Nelson Smock Riddle, Jr. (June 1, 1921 – October 6, 1985) was a well-known American bandleader and arranger whose career spanned from the late 1940s until the early 1980s. Riddle is perhaps best known for his 1950s work for Capitol Records, providing arrangements and musical direction to such vocalists as Frank Sinatra, Dean Martin, Nat King Cole, Judy Garland, Peggy Lee and Keely Smith.
Nelson Riddle was one of the most admired and versatile
arranger/composers of the post-war era, with major radio, television, film, and
recording successes to his credit. Inspired by his father's amateur band, he
learned piano and trombone and joined Charlie Spivak's orchestra after
graduating from high school. Over the next few years, he moved on to work with
Bob Crosby and Tommy Dorsey's bands, first as a musician and then doubling as
an occasional arranger. After serving in the Army during World War II, he hired
on with NBC Radio as a staff arranger.
In 1949, Les Baxter hired him to write some arrangements for
a Nat King Cole album. Although Riddle wrote them, Baxter took credit for the
highly successful arrangements of "Too Young" and "Mona
Lisa"--even Baxter's obituaries attribute them to him. Cole hired Riddle
as his lead arranger, and they worked together on over 15 Capitol LPs over the
next 10 years. In the early 1950s, Capitol also signed Riddle as an independent
artist.
Riddle was known as one of the best arranger for singers,
and backed many of Capitol's vocalists, including Margaret Whiting, Dean
Martin, Peggy Lee, and Frank Sinatra on his swinging albums ("Songs for
Swingin' Lovers," "A Swingin' Affair," "Sinatra's Swing'
Session") and others. Sinatra said, "Nelson had a fresh approach to
orchestration and I made myself fit into what he was doing." Many consider
these albums each man's best work. Riddle's own recordings from this period
aimed for the same audience as Jackie Gleason, and other "mood music"
artists, with titles like "Love Tide," "Sea of Dreams," and
"Hey, Let Yourself Go."
His biggest hits, though, were lighter pieces. Riddle had a
knack for making his point through understatement that eluded Gleason. The
first, "Lisbon Antigua," was brought to his attention by the sister
of Nat "King" Cole's manager, and came out at the height of the wave
of European covers. His recordings never quite brought Riddle the
success he
was looking for, though. His earnings as an arranger paled compared to Henry
Mancini's royalties from originals like "Moon River" and "Days
of Wine and Roses," and Riddle felt something of a rivalry with Mancini
throughout their careers.
Riddle also wrote for a number of television shows,
including "The Untouchables," and his theme for the series,
"Route 66," was released as a single and made it into the Top 40 in
1962. He also scored a number of films, including the Rat Pack classics
"Ocean's Eleven" and "Robin and the Seven Hoods," as well
as "Harlow," "Red Line 7000,"
"The Maltese Bippy," "Lolita," "Batman," "A Rage to Live," and
"El Dorado." Although Neal Hefti wrote the hit theme for "Batman," Riddle wrote the "zow"-ey arrangements for the actual episodes.
"The Maltese Bippy," "Lolita," "Batman," "A Rage to Live," and
"El Dorado." Although Neal Hefti wrote the hit theme for "Batman," Riddle wrote the "zow"-ey arrangements for the actual episodes.
He served as musical director of "The Smothers Brothers
Comedy Hour" and later, "The Julie Andrews Show." He retired in
the mid-1970s, but came back when asked to arrange some songs for an album of
torch songs Linda Ronstadt was recorded. Riddle commented that he didn't do
songs, he did albums, and Ronstadt's producer hired him for the whole album. Riddle's lush
arrangements on Ronstadt's "What's New," "Lush Life," and "For Sentimental Reasons" gave the recordings a tremendous boost and helped reintroduce the style that Harry Connick, Jr. and others subsequently imitated to great success. Riddle also arranged and conducted for the inauguration balls for John Kennedy and Ronald Reagan.
arrangements on Ronstadt's "What's New," "Lush Life," and "For Sentimental Reasons" gave the recordings a tremendous boost and helped reintroduce the style that Harry Connick, Jr. and others subsequently imitated to great success. Riddle also arranged and conducted for the inauguration balls for John Kennedy and Ronald Reagan.
In 1985, Riddle died in Los Angeles, at Cedars-Sinai Medical
Center, at age 64 of cardiac and kidney failure as a result of cirrhosis of the
liver, with which he had been diagnosed five years earlier. His cremated
remains are inurned at Hollywood Forever Cemetery in Hollywood, California in
the Hall of David Mausoleum.
Riddle's third and final Grammy was awarded posthumously—and
accepted on his behalf by Linda Ronstadt just prior to airtime—in early 1986.
Ronstadt subsequently presented the evening's first on-air award, at which time
she narrated a tribute to the departed maestro.
(Edited from Wikipedia, but
mainly spaceagepop.com)
Here's Nelson Riddle directing his orchestra with Frank Sinatra
For “Nelson Riddle - Let's Face The Music” go here:
ReplyDeletehttps://www.mediafire.com/file/z8wszkaiq32a9hj/NR-Music.rar/file
Disc 1
1. LET'S FACE THE MUSIC AND DANCE
2. PUT YOUR DREAMS AWAY
3. THE LOVE OF GENEVIEVE
4. DREAMER'S CLOTH (voc. Dick Haymes)
5. DARLENE (voc. Dick Haymes)
6. THE GIRL MOST LIKELY
7. YOUNGER THAN SPRINGTIME
8. AN AFFAIR OF THE HEART (voc. Margaret Whiting)
9. WHERE DID HE GO? (voc. Margaret Whiting)
10. PORT AU PRINCE
11. DARN THAT DREAM
12. YOU AND THE NIGHT AND THE MUSIC
13. I'M GONNA LAUGH YOU RIGHT OUT OF MY LIFE
14. YOU WILL NEVER GROW OLD
15. FARMERS TANGO
16. AUTUMN LEAVES
17. THEME FROM "THE PROUD ONES"
18. THAT'S THE CHANCE YOU TAKE (voc. Patty Andrews)
19. I'LL WALK ALONE (voc. Patty Andrews)
20. SHADOW WALTZ
21. SEPTEMBER IN THE RAIN
22. WHEN YOU'RE IN LOVE (voc. Dick Haymes)
23. NO OTHER LOVE BUT YOURS
24. TANGO TAHITI (The Call of Tahiti)
25. IN THE CHAPEL IN THE MOONLIGHT
26. MAKE BELIEVE THAT YOU'RE IN LOVE WITH ME
27. SOMETHING TO REMEMBER YOU BY
Disc 2
1. LISBON ANTIGUA
2. NEL BLU DIPINTO DI BLU (Volare)
3. EASTER ISLE
4. ACCORDION WILLY
5. MAN ON FIRE (voc. Bing Crosby)
6. SEVEN NIGHTS A WEEK (voc. Bing Crosby)
7. WALKIN'
8. HOLIDAY IN NAPLES
9. RAIN
10. VILIA
11. WALTZ TO THE BLUES (voc. Margaret Whiting)
12. CAN THIS BE LOVE (voc. Margaret Whiting)
13. ROBIN HOOD
14. I CAN'T BELIEVE THAT YOU'RE IN LOVE WITH ME
15. THE ARGENTINE FIRE BRIGADE
16. COULD YOU
17. HERE IN MY HEART (voc. Dick Haymes & The Andrews Sisters)
18. I'M SORRY (voc. Dick Haymes & The Andrews Sisters)
19. MARTIN KANE THEME
20. I'M GETTING SENTIMENTAL OVER YOU
21. IN THE HALL OF THE MOUNTAIN KING
22. LOVE THEME FROM "ST. LOUIS BLUES"
23. RUE MADELEINE
24. SAY YOU'LL WAIT FOR ME (voc. Al Martino)
25. I'VE NEVER SEEN (voc. Al Martino)
26. IN A SMALL FORGOTTEN TOWN
27. THE SEVENTH VOYAGE OF SINBAD
28. WITHOUT A SONG
29. BLAME IT ON PAREE
Nelson Riddle was the most respected arranger - conductor of the 1950s and was largely responsible for the tremendously successful recordings of Ella Fitzgerald, Frank Sinatra and Nat King Cole.
Includes his major hits such as "Lisbon", "Antigua" and "Port Au Prince" plus many more. Also featured are several classic tracks and standards plus rare tracks debuting on CD.
In addition there are scores of sophisticated arrangements with Bing Crosby, Margaret Whiting, Al Martino, Andrews Sisters, Nat King Cole, Dick Haymes, and Patty Andrews. (Jasmine notes)
A big thank you to Mijas @ ACM2 blog for original post