Sunday, 7 September 2014

Buddy Holly born 7 September 1936




Charles Hardin Holley (September 7, 1936 – February 3, 1959) better known as Buddy Holly, was an American singer, songwriter, and a pioneer of rock and roll.  
Buddy Holly is considered one of the most influential founding fathers of rock 'n roll. Although his career was tragically cut short, his body of work is considered among the finest in rock. His works and innovations were copied by his contemporaries and those who were to follow, including The Beatles and The Rolling Stones, and had a profound influence on popular music.
Buddy Holly was born Charles Hardin Holley in Lubbock, Texas to Lawrence Odell Holley and Ella Pauline Drake in 1936. The Holleys were a musical family, and, as a young boy, Holley learned to play the violin (his brothers oiled the strings so much that no one could hear him play), piano and guitar. In the fall of 1949, he met Bob Montgomery in Hutchinson Junior High School. They shared a common interest in music and soon teamed up as the duo "Buddy and Bob." Initially influenced by bluegrass music, they sang harmony duets at local clubs and high school talent shows. His musical interests grew throughout high school while singing in the Lubbock High School Choir.
Holly turned to rock music after seeing Elvis Presley sing live in Lubbock in early 1955. A few months later, he appeared on the same bill with Presley, also in Lubbock. Holly's transition to rock was finalized when he opened for Bill Haley & His Comets at a local rock show organized by Eddie Crandall, who was also the manager for Marty Robbins. As a result of this performance, Holly
was offered a contract with Decca Records to work alone, which he accepted. According to the Amburn book (p. 45), his public name changed from "Holley" to "Holly" on February 8, 1956, when he signed the Decca contract. Among the tracks recorded for Decca was an early version of "That'll Be The Day," which took its title from a phrase that John Wayne's character said repeatedly in the 1956 film, The Searchers. 
Back in Lubbock, Holly formed his own band, The Crickets and began making records at Norman Petty's studios in Clovis, New Mexico. Norman had music industry contacts and believing that "That'll Be the Day" would be a hit single, he contacted publishers and labels. Coral Records, a subsidiary of Decca, signed Buddy Holly and The Crickets. This put Holly in the unusual position of having two record contracts at the same time. Before "That'll Be The Day" had its nationwide release, Holly played lead guitar on the hit-single "Starlight", recorded in April, 1957, featuring Jack Huddle. The initial, unsuccessful version of "That'll Be The Day" played more slowly and about half an octave higher than the hit version. 


Holly managed to bridge some of the racial divide that marked rock n' roll music. While Elvis made black music more acceptable to whites, Holly won over an all-black audience when the Crickets were accidentally booked at New York's Apollo Theatre. After the release of several highly successful songs, Holly and the Crickets toured the United Kingdom in 1958. 
That same year, he met Maria Elena Santiago (born 1935 in San Juan, Puerto Rico) while she was working as a receptionist for a New York music publisher. He proposed to her on their very first date. She initially thought he was kidding, but they were married in Lubbock, Texas on August 15, 1958, less than two months after they met. Maria traveled on some of the tours, doing everything from the laundry to equipment set-up to ensuring the group got paid. 
The ambitious Holly became increasingly interested in the New
York music/recording/publishing scene, while his easy-going bandmates preferred to go back home to Lubbock. Holly acceded to their wishes and in 1959, the group split up. Holly began a solo tour with other notable performers, including Ritchie Valens and J.P. Richardson, "The Big Bopper". 
Two nights after a performance in Duluth, Minnesota, the three headliners gave their final show in Clear Lake, Iowa. Following the February 2, 1959 performance at the Surf Ballroom, Buddy Holly chartered a Beechcraft Bonanza to take him and his new back-up band (Tommy Allsup, Carl Bunch, and Waylon Jennings) to Fargo, North Dakota. Carl Bunch did not take the flight as he had been hospitalized for frostbite three days earlier. The Big Bopper asked Jennings for his spot on the four-seat plane, as he wasrecovering from the flu. Ritchie Valens had never flown on a small plane and requested Allsup's seat. They flipped a coin for it; Valens called heads and won. 
The four-passenger plane took off in light snow and gusty winds at around 12:55 A.M., but crashed only a few minutes after takeoff. The wreckage was discovered several hours later by the plane's owner, Jerry Dwyer, some 8 miles from the airport on the property of Albert Juhl. The crash killed Holly, Valens, Richardson, and the 21-year-old pilot, Roger Peterson. 
While theories abound as to the exact cause of the crash, an official determination of pilot error was rendered by the Civil Aeronautics Board (one of the predecessors of the Federal Aviation Administration). Although the crash received a good deal of local coverage, it was displaced in the national news by an accident that occurred the same day in New York City, when American Airlines Flight 320 crashed during an instrument landing approach at LaGuardia Airport, killing 65. 
Holly's pregnant wife became a widow after barely six months of marriage and miscarried soon after. 
Holly's funeral services were held at the Tabernacle Baptist Church in Lubbock, and his body was interred in the City of Lubbock Cemetery in the eastern part of the city. Holly's headstone carries the correct spelling of his surname (Holley) and a carving of his Fender Stratocaster guitar. (edit from Wikipedia. Mp3 and scan from Lord Of The Bootsale)

3 comments:

  1. Any chance of a re-up on this fantastic anthology?

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  2. Hello Blessup, Unfortunately I no longer have the album you requested. However I do have this one which I hope will be a good replacement.

    For “BUDDY HOLLY & THE CRICKETS - THE MUSIC DIDN'T DIE (2009 Jasmine)” go here:

    https://workupload.com/file/ak4y3rqkqpg

    Disc 1: Nashville Sessions & Demos

    1. DOWN THE LINE
    2. BABY LET'S PLAY HOUSE
    3. LOVE ME
    4. DON'T COME BACK KNOCKIN'
    5. MIDNIGHT SHIFT
    6. BLUE DAYS, BLACK NIGHTS
    7. BABY WON'T YOU COME OUT TONIGHT?
    8. I GUESS I WAS JUST A FOOL
    9. IT'S NOT MY FAULT
    10. I'M GONNA SET MY FOOT DOWN
    11. I'M CHANGING ALL THOSE CHANGES
    12. ROCK-A-BYE ROCK
    13. BECAUSE I LOVE YOU
    14. ROCK AROUND WITH OLLIE VEE
    15. I'M CHANGING ALL THOSE CHANGES
    16. THAT'LL BE THE DAY
    17. GIRL ON MY MIND
    18. TING-A-LING
    19. ROCK AROUND WITH OLLIE VEE
    20. MODERN DON JUAN
    21. YOU ARE MY ONE DESIRE
    22. HAVE YOU EVER BEEN LONELY?
    23. GONE
    24. HONKY TONK
    25. BLUE MONDAY
    26. GOOD ROCKIN' TONIGHT
    27. BLUE SUEDE SHOES
    28. SHAKE, RATTLE & ROLL
    29. AIN'T GOT NO HOME
    30. RIP IT UP
    31. HOLLY HOP
    32. BROWN-EYED HANDSOME MAN
    33. BO DIDDLEY

    Disc 2: The Glory Years

    1. THAT'LL BE THE DAY
    2. I'M LOOKING FOR SOMEONE TO LOVE
    3. LAST NIGHT
    4. WORDS OF LOVE
    5. MAILMAN, BRING ME NO MORE BLUES
    6. NOT FADE AWAY
    7. EVERYDAY
    8. TELL ME HOW
    9. READY TEDDY
    10. VALLEY OF TEARS
    11. OH BOY!
    12. LISTEN TO ME
    13. I'M GONNA LOVE YOU TOO
    14. PEGGY SUE
    15. IT'S TOO LATE
    16. SEND ME SOME LOVING
    17. YOU'VE GOT LOVE
    18. MAYBE BABY
    19. AN EMPTY CUP (AND A BROKEN DATE)
    20. ROCK ME MY BABY
    21. LITTLE BABY
    22. BABY I DON'T CARE (YOU'RE SO SQUARE)
    23. LOOK AT ME
    24. RAVE ON
    25. WELL... ALL RIGHT
    26. TAKE YOUR TIME
    27. FOOL'S PARADISE
    28. THINK IT OVER
    29. IT'S SO EASY
    30. LONESOME TEARS
    31. HEARTBEAT
    32. EARLY IN THE MORNING
    33. NOW WE'RE ONE

    These sixty six historic sides are among the most important and influential in the history of R&R, tracing Buddy's progress from his earliest Rockabilly styled demos, in June 1955, to a memorable session in New York, in June 1958.
    Buddy & The Crickets' music is truly timeless, and his records still sound every bit as fresh, exhilarating and powerful today as when they were first recorded. (Jasmine notes)

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  3. Wow! Thank You so much my friend! This is fantastic. I appreciate it very much.

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