Wednesday, 27 November 2019

Muzzy Marcellino born 27 November 1912


Muzzy Marcellino (November 27, 1912 – June 11, 1997) was an American singer and musician, known primarily for his clear, melodious style of whistling. Marcellino's whistling was featured in many TV and movie soundtracks, such as The Mickey Mouse Club and Lassie. He was the uncle of Vince Guaraldi.

Born Maurice Marcellino, he actually studied both violin and guitar while growing up in his hometown of San Francisco. He began his career as a child singer with Phil Harris’ orchestra. Around 1932, he joined the Lofner-Harris orchestra, which was the house band at San Francisco's classy St. Francis Hotel. That same year he introduced “Willow Weep for Me” with the Ted Fio Rito orchestra and joined that band in 1935.


                              

He doubled up as guitarist and lead male vocalist. During his six years with the band, he featured in a number of motion pictures, including “The Sweetheart of Sigma Chi” and "Broadway Gondolier."

In 1938 he formed his own orchestra, which debuted at Topsy's Restaurant in San Francisco and featured a young Gloria DeHaven on vocals. The band was best known for Marcellino's own smooth baritone voice--his whistling was, if anything, just a novelty tossed in from time to time. He spent the next ten years playing West Coast venues.

In the late 1940's, he reduced the size of his band, touring Reno and Las Vegas. Marcellino finally folded the band in 1948, when he went to work on Dick Powell's radio show. 


1953 Muzzy with Hostess Helen Parrish on "It's a Good Idea"
Later Marcellino was hired by television personality Art Linkletter to lead a small on-air combo featured on Linkletter's talk cum variety show, "House Party." He stayed as musical director for 19 years, until Linkletter ended the show in 1969 following his daughter's suicide

Eventually, Marcellino's whistling talents became well enough known among studio musical directors that he had a steady series of studio jobs in addition to his work on "House Party." During the heyday of Disney's "Mickey Mouse Club" television series, Marcellino collaborated with songwriter Jimmy Dodd on original musical numbers written for the show. Disney also hired him to record the bird calls for the 
legendary Tiki Room at Disneyland.  Muzzy Marcellino released his debut album of whistling ballads, Birds of a Feather in 1958.

Marcellino's strong yet mellifluous whistling was employed to distinctive effect on hit recordings from the theme from The High and the Mighty to Hugo Montenegro's cover of Morricone's theme to The Good, the Bad, and the Ugly. Esquivel used Marcellino on his Stereo Action album, Latin-esque and was struck by his very precise pitch. If you hear whistling featured on a Hollywood studio recording from the 1950s or 1960s, chances are, you're hearing Muzzy Marcellino.

The Reader's Digest set of six records called Gaslight Musc Hall (1969) featured Marcellino whistling in the tune Whistling Rufus. Performed by the Gaslight Novelty Orchestra and conducted by Heinie Beau. Whistling Rufus was composed by Kerry Mills and as stated on the record collection the jaunty Whistling Rufus came at a transitional point in his career.

He died June 11, 1997 at his home in Sherman Oaks, California, following a lengthy illness.

 (Edited from spaceagepop & Wikipedia)
Here’s “Dancing In The Moonlight” by Ted Fiorito Orchestra with Muzzy Marcellino on vocals.1934.

1 comment:

  1. For “Muzzy Marcellino, Russ Garcia And His Orchestra ‎– Birds Of A Feather” go here:

    https://ufile.io/6rj2m0vo

    1 Street Scene
    2 Pavanne
    3 I'm On My Way
    4 If I Had You
    5 Four-Twenty A.M.
    6 Willow Weep For Me
    7 The Wedding Of The Painted Doll
    8 Sunrise Serenade
    9 Call Of The Birdwatchers
    10 Whistler's Lullaby
    11 On The Wing
    12 The Whistler

    There are very few fine whistling records. This is probably the best, and includes not just the Muzzy, the master whistler, but some killer arrangements by none other than Mr Outer Space, Russ Garcia.
    Liberty Records, 1958.

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