Frederick Charles Slack (August 7, 1910 – August 10, 1965) was an American swing and boogie-woogie pianist and bandleader.
Slack was born in Wisconsin. He learned to play drums as a
boy.
Later he took up the xylophone, and at the age of 13 he changed to the piano. He studied with a local teacher throughout high school. At the age of 17 he moved with his parents to Chicago, where he continued his musical training. He met Rosy McHargue, a well-known clarinetist, who took him to hear many leading musicians, including Bix Beiderbecke and Earl Hines. His first job was with Johnny Tobin at the Beach View Gardens. He later moved to Los Angeles, where he worked with Henry Halstead, Earl Burtnett and Lennie Hayton, before joining Ben Pollack in 1934 until 1936.
Later he took up the xylophone, and at the age of 13 he changed to the piano. He studied with a local teacher throughout high school. At the age of 17 he moved with his parents to Chicago, where he continued his musical training. He met Rosy McHargue, a well-known clarinetist, who took him to hear many leading musicians, including Bix Beiderbecke and Earl Hines. His first job was with Johnny Tobin at the Beach View Gardens. He later moved to Los Angeles, where he worked with Henry Halstead, Earl Burtnett and Lennie Hayton, before joining Ben Pollack in 1934 until 1936.
He played with the Jimmy Dorsey Band from 1936 to 1939. As a
key piano soloist with Will Bradley & His Orchestra during 1939-1941, Known
to band-mates as “Daddy Slack” he was
well showcased on the famous recording of "Beat Me Daddy, Eight to the
Bar" that helped launch the boogie-woogie fad. Slack was a key voice on
many other Bradley recordings in the same vein; he also played quite
effectively on some Big Joe Turner records.
He formed his own band in 1942 and signed with the newly
founded Capitol Records. He recorded three songs at his third recording session
for Capitol, on May 21, 1942. His recording of "Cow Cow Boogie," sung
by the 17-year-old Ella Mae Morse, was the second record Capitol issued on July
1, and by July 25 it had reached number 1 on the Hit Parade. It was Capitol's
first gold single.
T-Bone Walker was a member of Slack's band from 1942 to 1944
and Slack later accompanied Walker on his first solo recording for Capitol,
"Mean Old World". This band also had a hit with "Strange
Cargo." He also co-wrote the 1945 classic "The House of Blue
Lights" first recorded with singer Ella Mae Morse, and later by
Chuck Miller, The Andrews Sisters, Chuck Berry and Jerry Lee Lewis. Musicians who worked with his band included, at various times, Manny Klein and Clyde Hurley (trumpets), Bruce Squires (trombone), Barney Bigard (clarinet/tenor saxophone), Les Baxter (saxophone), Jud DeNaut (bass), and Bob Bain (guitar).
Chuck Miller, The Andrews Sisters, Chuck Berry and Jerry Lee Lewis. Musicians who worked with his band included, at various times, Manny Klein and Clyde Hurley (trumpets), Bruce Squires (trombone), Barney Bigard (clarinet/tenor saxophone), Les Baxter (saxophone), Jud DeNaut (bass), and Bob Bain (guitar).
He appeared on a 1960 NBC-TV special, "The Singin'
Swingin' Years," reprising his role as bandleader for Morse to do Cow-Cow
Boogie.
Slack was still active the 1960’s albeit as part of a piano
duo or trio, appearing in clubs and cocktail lounges around the San Fernando Valley.
For the last few years of his life, he suffered from diabetes and was found
dead in his Hollywood apartment on August 10, 1965, from 'undetermined causes'.
According to the Los Angeles Times, Slack's body was found a
few days after his 55th birthday in August 1965 by the landlady of his
apartment, Mrs. Mary Coyle, who observed him through a window, apparently
unconscious, and called police.
(Edited from Wikipedia & AllMusic)
Here’s a small selection of Freddie Slack mp3s gleaned from the web until I obtain the splendid 3 CD Mosaic Select compilation which I will post later.
ReplyDeletehttps://www.upload.ee/files/10327919/Freddie_Slack_-_Collection.rar.html
1. ella-mae-morse-freddie-slack-the-house-of-blue-lights
2. freddie-slack-after-sours-boogie
3. freddie-slack-beat-me-daddy-eight-to-the-bar
4. freddie-slack-choppin-the-boogie
5. freddie-slack-down-the-road-a-piece
6. freddie-slack-et-son-orchestre-saint-louis-blues
7. freddie-slack-pig-foot-pete
8. freddie-slack-his-orchestra-bashful-baby-blues
9. freddie-slack-his-orchestra-cow-cow-boogie
10. freddie-slack-his-orchestra-cuban-sugar-mill
11. freddie-slack-his-orchestra-furlough-fling
12. freddie-slack-his-orchestra-get-on-board-little-chillun
13. freddie-slack-his-orchestra-mr-five-by-five
14. freddie-slack-mr-freddie-s-boogie
15. freddie-slack-quit-it-boogie
16. freddie-slack-rockin-the-boogie
17. freddie-slack-small-batch-o-nod
18. freddie-slack-southpaw-serenade
19. freddie-slack-strange-cargo
20. freddie-slack-swinging-on-a-star
Hi Bob !
ReplyDeleteHere it is...
https://www.mediafire.com/file/i8dhrvn86dbwj6g/FredSlckX3.zip/file
Cheers!
An unexpected surprise and a very big thank you to Uncle Gil.
ReplyDeleteHer'e the track listing;
CD 1:
1. Doll Dance (3:01)
2. Cow Cow Boogie (3:15)
3. The Air Minded Executive (2:48)
4. He's My Guy (2:42)
5. Mister Five by Five (3:03)
6. The Thrill Is Gone (2:58)
7. Riffette (3:03)
8. I Got a Break Baby (3:18)
9. Mean Old World (2:56)
10. Old Rob Roy (3:13)
11. Waitin' for the Evening Mail (3:16)
12. Wreck of the Old 97 (2:37)
13. Get on Board, Little Chillun (3:04)
14. I Lost My Sugar in Salt Lake City (3:11)
15. Mr. Anthony's Blues (2:34)
16. Small Batch O'Nod (3:02)
17. Furlough Fling (2:45)
18. Ain't That Just Like a Man (3:09)
19. The Gee Chi Love Song (3:00)
20. The Gee Chi Love Song (3:01)
21. Cuban Sugar Mill (3:08)
22. Sit and Nip (3:04)
23. Slightly Barbaric (3:12)
24. Bashful Baby Blues (2:55)
CD 2:
1. Soft Jive (3:08)
2. A Kiss Goodnight (2:47)
3. A Cat's Ninth Life (2:41)
4. Beverly Boogie (2:43)
5. Rib Joint (2:55)
6. Behind the Eight Beat (2:47)
7. Southpaw Serenade (2:46)
8. Kitten on the Keys (2:37)
9. Strange Cargo (3:02)
10. Blackout Boogie (2:33)
11. The House of Blue Lights (2:53)
12. Hey Mr. Postman (3:04)
13. Your Conscience Tells You So (2:53)
14. Pig Foot Pete (2:54)
15. Blackout Boogie (2:28)
16. Is I Gotta Practice, Ma? (2:42)
17. On the Road to Mandalin (2:24)
18. The H.C. Potter's Ball (2:39)
19. The Necessary Evil Blues (3:13)
20. Half After (2:39)
21. Cocktail Repartee (2:50)
22. What Is This Thing Called Rebop? (3:04)
23. The Brown Danube (2:59)
24. Boogie in G (2:43)
25. Lullaby (2:57)
CD 3:
1. Humoresquire (2:58)
2. Celeste Boogie (2:55)
3. Boogie Minor (2:53)
4. St. Louis Blues (3:10)
5. Chopstick Boogie (2:54)
6. Be-Bop Boogie (3:04)
7. Two Left Hands (3:00)
8. Strollin' (3:09)
9. Ooh Ooh Baby (2:58)
10. Steal Away Easy Baby (3:01)
11. Mister Freddie's Boogie (2:20)
12. Whatever Happened to Ol' Jack? (2:58)
13. Untitled Tune (2:39)
14. Ukulele Swing (2:13)
15. Choppin' the Boogie (2:18)
16. Untitled Original (2:18)
17. Big Boy (3:12)
18. Hard Hearted Hannah (3:19)
19. Cheatin' on Me (3:19)
20. Manhattan Serenade (2:44)
21. Rock A Bye Bay (3:02)
22. That Russian Winter (2:52)
23. Without a Song (2:31)
Freddie Slack was the pianist with Jimmy Dorsey's orchestra during part of the 1930s before becoming well known for playing boogie-woogie with Will Bradley's band, most notably on the hit "Beat Me Daddy, Eight to the Bar." In 1941 Slack went out on his own, forming a big band that soon signed with the Capitol label. His hit recording of "Cow Cow Boogie" in 1942 with singer Ella Mae Morse made him famous even though none of his other records caught on at the same level. Slack's orchestra just lasted two years and, although he had a new band during 1945-1946, many of his recordings were made with small groups. With the exception of a slightly earlier four-song session for Decca, five songs that were purposely bypassed, and a 1955 album of boogie-woogie and re-creations, all of Slack's recordings as a leader are on this three-CD set. There are 17 previously unreleased performances, including a five-song session from 1946 and three numbers from 1952. It is particularly interesting to hear the influence of bebop being felt in Slack's playing and some of the arrangements although he mostly remained a swing stylist. While most of his sidemen are little known, T-Bone Walker pops up on a few numbers (including two features), guitarists Remo Palmieri, Al Hendrickson, and Tiny Timbrell are assets, and every vocal by Ella Mae Morse is well worth hearing. In addition, Johnny Mercer is a guest on several tunes. The three-fer is wrapped up by all seven recordings by drummer Ray McKinley's long-forgotten 1942 big band, a band with trumpeters Dick Cathcart and Pete Candoli, valve trombonist Brad Gowans, clarinetist Mahlon Clark, and pianist Lou Stein in the personnel. Overall, this is a well-conceived release of mostly obscure but worthy music.
Review by Scott Yanow
Thank you for the Freddie Slack (and, before that, for the Don Rich). Also . . . Hi, Uncle Gil!
ReplyDeleteThere is also a very good CD on Jazz Hour Compact Discs out of Pembroke Pines Florida circa 1988 which features two "live" recordings transcribed and restored digitally. 1. is 8 tracks from the Meadowbrook Ballroom on 12-15-1944 and 2. is 7 tracks from the "Downbeat" Radio program on August 1943. I have this as well as the Mosaic CD's and it is a fine complement to the Capitol recordings CD #JH-1051 (bar code 08691-10515).
ReplyDeleteAlso if you can find any Dot Recordings from 1955-1956 by Ray McKinley's small group, they feature Freddie Slack as well, Iam owning a copy of "Down The Road Apiece" b/w "Hoodle Addle"
Dot 45 #45-15350. Which I bought new in 1956. I have a dub on a DVD somewhere I can send you. Bobsluckycat