Mel Powell (February 12, 1923 – April 24, 1998) was a Pulitzer Prize-winning American composer, and the founding dean of the music department at the California Institute of the Arts. He served as a music educator for over 40 years, first at Mannes College of Music and Queens College, then Yale University, and finally at CalArts. During his early career he worked as a jazz pianist.
Mel Powell was born Melvin D. Epstein in The Bronx, New York City to Russian Jewish parents. He began playing piano at age four, taking lessons from, among others, Nadia Reisenberg. A passionate baseball fan, his home was within sight of Yankee Stadium. A hand injury while playing baseball as a boy, however, convinced him to pursue music instead of sports as a career. Powell dreamed of life as a concert pianist until his older brother took him to see jazz pianist Teddy Wilson play, and later to a concert featuring Benny Goodman. By the age of 14 Powell was performing jazz professionally around New York City. As early as 1939, he was working with Bobby Hackett, George Brunies, and Zutty Singleton, as well as writing arrangements for Earl Hines. He changed his last name from Epstein to Powell in 1941 shortly before joining Benny Goodman's band.
Powell's style was rooted in the stride style that was the direct precursor to swing piano. One composition from his Goodman years, The Earl, is perhaps his best-known from that time. It is notable that the song was recorded without a drummer. After nearly two years with Goodman, Powell played briefly with the CBS radio band under director Raymond Scott before Uncle Sam came calling. With World War II at its height, Powell was drafted into the U.S. Army, but fought his battles from a piano stool, having been assigned to Glenn Miller's Army Air Force Band from 1943 to 1945.
Count Basie, Teddy Wilson, Hazwl Scott, Duke Ellington and Mel Powell at Cafe Society.
Near the war's end, Powell was stationed in Paris, where he played with Django Reinhardt, and then returned for a brief stint in Goodman's band again after being discharged from the military. In the mid-to-late 1940s, Powell moved to Hollywood and ventured into providing music for movies and cartoons, most notably Tom and Jerry. In 1948 he played himself in the movie A Song Is Born, appearing along with many other famous jazz players, including Louis Armstrong. It was during his time in Hollywood that he met and married actress Martha Scott.
Shortly thereafter, Powell developed muscular dystrophy. He was confined to a wheelchair for some time, then walked with aid of a cane. The illness effectively ended his ability to work as a travelling musician again with Goodman or other bands, prompting him to devote himself to composition rather than performance.
In 1948 he enrolled at the Yale School of Music, where he studied with German composer and music theorist Paul Hindemith and received a B.M. degree in 1952. In 1954 he recorded the jazz album Thigamigig, including a piano/trumpet/drums track that was selected by Art Clokey for his claymation short Gumbasia in 1955. Also in 1954, he appeared with Benny Goodman in New York at Basin Street for a three-week engagement.
At first sticking to neoclassical styles of composition, Powell increasingly explored atonality, or "non-tonal" music as he called it, as well as the serialism advocated by Austrian composer Arnold Schoenberg. After receiving his degree, Powell embarked on a career as a music educator, first at Mannes College of Music and Queens College in his native New York City, then returning to Yale in 1958, succeeding Hindemith as chair of the composition faculty and director of one of the nation's first electronic music studios.
Powell composed several electronic pieces in the 1960s, some of which were performed at the Electric Circus in New York's East Village, a venue that also saw performances by groundbreaking rock music acts like The Velvet Underground and The Grateful Dead. But Powell did not completely turn his back on jazz. While teaching in the 1950s, he also played piano and recorded music with Benny Goodman again, as well as on his own.
Powell composed for orchestra, chorus, voice, and chamber ensemble throughout the 1960s, 1970s, and 1980s. In 1969, he returned to California to serve as founding dean of the California Institute of the Arts in Valencia, California. After serving as Provost of the Institute from 1972 to 1976, he was appointed the Roy O. Disney Professor of Music, and taught at the Institute until shortly before his death.
In 1987, Powell joined other music greats for a jazz festival on the cruise ship SS Norway, playing alongside Benny Carter, Howard Alden, Milt Hinton, Louie Bellson and others. In 1990 Powell received his highest career achievement, the Pulitzer Prize in Music, for his work Duplicates: A Concerto for Two Pianos and Orchestra. Other awards and honours include the Creative Arts Medal from Brandeis University, a Guggenheim Fellowship, an honorary life membership in the Arnold Schoenberg Institute, a commission from the Koussevitzky Music Foundation for the Library of Congress, and a National Institute of Arts and Letters grant.
Buddy Rich. Mel Powell & Joe Williams 1987 |
Powell died at his home in Sherman Oaks, California, on April 24, 1998, from liver cancer. He was 75 years old. He was buried in the Masonic Cemetery of Jamesport, Missouri. (Edited from Wikipedia)
For “Mel Powell – Four Classic Albums Plus (Avid Jazz 2012)” go here:
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Borderline
1-1 Borderline 3:28
1-2 Makin' Whoopie 4:45
1-3 What's New 8:36
1-4 Quin And Sonic 3:41
1-5 If Dreams Come True 3:37
1-6 Cross Your Heart 2:15
1-7 Avalon 3:33
Thigamagig
1-8 Thigamagig 2:29
1-9 You're My Thrill 5:20
1-10 Button Up Your Overcoat 3:15
1-11 Don-Que-Dee 3:29
1-12 Bouquet 4:53
1-13 Ain't She Sweet 4:10
1-14 Take Me In Your Arms 4:05
1-15 California, Here I Come 3:07
Mel Powell Out On A Limb
1-16 Gone With The Wind 2:54
1-17 Bunny Hug 4:00
1-18 Pennies From Heaven 3:57
1-19 Stomping At The Savoy 3:42
1-20 When Your Lover Has Gone 3:52
2-1 Cooch 3:00
2-2 Beale St. Blues 3:36
2-3 Three Little Words 3:12
2-4 You're Lucky To Me 3:45
2-5 Liza 3:44
2-6 The Best Thing For You Would Be Me 2:43
2-7 Rosetta 2:54
The Mel Powell Bandstand
2-8 Ezz-May 4:32
2-9 My Last Millionaire 3:25
2-10 Everything I've Got 3:08
2-11 Firebug 1:47
2-12 Easy Swing 4:43
2-13 Soon 3:24
2-14 When Did You Leave Heaven 3:41
Mel Powell Septet
2-15 'S Wonderful 4:17
2-16 It's Been So Long 3:47
2-17 I Must Have That Man 7:07
2-18 You're Lucky To Me 4:58
Mel Powell Classics In Jazz
2-19 Anything Goes 2:40
2-20 Hallelujah 2:06
2-21 There's A Small Hotel 2:54
2-22 Way Down Yonder In New Orleans 2:10
CD1, Tracks 1 to 7: LP Mel Powell Trio – Borderline (1954)
CD1, Tracks 8 to 15: LP Mel Powell Trio – Thigamagig (1954)
CD1, Tracks 16 to 20 and CD2, Tracks 1 to 7: LP Mel Powell – Out On A Limb (1955)
CD2, Tracks 8 to 14: LP Mel Powell And His Orchestra – The Mel Powell Bandstand (1954)
CD2, Tracks 15 to 18: LP Mel Powell Septet – Mel Powell Septet (1953)
CD2, Tracks 19 to 22: EP Mel Powell - Classics In Jazz (1947)
Avid Jazz presents early 1950’s recordings from pianist Mel Powell….”one of the first musicians to make the transition from swing to serious composition without losing his mastery of either idiom”. What unites all our featured albums (recorded between 1947- 1955) is the devotion to jazz at its most inventive and exciting. Our selections include such fine musicians as Ruby Braff, Bobby Donaldson, Mundell Lowe, Chuck Russo, Buck Clayton, Paul Quinichette, Oscar Pettiford and Michael “Peanuts” Hucko. “Powells extraordinary talents remain as undimmed as ever” (Avid Jazz notes)
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ReplyDeleteThanx for these. LUV the YT video. Know of artist but don't have any of his music = "new" hears here.
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