Royal G. "Rusty" Bryant (November 25, 1929 – March 25, 1991) was an American jazz tenor and alto saxophonist. He rarely played outside of his Columbus, Ohio, home, travelling to New York only occasionally to record. That probably explains why he's not better known today.
Bryant was born in Huntington, West Virginia, and grew up
in
Columbus, Ohio, becoming a fixture of the local jazz scene playing a robust, wailing tenor sax inspired by the likes of Gene Ammons and Sonny Stitt.
Columbus, Ohio, becoming a fixture of the local jazz scene playing a robust, wailing tenor sax inspired by the likes of Gene Ammons and Sonny Stitt.
He worked with
Tiny Grimes and Stomp Gordon before founding his own ensemble, the Carolyn Club
Band, in 1951. He signed with Dot Records in 1954 and released several albums
as a leader in the second half of the 1950s. In 1952, his live recording
"All Nite Long" (a faster version of "Night Train") became
a hit R&B single in the U.S.
Bryant's contract with Dot ended in 1957, and he returned
to Columbus to do mostly local engagements, playing often with pianist-organist
Hank Marr. Nancy Wilson also sang in his group. It wasn't until his appearance
on the 1968 Groove Holmes album That Healin' Feelin' that he resurfaced beyond
regional acclaim.
Soon after he began leading dates for Prestige Records, beginning with 1969's Rusty Bryant Returns, an anomaly where he played a Lou Donaldson-inspired, sometimes-electrified alto. His next few albums -- including Night Train Now!, Soul Liberation, Fire Eater, and Wildfire -- successfully updated his sound for the times, and became cult classics among acid jazz aficionados for their strong, funky grooves.
Soon after he began leading dates for Prestige Records, beginning with 1969's Rusty Bryant Returns, an anomaly where he played a Lou Donaldson-inspired, sometimes-electrified alto. His next few albums -- including Night Train Now!, Soul Liberation, Fire Eater, and Wildfire -- successfully updated his sound for the times, and became cult classics among acid jazz aficionados for their strong, funky grooves.
He recorded extensively for the label from 1969 through
the middle
of the 1970s, being a sideman with Ivan "Boogaloo Joe" Jones, Johnny "Hammond" Smith, Charles Kynard, and Sonny Phillips; his 1970 release Soul Liberation was his most commercially successful, reaching No. 35 on the U.S. Black Albums chart and No. 15 on the Top Jazz Albums chart. Bryant continued to record into the early 1980s, then returned to mostly local dates in Columbus.
of the 1970s, being a sideman with Ivan "Boogaloo Joe" Jones, Johnny "Hammond" Smith, Charles Kynard, and Sonny Phillips; his 1970 release Soul Liberation was his most commercially successful, reaching No. 35 on the U.S. Black Albums chart and No. 15 on the Top Jazz Albums chart. Bryant continued to record into the early 1980s, then returned to mostly local dates in Columbus.
Toward the end of his life, Rusty founded a program
bringing instruments into local prisons, teaching music to the inmates as well,
and accomplishing his pivotal role in founding the Music in the Air series
through the City of Columbus Recreation and Parks Division. Rusty was an active
participant in the “Listen For The Jazz” project and its associated Jams and
performances, and he continued to record and play with local and national
artists until his death on March 25, 1991 due to complications of diabetes.
Rusty loved to tell stories and told of sneaking into the
front seats
at the Palace Theatre and watching the orchestra; he said you could smell the polish and see the flash of the horns, he knew what he wanted to do. Appropriately, when Rusty passed a memorial Jam was held and artists from all over the world came. Included in those in attendance was Grover Washington, who as a youth had spent some time living in Columbus and who said he used to sneak into the alleys behind clubs where Rusty would play on the Near East Side and listen. He claimed Rusty to be one of his largest influences.
at the Palace Theatre and watching the orchestra; he said you could smell the polish and see the flash of the horns, he knew what he wanted to do. Appropriately, when Rusty passed a memorial Jam was held and artists from all over the world came. Included in those in attendance was Grover Washington, who as a youth had spent some time living in Columbus and who said he used to sneak into the alleys behind clubs where Rusty would play on the Near East Side and listen. He claimed Rusty to be one of his largest influences.
Rusty Bryant was the father of Eric Royal Bryant and pop
singer Stevie Woods, the latter having a moderately successful recording career
in the early 1980s with the top 40 hit songs "Steal the Night" and
"Just Can't Win 'Em All." Rusty was the grandfather of Tiana Woods,
an L.A. based singer/songwriter and front woman for the band "Living
Eulogy."
Though they resemble and share the same surname, Rusty
Bryant and jazz pianist Ray Bryant are not related.
(Edited from Wikipedia , AllMusic & Ragazine.cc)
boppinbob,
ReplyDelete“RUSTY BRYANT ORIGINAL QUINTET
COMPLETE RECORDING (2 LPS ON 1 CD)” and “Tyree Glenn - 1947-1952 Chronological Classics” seem to have the same address.
Please reconcile.
Thanks.
Oops haven’t the faintest what happened there, but thanks for pointing it out.
ReplyDeleteFor “RUSTY BRYANT ORIGINAL QUINTET
COMPLETE RECORDING (2 LPS ON 1 CD)” go here:
https://ufile.io/ucu6yjq5
1. Over the Rainbow
2. Secret Love
3. Thou Swell
4. 48th Street Smile
5. Easy Living
6. Mr Wonderful
7. That Old Black Magic
8. Susie
9. This Time The Dream's on Me
10. Almost Like Being in Love
11. When Your Lover has Gone
12. Sonar
13. The Deacon
14. Boofus
15. Herbert's Coming
16. Sooty
17. My Shining Hour
18. I Should Care
19. Why Was I Born
20. I Cover the Waterfront
21. Blue Lou
22. Frances' Dream
23. It's a Blue World
24. Street of Dreams
25. Hanka Boo (bonus track)
26. Back Street (bonus track)
Total Time: 77:43
Recorded in Los Angeles, August 1957
This unprecedented release features twenty-six tracks of the powerful groove-oriented tenor saxophonist playing a rare straight-ahead set accompanied by such outstanding figures as Gerald Wiggins on the piano chair, Howard Roberts or John Collins on guitar, Red Callender on bass and Alvin Stoller or Shelly Manne on drums. The various formations swing with precision, providing Rusty with the perfect backdrop to demonstrate his ample saxophone skills and impecable taste.
The repertoire contains a lot of Standards as well as seven own compositions. As a Bonus Tracks appeared two tracks of his first LP recorded in NYC, 1954. (Freshsound Records note)
A big thank you to Egroj @ https://egrojworld.blogspot.com/
Please pay this excellent blog a visit.
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For all you soul-jazz fiends I found this album…
Rusty Bryant – Fire Eater 1971 (Prestige)”
http://www.solidfiles.com/v/BqYezx5vrkdGY/dl
1. "Fire Eater" (Rusty Bryant, Jeremy Taylor) - 9:30
2. "Free at Last" (Bryant, Wilbert Longmire) - 8:35
3. "The Hooker" (Leon Spencer) - 9:25
4. "Mister S." (Spencer) - 7:38
Rusty Bryant - tenor saxophone
Bill Mason (tracks 1 & 2), Leon Spencer (tracks 3 & 4) - organ
Wilbert Longmire - guitar
Idris Muhammad – drums
The Allmusic site awarded the album 4½ stars calling it "a session that has Bryant stretching out his meaty tone and improvisations a bit further than usual. This is respectable soul-jazz with a lot of funk, but no fusion, employing the tenor sax-organ-guitar-drums lineup".
A big thank you to Electric Looser @ spychedelicsally.blogspot.for active link.
Great tenor and great post!
ReplyDeletemany thanks!
;)