Leroy Anderson born 29 June 1908

Leroy Anderson (June 29, 1908 – May 18, 1975) was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler. John Williams described him as "one of the great American masters of light orchestral music."

Born in Cambridge, Massachusetts to Swedish parents, Leroy Anderson was given his first piano lessons by his mother, who was an organist. He continued studying piano with Henry Gideon at the New England Conservatory of Music, and he also took double bass lessons from Gaston Dufresne in Boston. In 1926 Anderson entered Harvard University, where he studied theory with Walter Spalding, counterpoint with Edward Ballantine, harmony with George Enescu and composition with Walter Piston. He graduated with a Bachelor of Arts degree in 1929 and Master of Arts in 1930. 
 

 He continued studying at Harvard, concentrating in German and Scandinavian languages, while also working as organist for the university, leading the choir and the Harvard University Band, and conducting and arranging for dance bands around Boston. His arranging work came to the attention of Arthur Fiedler in 1936 and Anderson was asked to show Fiedler any original compositions. Anderson's first work was Jazz Pizzicato in 1938. Fiedler suggested that a companion piece be written and thus Anderson wrote Jazz Legato in 1939. 

In 1942 Leroy Anderson joined the U.S. Army, and was assigned to Iceland as a translator and interpreter. Later in 1945 he was assigned to the Pentagon as Chief of the Scandinavian Desk of Military Intelligence. But his duties did not prevent him from composing, and in 1945 he wrote "The Syncopated Clock" and "Promenade". Anderson was a reserve officer and was recalled to active duty for the Korean War. In 1951 Anderson wrote his first hit, "Blue Tango", earning a Golden Disc and the No. 1 spot on the Billboard charts. 

 

 

                               

His pieces and his recordings during the fifties conducting a studio orchestra were immense commercial successes. "Blue Tango" was the first instrumental recording ever to sell one million copies. His most famous pieces are probably "Sleigh Ride" and "The

Syncopated Clock", both of which are instantly recognizable to millions of people. 

In 1950, WCBS-TV in New York City selected "Syncopated Clock" as the theme song for The Late Show, the WCBS late-night movie. Mitchell Parish added words to "Syncopated Clock", and later wrote lyrics for other Anderson tunes, including "Sleigh Ride", which was not written as a Christmas piece, but as a work that describes a winter event. Anderson started the work during a heat wave in August 1946. From 1952 to 1961, Anderson's composition "Plink, Plank, Plunk!" was used as the theme for the CBS panel show I've Got A Secret. 

Anderson's musical style, heavily influenced by George Gershwin and folk music of various lands, employs creative instrumental effects and occasionally makes use of sound-generating items such as typewriters and sandpaper.

Anderson wrote his Piano Concerto in C in 1953 but withdrew it, feeling that it had weak spots. In 1988 the Anderson family decided to publish the work. Erich Kunzel and the Cincinnati Pops Orchestra released the first recording of this work; three other recordings have since been released. 

In 1958, Anderson orchestrated Meredith Willson's "76 Trombones", from the musical The Music Man. That year he wrote his own musical, Goldilocks, which earned two Tony awards but did not achieve commercial success. Anderson never wrote another musical, preferring instead to continue writing orchestral miniatures. His pieces, including "The Typewriter", "Bugler's Holiday", and "A Trumpeter's Lullaby" are performed by orchestras and bands ranging from school groups to professional organizations.

Anderson would occasionally appear on the Boston Pops regular concerts on PBS to conduct his own music while Fiedler would sit on the sidelines. For "The Typewriter" Fiedler would don a green eyeshade, roll up his sleeves, and mime working on an old typewriter while the orchestra played. 

In 1975, Anderson died due to cancer in Woodbury, Connecticut and is buried there.  

For his contribution to the recording industry, Leroy Anderson has a star on the Hollywood Walk of Fame at 1620 Vine Street. He was posthumously inducted into the Songwriters Hall of Fame in 1988 and his music continues to be a staple of "pops" orchestra repertoire. (Edited from Wikipedia)

Here is Viennese Percussionist Martin Breinschmid with his version of the "Typewriter" Live at the BASF concert hall Ludwigshafen, Germany 2008, Strauß Festival Orchestra Vienna



Post Script - My Angel Radio colleague Martin Miller once had an interview with Leeroy's wife who pointed out that most people pronounced Leroy as Lee Roy when in fact it is pronounced  with a French Le  continuing with Roy.