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Thursday, 30 October 2014

Clifford Brown born 30 October 1930

Clifford Brown (October 30, 1930 – June 26, 1956), aka "Brownie," was an influential and highly rated American jazz trumpeter. He died aged 25, leaving behind only four years' worth of recordings. Nonetheless, he had a considerable influence on later jazz trumpet players, including Donald Byrd, Lee Morgan, Booker Little, Freddie Hubbard, Valery Ponomarev, and Wynton Marsalis.
He won the Down Beat critics' poll for the 'New Star of the Year' in 1954; he was inducted into the Down Beat 'Jazz Hall of Fame' in 1972 in the critics' poll. Arturo Sandoval described him as "one of what we call the mandatory trumpet players" who was "one of the greatest trumpet players of all time". 

Brown was born in Wilmington, Delaware. After briefly attending Delaware State University and Maryland State College (University of Maryland, Eastern Shore), he moved into playing music professionally, where he quickly became one of the most highly regarded trumpeters in jazz.

His style was influenced by Fats Navarro, sharing Navarro's virtuosic technique and brilliance of invention. His sound was warm and round, and notably consistent across the full range of the instrument. He could articulate every note, even at the high tempos which seemed to present no difficulty to him; this served to enhance the impression of his speed of execution. His sense of harmony was highly developed, enabling him to deliver bold statements through complex harmonic progressions (chord changes), and embodying the linear, "algebraic" terms of bebop harmony. As well as his up-tempo prowess, he could express himself deeply in a ballad performance. It is said that he played each set as though it would be his last. 

                        Here's "Stardust" from above album.

Jazz historian Neil Tesser, author of The Playboy Guide To Jazz,

wrote of him:

"Clifford Brown could play with a speed and precision that challenged, and at times eclipsed even the virtuosity of his own idols ... But even more than that, Clifford became known for a brain-boggling capacity to improvise long, complex and stunningly well-constructed solos." He performed with Chris Powell, Tadd Dameron, Lionel Hampton, and Art Blakey before forming his own group with Max Roach. The Clifford Brown & Max Roach Quintet was a high water mark of the hard bop style. The group's pianist, Richie Powell (younger brother of Bud), contributed original compositions, as did Brown himself. The partnership of Brown's trumpet with Harold Land's tenor saxophone made for a very strong front line. Teddy Edwards briefly replaced Land before Sonny Rollins took over for the remainder of the group's existence. In their hands the bebop vernacular reached a peak of inventiveness.

The clean-living Brown has been cited as perhaps breaking the influence of heroin on the jazz world, a model established by Charlie Parker. Clifford stayed away from drugs and was not fond of alcohol; his only vices were chess and doughnuts. Rollins said of him: "Clifford was a profound influence on my personal life. He showed me that it was possible to live a good, clean life and still be a good jazz musician.
Roach described him as "one of the rare complete individuals ever born ... a sweet, beautiful [person]".

In June 1956, Brown and Richie Powell were being driven from Philadelphia to Chicago by Powell's wife Nancy for the band's next appearance. While driving on a rainy night on the Pennsylvania Turnpike, west of Bedford, she lost control of the car and it went off the road. All three were killed in the resulting crash. He is buried in Mt. Zion Cemetery, in Wilmington, Delaware.

Clifford, at 25, was at the beginning of showing capabilities parallel only to those of Charlie Parker. There was nothing he would stop at to make each performance sound as if it were his last. But there will never be an ending performance for him, because his constant desire was to make every musical moment one of sincere warmth and beauty; this lives on forever. This would be a better world today if we had more people who believed in what Clifford Brown stood for as a man and a musician. Jazz will always be grateful for his few precious moments.
Clifford Brown was in the jazz circles considered to be probably the greatest trumpet player who ever lived. ~Herb Alpert

(info mainly Wikipedia)

1 comment:

boppinbob said...

For Brownie – Complete EmArcy Recordings Vol.8
(including album Clifford Brown With Strings) (flac) go here:

1 Don't Explain (Herzog, Holiday) 5:13
2 Born to Be Blue (Torme, Wells) 5:15
3 You'd Be So Nice to Come Home To (Porter) 4:21
4 'S Wonderful (Gershwin, Gershwin) 3:15
5 Yesterdays (Harbach, Kern) 6:01
6 Falling in Love With Love (Hart, Rodgers) 3:55
7 What's New ? (Burke, Haggart) 5:03
8 Portrait of Jenny (Burgie, Robinson) 3:27
9 What's New ? (Burke, Haggart) 3:27
10 Yesterdays (Harbach, Kern) 3:01
11 Where or When (Hart, Rodgers) 3:31
12 Can't Help Lovin' Dat Man (Hammerstein, Kern) 3:47
13 Smoke Gets in Your Eyes (Harbach, Kern) 3:16
14 Laura (Mercer, Raksin) 3:28
15 Memories of You (Blake, Razaf) 3:35
16 Embraceable You (Gershwin, Gershwin) 3:04
17 Blue Moon (Hart, Rodgers) 3:16
18 Willow Weep for Me (Ronell) 3:27
19 Stardust (Carmichael, Parish) 3:24

For complete set go here: h**p://