Kenny Roberts (October 14, 1926 – April 29, 2012) was an
American country music singer. Best-known for his 1949 hit "I Never See
Maggie Alone," Kenny Roberts was one of the last country singers to
specialize in the legendary vocal technique of the blue yodel. Inspired by
Yodeling Slim Clark, Jimmie Rodgers, and
several singing cowboys, Roberts first came to prominence in the late '40s, and over the next five years he built up a fan base through his recording, frequent tours, and his appearance at yodeling concerts. Though he never had many hits -- he only charted four times, between 1949 and 1950 -- he nevertheless remained a popular concert attraction well into the '80s.
several singing cowboys, Roberts first came to prominence in the late '40s, and over the next five years he built up a fan base through his recording, frequent tours, and his appearance at yodeling concerts. Though he never had many hits -- he only charted four times, between 1949 and 1950 -- he nevertheless remained a popular concert attraction well into the '80s.
Roberts was born George Kingsbury in Lenoir City, TN.
After Roberts’ mother died when he was a child, the family relocated to a farm
near Athol, Massachusetts. He learned guitar, harmonica and fiddle and grew up
listening to the music of the singing cowboys and the yodelling of Elton Britt.
He won a talent competition when he was 13 years old and first played with the
Red River Rangers on WHAI Greenfield in 1942.He made his first radio appearance
when he was 15. At the age of 17, he won a New Hampshire radio contest to be
chosen as "Eastern States Yodeling Champion" in 1944.
Roberts became part of the Down Homers, a local group who
had a regular gig at WKNE, a New Hampshire radio station. Eventually, the group
made their way toward the Midwest, playing at radio stations in Iowa and later
settling in Fort Wayne, IN, where they regularly played a show called the
Hoosier Hop. In a short time, Roberts had developed a reputation as a
first-rate singer and yodeler.
The Down Homers -- who also featured Bob Mason, Guy
Campbell, Shorty Cook, and Lloyd Cornell -- cut a record released as a Vogue
Picture Disc. In early 1945, Roberts decided to enlist in the U.S. Navy; once
the war was over, he returned to Fort Wayne, where he began a solo career.
After a few months, he moved to St. Louis, where he appeared regularly on
several different shows on KMOX, as well as the CBS Saturday morning show
Barnyard Frolics. Roberts released one single on Vitacoustic before signing to
Coral Records in 1948.
Roberts signed a recording contract with Coral Records in
1949, a division of Decca. His career took off when his first release "I
Never See Maggie Alone" was an immediate hit. It sold a million copies. The
flip side, "Wedding Bells," also was a hit, reaching
number 15, while his second single, "Jealous Heart," reached number 14. He followed with other hits including "River of Tears," "I've Got the Blues," "Yodel Polka," "She Taught Me to Yodel," and "Hillbilly Style." In the spring of 1950, "Choc'late Ice Cream Cone" became his second Top Ten single; it would also prove to be his last charting single.
number 15, while his second single, "Jealous Heart," reached number 14. He followed with other hits including "River of Tears," "I've Got the Blues," "Yodel Polka," "She Taught Me to Yodel," and "Hillbilly Style." In the spring of 1950, "Choc'late Ice Cream Cone" became his second Top Ten single; it would also prove to be his last charting single.
Following his chart success, Roberts moved to Cincinnati,
where he starred in a children's TV show in 1953, performing in Cincinnati on
WLW-TV. He also performed on Arthur Godfrey's CBS network talent program. He
became a regional star through television shows in Dayton, Ohio, and
Indianapolis, Indiana. He began a daily cartoon show on WNEM TV-5 in Saginaw,
Michigan, in 1961, as "The Kenny
Roberts Show" where he was known as "The Yodelling Cowboy", or (according to at least one former child guest) "The Jumping Cowboy". The popular black-and-white show featured Roberts singing and playing guitar as he hosted children in the studio, and presented cartoons.
Roberts Show" where he was known as "The Yodelling Cowboy", or (according to at least one former child guest) "The Jumping Cowboy". The popular black-and-white show featured Roberts singing and playing guitar as he hosted children in the studio, and presented cartoons.
For the remainder of the decade, he concentrated his
efforts on the Midwest, becoming a big regional star through his television
shows in Dayton, OH (which became his home in 1952), Indianapolis,
Indiana, and Saginaw, MI. Roberts continued to appear regularly on daytime Midwestern television -- and, as of 1962, WWVA's Wheeling Jamboree -- until the mid '60s. Around that time, he released an EP on the independent label Essgee, which led to a contract with Starday Records in 1965. Over the next five years, he released four albums for the label. Once his deal with Starday expired, he recorded briefly in the early '70s for Nashville Records.
Indiana, and Saginaw, MI. Roberts continued to appear regularly on daytime Midwestern television -- and, as of 1962, WWVA's Wheeling Jamboree -- until the mid '60s. Around that time, he released an EP on the independent label Essgee, which led to a contract with Starday Records in 1965. Over the next five years, he released four albums for the label. Once his deal with Starday expired, he recorded briefly in the early '70s for Nashville Records.
In the early '70s, Roberts moved back to Dayton and
concentrated on working in the Midwest and Canada. During the mid-'70s, he made
a pair of albums for the Canadian label Point. By the end of the decade, he had
moved back to his home state of Massachusetts,
where he began playing concerts across the East. Roberts released one album for Palomino around 1980, which was followed by Longhorn's Then and Now, which combined historical cuts with new recordings. A few years later, Roberts moved to a farm near his childhood home in Greenfield. Though he was essentially retired, he continued to give concerts around the Northeast throughout the decade.
where he began playing concerts across the East. Roberts released one album for Palomino around 1980, which was followed by Longhorn's Then and Now, which combined historical cuts with new recordings. A few years later, Roberts moved to a farm near his childhood home in Greenfield. Though he was essentially retired, he continued to give concerts around the Northeast throughout the decade.
Roberts died in April 2012 in Athol, Massachusetts, aged
85.
(Compiled and edited from All Music & Wikipedia)
For “Kenny Roberts – Jumpin' & Yodelin'” go here:
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01 Broken Teen Age Heart
02 Newsboy
03 I'm Looking For The Bully Of The Town
04 The Arizona Yodeler
05 I Never See Maggie Alone
06 Wedding Bells
07 Boogie Woogie Yodel Song
08 One Way Ticket
09 I Believe I'm Entitled To You
10 I Miss My Swiss
11 I'd Like To Kiss Susie Again
12 A Mighty Pretty Waltz
13 The Yodel Polka
14 Ding Dong Bells ( Are Ringing
15 When I's YooHoo In The Valley
16 Choo Choo Ch'Boogie
17 She Taught Me How To Yodel
18 F.O.B. Tennessee
19 Billy And Nanny Goat
20 The Same Ol' Tune
21 Hillbilly Style
22 Cry Baby Blues
23 River Of Tears
24 I've Got The Blues
25 Choc'late Ice Cream Cone
26 Honky Tonk Sweetheart
27 Hillbilly Fever
28 Just A Yodel For Me
29 I Finally Got Maggie Alone
A big tank you to the long gone El Diablo blog for original post
The King of the Yodelers, Kenny Roberts, was a star of the 'Midwestern Hayride' in Cincinnati and the host of a kiddies' show, 'Kenny Roberts' TV Rangers.' He was one of the first artists signed to Coral Records and on January 4, 1950, he recorded the original version of a novelty song Hillbilly Fever. The song was written by New York resident Vaughn Horton aka George Vaughn. Horton and his brother, Roy, led the Pinetoppers, a group that kept country music alive and well in New York during the Depression and beyond. At some point in the 1930s, he wrote Mockin' Bird Hill, but didn't get it recorded until late 1950 when Les Paul & Mary Ford and Patti Page recorded it. At the time he wrote Hillbilly Fever, his most lucrative copyrights had been Louis Jordan's #1 R&B hit Choo, Choo Ch-Boogie and Gene Autry's Address Unknown. "Kenny Roberts' record was moving right along," Jimmy Dickens told Eddie Stubbs (it's likelier, though, that it had been out just a few days and the publisher, Cherio Music, pitched it to Dickens' producer, Art Satherley). "So one day, Uncle Art called me and said, 'I think you ought to do that 'Hillbilly Fever.' We'll get the record out right away.'" And that's what happened. (Bear Family notes)
thank you 4 the - For “Kenny Roberts – Jumpin' & Yodelin'” go here: kive it - Aussie
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