Wednesday 12 November 2014

Audrey Morris born 12 November 1928


Audrey Morris (born 12 November 1928), a self-described "saloon singer," sings love songs and caresses the blues with lyrical grace that leaves her many fans begging for more. She has been enchanting night club audiences for more than a half century, performing in such clubs as Mister Kelly's, the Embers, Yvette, as well as Maxim's.

Audrey Morris grew up on the South Side of Chicago, where her relationship with songs began. Studying classical piano as a child, she was drawn to the radio, which played all the latest tunes from the Hit Parade, and she sat in school writing lyrics in her notebook while pretending to do her lessons. Her favourites were Billie Holiday, Lee Wiley, Mildred Bailey, and Peggy Lee. In 1950, Morris began singing and playing at the Capitol Lounge on State Street, and in 1954 moved to the newly-opened Mister Kelly's. She quickly became a magnet for other performers, from the fine local singers to visiting jazz royalty. 


 "Guess I'll Hang My Tears Out To Dry" from above 1955 LP

                               

Morris made her first album on the tiny "X" label, a division of RCA, in 1955—Bistro Ballads—and the next year, Bethlehem Records signed her to record The Voice of Audrey Morris with arranger Marty Paich. Warner Brothers offered her an exclusive 
contract to record movie theme songs and to perhaps appearonscreen. But rather than surrender her freedom, Audrey turned them down.

Instead she began a five-year stint as leader of the intermission trio at Chicago's London House, a jazz piano club. There she shared bills with virtually every great jazz pianist, notably George Shearing and Oscar Peterson, both of whom became lifelong friends and fans.

Not much was heard from Morris throughout the '60s and '70s, but she returned in the '80s with her own record label, Fancy Faire, and began releasing albums once more -- including 1984's Afterthoughts and 1989's Film Noir, plus such '90s releases as 1997's Look at Me Now and Round About.

In the late sixties, Morris reduced her work schedule to a night or two a week in order to raise her newborn son. Not until 1981 did she accept another full-time booking, at Chicago's Palmer House. Over the past three decades, she has played top rooms in Chicago, including the Embers, Yvette's, Toulouse, Maxim's, the Big House and the Whitehall Hotel. She may currently be seen frequently at Cornelia's. 


Morris has introduced several generations of audiences to the glories of the Great American Songbook. 

UPDATE: Morris died at the age of 89 on April 1, 2018 at the Presence Resurrection Medical Center in Norwood Park, Chicago.
(info edited  from Chicago Jazz magazine & AMG)



The legendary Audrey Morris performs Fats Waller's "Blue Turning Gray Over You" at the Paul Marinaro Trio's evening of tribute to Audrey on October 13, 2011 at Katerina's in Chicago. Audrey performs here with Joe Policastro on bass. (video by Friedman Films)

3 comments:

Todd said...

Not sure what protocol is here, but I would love to see this again, please.

boppinbob said...

Hello Todd,

For “BISTRO BALLADS + THE VOICE OF AUDREY MORRIS (2 LP ON 1 CD)” go here:

https://krakenfiles.com/view/28b79ac669/file.html

01. Nobody’s Heart Belongs to Me (Rodgers-Hart) 2:52
02. Where Are You (McHugh-Adamson) 3:46
03. Good Morning Heartache (Higginbotham-Drake-Fisher) 3:15
04. Come In Out of the Rain (Russell-Sigman) 3:07
05. Sweet William (Wayne-Sherman) 3:43
06. Blah, Blah, Blah (G. & I. Gershwin) 2:24
07. Guess Who I Saw Today (Grand-Boyd) 2:46
08. Guess I’ll Hang My Tears Out to Dry (Styne-Cahn) 3:18
09. April Fool (Charles Waldman) 3:23
10. The End of a Love Affair (Edward C. Redding) 2:58
11. I Never Mention Your Name (Oh, No) (Kent-George-Davis) 2:59
12. It’s Always You (Van Heusen-Burke) 3:18
13. How ‘Dja Like to Love Me (Lane-Loesser) 3:00
14. Glad to Be Unhappy (Rodgers-Hart) 3:18
15. What More Can a Woman Do (Lee-Barbour) 3:19
16. If Love Were All (Noel Coward) 2:50
17. Blue Turning Gray Over You (Waller-Razaf) 2:38
18. If You Could See Me Now (Dameron-Sigman) 2:26
19. I Go for That (Malneck-Loesser) 3:29
20. I Wonder What Became of Me (Arlen-Mercer) 3:11
21. You Irritate Me So (Cole Porter) 3:08
22. My Old Flame (Johnston-Coslow) 2:32

Sources:
Tracks #1-10, from the album “Bistro Ballads” (Vik LXA 1028)
Tracks #11-22, from the album “The Voice of Audrey Morris” (Bethlehem BCP-6010)
Personnel on "Bistro Ballads":
Audrey Morris, vocals and piano; Johnnie Pate, bass; Charles Walton, cymbals.
Recorded in Chicago, March 31 and April 1, 1955

Personnel on "The Voice of Audrey Morris":
Audrey Morris, vocals, accompanied by Marty Paich and His Orchestra
Marty Paich, conductor, arranger, piano & celeste; Stu Williamson, trumpet Bill Pitman, guitar; Joe Mondragon, bass; Irv Cottler or Alvin Stoller (#11-14), drums; Felix Slatkin and the Hollywood Strings
Recorded in Hollywood, July, 1956

From the early 50s, Audrey Morris’ delicate piano and forceful voice was an asset to any intimate Chicago club —or bistros, whatever be the case— into the wee hours, bucking the current taste for bawdy chanteuses and cultivating a repertoire of obscure, understated material, as she displayed in her two first albums. On the first, “Bistro Ballads”, she provides her own spare, sophisticated piano accompaniment, supported by the sensitive bass of Johnny Pate and the hushed cymbals of Charles Walton, as she brings her soulful style to bear on some untarnished ballads worthy of her skill and intelligence.

On “The Voice of Audrey Morris,” she’s backed by a group of jazzmen plus a superb string section conducted and arranged by Marty Paich. It’s a relaxed, well balanced session on which she is heard to advantage backed by the wholly enticing sound of Stu Williamson’s muted trumpet, while the warm guitar of Bill Pitman and Paich’s ruminative piano engage effectively behind them. She sings a dozen warm standards with uncommon intimacy and assurance, and a quietly swinging approach, without letting the creative tension of her interpretations falter for a moment.

Todd said...

Thanks so much!

My Dad knew Audrey, but I've never heard her early stuff.