Freeman was born in Cleveland, Ohio. In 1935 he began
playing in local Cleveland area nightclubs, and also formed a classical music
trio for local social functions with his father and his sister Evelyn. Around
1939, he and Evelyn formed a new band, The Evelyn Freeman Swing Band, with
fellow teenagers from Cleveland Central High School. Evelyn played piano, while
Ernie played saxophone and also began writing arrangements for the band. The
band began a regular engagement at the Circle Ballroom in Cleveland, and
broadcast shows for WHK radio station. In 1942, most of the band, apart from
Evelyn, joined the US Navy together, and became the first all-black Navy Band,
called "The Gobs Of Swing", with Ernie as its leader.
After leaving the
Navy in 1945 Ernie entered the Cleveland Institute of Music, from which he
graduated with a BA degree. In 1946 he moved with his family to Los Angeles, to
attend the University of Southern California where he received his master's
degree in music composition. In Los Angeles, he played in clubs, accompanying
Dinah Washington and Dorothy Dandridge among others, as well as recording under
his own name for the Mambo label. After a spell as arranger for Woody Herman he
joined the Ernie Fields Orchestra, playing the piano. Other members of the band
included saxophonists Earl Bostic and Plas Johnson, guitarist René Hall, and
drummer Earl Palmer. In 1951 Freeman also began playing with the Billy Hadnott
Sextet, but left in 1954 to form his own combo with Johnson, Palmer and
guitarist Irving Ashby. In 1955 they released their first record, "No No
Baby" on the Middle-Tone label. They also recorded with a vocal group, the
Voices, who included Bobby Byrd and Earl Nelson of the Hollywood Flames (later
Bob & Earl).
Freeman played on numerous early rock and R&B sessions
in Los Angeles, California, in the 1950s, particularly on the Specialty,
Modern, and Aladdin labels, as well as for white artists such as Duane Eddy and
Bobby Vee. He played piano on the Platters' "The Great Pretender" in
1955, and began releasing a number of instrumental records of his own, at first
on Cash Records.These included "Jivin' Around" (#5 on the R&B
chart in 1956). In 1956 the Ernie Freeman Combo and the Platters appeared in
Paramount Pictures' Rock Around The Clock introduced by Alan Freed. In the same
year he was signed by Imperial Records, where he released 29 singles and seven
LPs over the next seven years. His first single for the label was "Lost
Dreams", which reached #7 on the R&B chart.
His cover version of Bill
Justis' "Raunchy", his biggest solo success, reached #4 on the pop
chart and #1 on the R&B chart in 1957. He returned to the charts in 1958,
when his version of "Indian Love Call" reached #58 on the Billboard
pop chart.
In 1958 the Ernie Fields Orchestra, including Freeman, became
the house band for the newly formed Rendezvous record label. In 1961, with
Palmer, Johnson and René Hall, they began recording as B. Bumble and the
Stingers, and Freeman played piano on their first hit, "Bumble
Boogie" (but not their later hit, "Nut Rocker"). In the same
year, Lew Bedell, the owner of Doré Records, suggested to him that he record a
version of a Maxwell House advertising jingle. The record, "Percolator
(Twist)", was credited to Billy Joe & the Checkmates and rose to no.10
on the Billboard Hot 100 in early 1962.Freeman also performed with and arranged
for the Routers and their parallel group the Marketts.
He continued a successful session career in the 1960s,
arranging and appearing on material by Frank Sinatra, Connie Francis, Dean Martin, Johnny Mathis, Petula Clark, and becoming
musical director with Reprise Records. From 1960 to 1964 he arranged virtually
every session for Snuff Garrett at Liberty Records including artists Julie
London, Bobby Vee, Johnny Burnette, Gene McDaniels, Timi Yuro and Walter
Brennan. As a footnote, "National City" by the Joiner Arkansas Junior
High School Band charted at 53 in May 1960 was made by a group of studio
musicians led by Ernie Freeman. Freeman also composed music for several films,
including The Cool Ones (1967), The Double Man (1967), The Pink Jungle (1968),
and Duffy (1968); and arranged Carol Burnett's 1972 Columbia Records album
Carol Burnett Featuring If I Could Write a Song.
After contributing the string arrangements to the
Grammy-winning LP "Bridge Over Troubled Water" by Simon and
Garfunkel, Freeman's career went downhill. His alcoholism became worse and his
driver's licence was revoked. He lived in Hawaii during part of the seventies
and died from a heart attack in 1981, almost unnoticed by the media. A sad end
for a man of amazing musical talents. (Info mainly Wikipedia)
For “Ernie Freeman & His Combo – Raunchy” go here:
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1. Raunchy
2. Puddin'
3. Dumplin's
4. Lost Dreams
5. Walking The Beat
6. River Boat
7. Swing It
8. The Tuttle
9. Leaps And Bounds
10. Shape Up
11. Theme From Igor
12. Indian Love Call
13. After Sunset
14. Jamboree
15. Junior Jive
16. School Room Rock
17. Blues After Hours
18. Live It Up
19. Marshmellows, Popcorn & Soda Pop
20. Night Sounds
21. Swamp Meeting
22. The Twist
23. A Touch Of The Blues
24. Jivin' Around Part 1
25. Jivin' Around Part 2
Twenty-five instrumentals that Freeman cut for Imperial in the late 1950s and early 1960s, including of course "Raunchy," and as well as the R&B hit "Lost Dreams" and the minor pop charters "Dumplin's," "Indian Love Call," and "The Twist." Certainly Freeman had a good band (Earl Palmer was on drums), but his sound as a solo artist was not original, and the material was rather standard-issue '50s R&B/rock, sometimes sounding a little like Bill Doggett. By the way, the version of "Jivin' Around" here is not the original (on Cash Records) that made the Top Ten R&B listings in 1956, but a 1957 Imperial remake. (AMG)
Hello,
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Could you re-up please.
Thanks
Bit late to this Boppinbob. Any chance of a re-up. If not no problem, still appreciate your site.
ReplyDeleteHello tpee, Here's Ernie....
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