Little Willie Littlefield, Tony Littlefield

    A big thank you to the unknown uploader @ The Jazz Portal for this CD with active link.

    ReplyDelete
  3. most excellent sir...thanks

    ReplyDelete