Wednesday, 13 March 2019

Lightnin' Slim born 13 March 1913


Otis Verries Hicks, known as Lightnin' Slim (March 13, 1913 – July 27, 1974), was an African-American Louisiana blues musician, who recorded for Excello Records and played in a style similar to its other Louisiana artists. The blues critic ED Denson ranked him as one of the five great bluesmen of the 1950s, along with Muddy Waters, Little Walter, Howlin' Wolf and Sonny Boy Williamson.

He was born with the unglamorous handle of Otis Hicks in St. Louis, MO, on March 13, 1913. After 13 years of living on a farm outside of the city, the Hicks family moved to Louisiana, first settling in St. Francisville. Young Otis took to the guitar early, first shown the rudiments by his father, then later by his older brother, Layfield.

Given his recorded output, it's highly doubtful that either his father or brother knew how to play in any key other than E natural, as Lightnin' used the same patterns over and over on his recordings, only changing keys when he used a capo or had his guitar detuned a full step. But the rudiments were all he needed, and by the late '30s/early '40s he was a mainstay of the local picnic/country supper circuit around St. Francisville. 
In 1946 he moved to Baton Rouge, playing on weekends in local ghetto bars, and started to make a name for himself on the local circuit, first working as a member of Big Poppa's band, then on his own.

His first recording was "Bad Luck Blues" ("If it wasn't for bad luck, I wouldn't have no luck at all"), released by J. D. "Jay" Miller's Feature Records in 1954. It was Miller, who had a penchant for picking colourful artists' names, who christened him "Lightnin' Slim".

The acknowledged kingpin of the Louisiana school of blues, Lightnin' Slim built his style on his grainy but expressive vocals and rudimentary guitar work, with usually nothing more than a harmonica and a drummer in support. It was down-home country blues edged two steps further into the mainstream, first by virtue of his electric guitar, and second by the sound of the local Crowley, LA musicians who backed him being bathed in simmering, pulsating tape echo.


                           

As the first great star of producer J.D. Miller's blues talent stable, Lightnin' Slim had a successful formula that scored regional hits on the Nashville-based Excello label for over a decade, with one of them, "Rooster Blues," making the national R&B charts in 1959. 
Combining the country ambience of a Lightnin' Hopkins with the plodding insistence of a Muddy Waters, Lightnin' Slim's music belonged uniquely to him, the perfect blues raconteur, even when he was reshaping others' material to his dark, somber style.

He also possessed one of the truly great blues voices, unadorned and unaffected, making the world-weariness of a Sonny Boy Williamson sound like the second coming of Good Time Charlie by comparison. His exhortation to "blow your harmonica, son" has become one of the great, mournful catch phrases of the blues, and even on his most rockin' numbers, there's a sense that you are listening less to an uptempo offering than a slow blues just being played faster. Lightnin' always sounded like bad luck just moved into his home approximately an hour after his mother-in-law did.

Slim stopped performing the blues for a time and eventually worked in a foundry in Pontiac, Michigan, as a result of which his hands were constantly exposed to high temperatures. He was rediscovered by Fred Reif in 1970, in Pontiac, where he was living in a rented room at Slim Harpo's sister's house. Reif soon got him back performing again and a new recording contract with Excello, this time through Bud Howell, then the president of the company. His first engagement was a reunion concert in 1971 at the University of Chicago Folk Festival with Lazy Lester, whom Reif had brought from Baton Rouge in January of that year.

In the 1970s, Slim performed on tours in Europe, in the United Kingdom and at the Montreux Jazz Festival in Switzerland, for which he was often accompanied by Moses "Whispering" Smith on harmonica. He last toured the UK in 1973, with the American Blues Legends package.

In July 1974, Slim died of stomach cancer in Detroit, Michigan, aged 61.

(Edited from Wikipedia & AllMusic)

4 comments:

  1. For “Lightnin' Slim - I’m a Rolling Stone - Louisiana Swamp Blues –
    The Singles As & Bs 1954-1962 Centenary Edition” go here:

    https://www.mediafire.com/file/w721828cz9d58c2/LSlim-54-62.rar/file

    Disc 1

    1. ROCK ME MAMA
    2. BAD LUCK
    3. I CAN'T LIVE HAPPY
    4. NEW ORLEANS BOUND
    5. ETHEL MAE
    6. BUGGER BUGGER BOY
    7. LIGHTNIN' SLIM BOOGIE
    8. BAD FEELING
    9. LIGHTNIN' BLUES
    10. I CAN'T BE SUCCESSFUL
    11. SUGAR PLUM
    12. JUST MADE TWENTY ONE
    13. GOIN' HOME
    14. WONDERING AND GOIN'
    15. BAD LUCK AND TROUBLE
    16. HAVE YOUR WAY
    17. MEAN OLE LONESOME TRAIN
    18. I'M GROWN
    19. I'M A ROLLIN' STONE
    20. LOVE ME MAMA
    21. HOODOO BLUES
    22. IT'S MIGHTY CRAZY

    Disc 2

    1. MY STARTER WON'T START
    2. LONG LEANIE MAMA
    3. FEELIN' AWFUL BLUES
    4. I'M LEAVIN' YOU
    5. SWEET LITTLE WOMAN
    6. LIGHTNIN'S TROUBLES
    7. ROOSTER BLUES
    8. G. I. SLIM
    9. TOM CAT BLUES
    10. BED BUG BLUES
    11. TOO CLOSE BLUES
    12. MY LITTLE ANGEL CHILE
    13. COOL DOWN BABY
    14. NOTHING BUT THE DEVIL
    15. I JUST DON'T KNOW
    16. SOMEBODY KNOCKIN'
    17. I'M TIRED WAITING BABY
    18. HELLO MARY LEE
    19. MIND YOUR OWN BUSINESS
    20. YOU'RE OLD ENOUGH TO UNDERSTAND
    21. I'M WARNING YOU BABY
    22. WINTERTIME BLUES

    A much loved purveyor of the real Louisiana swamp blues, Lightnin' Slim's body of work in no doubt defines the subgenre like no other.

    This is the first time his singles have been compiled in one package and provide a unique opportunity to hear the progression of his music in chronological order just as the tracks would have appeared on jukeboxes and radio stations across Louisiana.

    Most tracks feature the harmonica support of Lazy Lester and of course no Lightnin' Slim track should be without his exhortation 'Blow your harmonica, son' which has become something of a blues catchphrase.
    So if you like loose rolling rhythms and just plain good blues music then look no further than this superb 2CD set from Jasmine.

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  2. Thanks, Bob, for all of the interesting posts, both music and information. I've discovered some new-to-me artists through your site. Although blues is still probably number one for me, I like most kinds of music (rap is at the top of my exclusions list).

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