Buck Clayton born 12 November 1911

Buck Clayton (born Wilbur Dorsey Clayton in Parsons, Kansas on November 12, 1911-died in New York City on December 8, 1991) was an American jazz trumpet player, fondly remembered for being a leading member of Count Basie’s 'Old Testament' orchestra and leader of mainstream orientated jam session recordings in the 1950s. His principal influence was Louis Armstrong.

Buck Clayton first rose to national fame as the lead soloist with the first great Count Basie band that roared out of Kansas City in late fall, 1936. Ironically, while Clayton’s understated, bell-like sound is associated with the hard swinging Kansas City style, he actually spent little time in Kansas City. By the time he arrived at the famed Reno Club, a small dive on 12th Street, Clayton had already led a colourful career as a band leader, ranging from Los Angeles to Shanghai.

Born in Parsons, Kansas, Clayton grew up in a musical family. Clayton’s father, a minister, taught him the basics of music. Picking up the trumpet as a teenager, Clayton performed with the church band, featuring his mother on organ. He first heard the clarion call of jazz during a stopover by the George E. Lee band in Parsons. After high school, Clayton followed his muse to California, where he began his professional career.

In Los Angeles, Clayton joined Charlie Echols' 14-piece band, playing taxi dances and ballrooms. Clayton and other band members soon left Echols to join forces with Broadway producer Earl Dancer and work in movies. When Dancer, a chronic gambler, disappeared with the payroll, Clayton took over leadership of the group. Just 23 years old, Clayton led his new band to China.

In 1934, the Clayton band opened at the palatial Canidrome Ballroom in Shanghai, China, becoming one of the first bands to play the Orient. Madame Chiang Kai- Shek and other celebrities flocked to the Canidrome nightly to sway to a potent mixture of hot jazz and classical music performed by the band, decked out in tails.

The Clayton band spent the next two years at the Canidrome, with ashort jaunt to Japan. A melee with a former Marine that turned the dance floor into a roiling free-for-all cost Clayton the job at the Canidrome. Unable to find steady work in Shanghai, Clayton and what remained of the band returned to the United States.

Back in the Los Angeles, Clayton reformed the big band and played several seasons at Sebastian’s Cotton Club and Club Araby. In the summer of 1936, Clayton left for New York to join Willie Bryant’s band at the original Cotton Club. On his way east, Clayton stopped off in Kansas City and joined the Basie Band at the Reno Club, replacing Hot Lips Page as star soloist. Clayton’s solo excellence, arrangements and compositions bolstered the national rise of the Basie band. Clayton remained with the Basie band until he was drafted in 1943.

                 Here's "Love Me Or Leave me" from above album.

                               

After his honourable discharge in 1946 he prepared arrangements for Count Basie, Benny Goodman and Harry James and became a member of Norman Granz’s 'Jazz at the Philharmonic' package, appearing in April in a concert with Young, Coleman Hawkins and 

Charlie Parker, and in October participated in JATPs first national tour of the United States. He also recorded at this time for the H.R.S. label. In 1947 he was back in New York, and had a residency at the Café Society, Downtown, and the following year had a reunion with Jimmy Rushing, his fellow Basie alumnus, at the Savoy Ballroom. Clayton and Rushing worked together occasionally into the 1960s.

From September 1949 Clayton was in Europe for nine months, leading his own band in France. Clayton recorded intermittently over the next few years for the French Vogue label, under his own name, that of clarinetist Mezz Mezzrow and for one session, with pianist Earl Hines. In 1953, he was again 
in Europe, touring with Mezzrow; in Italy, the group was joined by Frank Sinatra.

Sidelined by lip surgery in 1967, Clayton focused on composing and arranging for other groups. He returned to playing in the early 1970s and toured internationally with his own group. When his lip gave out for good in the late 1970s, Clayton returned to directing, composing and arranging, while teaching at Hunter College in New York. 

In 1987, Clayton formed a big band to perform his compositions. Clayton continued creating and leading his “Swinging Dream Band” until his death in 1991. 

(Info from All about jazz.com & Wikipedia)