Lawrence Mervil Tibbett (November 16, 1896 – July 15, 1960) was a famous American opera singer and recording artist who also performed as a film actor and radio personality. A baritone, he sang leading roles with the Metropolitan Opera in New York more than 600 times from 1923 to 1950. He performed diverse musical
theatre roles, including Captain Hook in Peter Pan in a touring show. He was among the first operatic personalities to perform "popular" music.
Born Lawrence Mervil Tibbet (the extra "t" was
added when he signed his first Metropolitan contract), he was raised in Los
Angeles and started singing for money at an early age in church choirs and at
funerals. Following his 1915 high school graduation he served in the US
Merchant Marine during World War I, then returned home where he sang at silent
movie theatres.
After a period of study in New York, he gave the first of
his roughly 600 Metropolitan Opera performances in 1923 as the Herald in
Richard Wagner's "Lohengrin". Tibbett saw his big break in 1925 when
he was Ford in Giuseppe Verdi's "Falstaff" opposite Antonio Scotti;
he was to assume continually larger roles over the years, among them the title
leads of Verdi's "Rigoletto", "Simon Boccanegra", and
"Falstaff", the bullfighter Escamillo from Georges Bizet's
"Carmen", the evil police chief Scarpia of Puccini's
"Tosca", both Silvio and Tonio in Leoncavallo's "I
Pagliacci", the elder Germont from Verdi's "La Traviata", and
the villain Iago of the same composer's "Otello".
Tibbett made his first recordings for the Victor Talking
Machine Company in 1926. In the early 1930s, Tibbett also appeared in movies.
His Hollywood sojourn proved brief, although he was nominated for the Academy
Award for Best Actor for his first film,
The Rogue Song, a 1930 Metro-Goldwyn-Mayer production with Laurel & Hardy, shot in two-color Technicolor (only a few minutes of footage of the film, as well as the complete soundtrack, is known to survive today).
The Rogue Song, a 1930 Metro-Goldwyn-Mayer production with Laurel & Hardy, shot in two-color Technicolor (only a few minutes of footage of the film, as well as the complete soundtrack, is known to survive today).
He was also seen in "New Moon" (1930) with
Grace Moore and 1935's "Metropolitan" while becoming a regular on the
concert stage and on the radio with Packard automobile commercials and frequent
appearances on "Your Hit Parade".
During the 1930s, Tibbett sang throughout the United
States and Europe and was to achieve note in some more modern operas, giving
the 1933 world premiere, in blackface, of Louis Gruenberg's "The Emperor
Jones" and having success in Deems Taylor's "The King's
Henchman" and Howard Hanson's "Merry Mount". The title lead of
George Gershwin's "Porgy and Bess" was essentially written for his
voice as the composer's specification for the role was a "coloured
Lawrence Tibbett". Indeed, when RCA made the first recordings of the piece
under Gershwin's supervision they featured Tibbett and Helen Jepson, not Todd
Duncan and Anne Brown.
Apparently a rather rude and unpleasant man, this quality
was only exacerbated by his steadily worsening fondness for drink, with
multiple tales told of him onstage intoxicated, the entire stage reeking on the
occasions when he was partnered with the alcoholic Swedish tenor Jussi
Bjorling; in one such incident the Bulgarian soprano Ljuba Welitsch grew tired
of his ways and repeatedly kicked him after "killing" him at the end
of Act II of "Tosca", while another time he refused to allow a young
Leonard Warren to sing Ford opposite his Falstaff, saying "I didn't want
him doing to me what I did to Scotti".
Tibbett saw his voice damaged by alcohol and over-use and
left the Metropolitan in 1950, though he was to have some later success as
Captain Hook in "Peter Pan" and on Broadway in "Fanny". In
later years Tibbett served as host of a radio show featuring recordings of
operatic singers. He leavened matters with reminiscences of his own stage
experiences.
Plagued by severe arthritis and years of drinking
problems, he aged prematurely as his health worsened. He died on July 15, 1960,
after hitting his head on a table during a fall in his apartment.
The Time obituary said of him: "Tibbett had a big, bronze-like, dramatically eloquent voice that combined ringing power with remarkable agility ... he left behind not only the echoes of a great voice but the memory of a performer who could feel equally at home with high art and popular entertainment, suggesting that there is a magical link between the two." He is interred at Forest Lawn Memorial Park in Glendale, California.
The Time obituary said of him: "Tibbett had a big, bronze-like, dramatically eloquent voice that combined ringing power with remarkable agility ... he left behind not only the echoes of a great voice but the memory of a performer who could feel equally at home with high art and popular entertainment, suggesting that there is a magical link between the two." He is interred at Forest Lawn Memorial Park in Glendale, California.
(Edited from Wikipedia and Bob Hufford bio)
This clip is from "Metropolitan," the year
1935. It starred Mr. Tibbett, Virginia Bruce, Alice Brady and Cesar Romero. It
was very well received, and apparently the 1st production by Daryl F. Zanuck for
Twentieth Century Fox. It opened at Radio City Music Hall!
For “Lawrence Tibbett – Star Of Stage & Screen” go here:
ReplyDeletehttps://www.upload.ee/files/10733184/Lawrence_Tibbett.rar.html
1. Toreador's Song: Votre Toast Je Jeux Vous Le Rendre. 4:26
2. Wie Todesahnung Dämmerung Deckt Die Lande ... O Du, Mein Holder Abendstern (O Star Of Eve). 4:40
3. Largo Al Factotum. 4:22
4. Valentine's Aria: O Sainte Médaille ... Avant De Quitter Ces Lieux. 4:38
5. Barcarolle (Fairest Night Of Starry Ray) (Vocals – Lucrezia Bori). 2:53
6. Tre Sbirri, Una Carrozza, Presto! ... Te Deum Laudamus. 4:29
Films
7. The Rougue Song (from 'The Rougue Song'). 3:18
8. The White Dove (from 'The Rougue Song'). 3:42
9. Without A Song(from 'The Southerner'). 3:39
10. Wanting You (from 'The New Moon'). 2:35
11. Lover, Come Back To Me (from 'The New Moon'). 2:54
12. Tramps At Sea (from 'Cuban Love Song'). 3:03
13. Cuban Love Song (from 'Cuban Love Song'). 2:58
14. On The Road To Mandalay (from 'Metropolitan'). 4:54
Songs
15. Oh, That We Two Were Maying!. 3:03
16. Believe Me, If All Those Endearing Young Charms. 3:35
17. Uncle Ned. 3:42
18. The Song Is You. 3:03
19. Myself When Young. 3:20
Porgy And Bess
20. Bess, You Is My Woman Now (Vocals – Helen Jepson). 4:58
21. I Got Plenty O' Nuttin'. 3:10
I couldn’t find the original album but found these mp3’s from various sources (redmp3 and youtube) So quality may vary.
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Spotted this on my research…….
For “The Lawrence Tibbett Collection” go here:
https://archive.org/details/LawrenceTibbettCollection/
A wonderful collection of 93 recordings taken from 78’s
well worth a visit.